Tokyo: My obsession with China led me to become the king of Japanese entertainment.

(Don't understand Japanese entertainment? No problem! This book is for readers who love a good spectacle!) Transmigrating to Tokyo, but only to find himself in the late Heisei era, having missed out on the benefits of the bubble economy, he couldn't escape the shady profits of the Reiwa era. Knowing full well the spending power of Reiwa otaku, Sakurada Jun decided to cling to his fellow countrymen. He was determined to secure the University of Tokyo's supporters' business. Resource integration, precise timing, leveraging the resources of the four islands, and winning over the University of Tokyo! However, his seemingly flawless plans always had a slight mishap during execution: To create a stir, he performed the "Kuroko Dance" during his Johnny's audition, which unexpectedly attracted Johnny's executives to his door, begging for a contract. To persuade Nagano Hiroshi to play Trigger and join Johnny's, he initially intended to be a lazy trainee, waiting for Johnny's to collapse. But years later, he was revered as Johnny's second. Originally, I wanted to do well in my career and become the male version of Miyako by 25 years later. But what the heck is the Grammy? And what the heck is the cultural and sports exchange ambassador between the two countries? Years later, Jun Sakurada, the first J-pop Grammy winner, the most handsome human form of Ultraman, the GOAT of Japanese idol dramas, the top genius of the Reiwa era, and a professional TGA award refuser, said in an interview: "There was a time when I really just wanted to serve my University of Tokyo fans well. But now—" "I want to serve my dear University of Tokyo fans with full enthusiasm, boundless energy, and a sincere attitude!" "So, don't get in the way of your uncle making money!"