"I'm in Tokyo, and this is some kind of movie star comeback system?!"

When Miho Nakayama and Kumiko Goto arrived at the set, the staff were already busy preparing.

Sakamoto Yuzheng was talking to Director Endo about something.

When the two leading ladies arrived, Endo waved to them.

"Let me briefly explain the scene. Goto-san, you don't accept this new mother in your heart, and you try to prevent her from getting close to your father at every turn."

Zhongshan, you want to integrate into this family, but you also carry your own pride, which may become an obstacle to your relationship.

Endo patiently explained the characters' logic to the two of them, while Sakamoto listened quietly from the side.

At this moment, the actors who played his two sons also arrived.

After giving his instructions, Endo asked the two women:

"Is everything alright?"

The two female protagonists nodded to indicate that they understood.

Endo waved to the assistant director, signaling to get ready.

The first scene depicts Miho Nakayama joining the family for the first time.

Inside, high-end cardboard boxes were neatly stacked, almost filling half the room at a glance, and marked with the word "Zhongshan".

The two sons were stunned when they saw it, and looked at each other, not knowing what had happened.

Next, Miho Nakayama appeared, and the children were shocked when they saw her.

"I am Zhongshan, nice to meet you."

Thinking about the director's words, Miho Nakayama treated it as a regular meeting with her fans, and her emotions naturally flowed.

She smiled gently, revealing a perfect smile, her eyes warm and friendly.

Hi everyone!

Zhongshan waved to them with great energy.

The camera cuts to Zhongshan's makeup and styling.

Dressed in a sharp black outfit, she had clearly just finished filming GG and rushed over.

He wore sunglasses, which he slowly removed after seeing the children, revealing a familiar face that frequently appeared on television.

Faced with this scene, the children, who were fans of Zhongshan, pointed at him in astonishment and exclaimed, "It's... a real... real person!"

Next up is Goto.

She had just come home from school and, upon seeing the stacks of cardboard boxes and luggage, asked her younger brother in confusion.

The eldest son bluntly stated, "Just turn around and you'll see."

Goto paused, then turned his head in confusion.

Miho Nakayama was rummaging through the cabinets in her house, getting familiar with the surroundings, when she saw her eldest daughter and gave her a big smile.

Upon seeing this, Goto frowned slightly.

With an expression that says, "Who are you? What are you doing in my house?", he can make any little facial expression he wants.

This scene was filmed very smoothly.

Endo nodded behind the monitor and picked up the megaphone:

"Okay, card!"

"Both of you played very well, this round is over."

Seeing that the filming was going so smoothly, Endo relaxed a little.

He knew this wasn't the effect of his acting.

After all, he did the same thing last time, but the results were not satisfactory.

He glanced sideways at the man who had made everything so "smooth".

I never expected that having Sakamoto Yu go and talk to him would be so effective.

"If I had known, I would have just had Sakamoto-san talk to them directly."

He muttered something to himself, wondering how this person had managed to do it.

On set, Nakayama and Goto, who had just finished filming, both glanced at Sakamoto Valley in the distance.

Both women winked at him.

Miho Nakayama's eyes held a hint of smugness, as if asking, "What about me?"

Kumiko Goto, on the other hand, had a smug look on her face, as if to say, "Look how capable she is."

Sakamoto Yu shook his head speechlessly, then pulled his assistant over to shield him.

Hitomi Ono looked completely bewildered.

"Please block the light for me." Sakamoto Yu looked at the script.

Hitomi Ono's tall figure completely blocked the view.

The two women reacted differently upon seeing this.

Suddenly, they both thought of something and turned to look at each other.

It turned out that the other person was also secretly watching him.

"Hmph, a copycat."

"Little one."

The two glared at each other, neither giving an inch, then snorted softly and looked away.

Miho Nakayama adopted a cool and aloof demeanor and turned to leave.

Kumiko Goto, expressionless and with a poker face, left in the opposite direction.

Endo witnessed this scene and a sense of unease suddenly arose within him.

I hope this doesn't cause a scandal.

Then he shook his head. With so many people in the crew watching and his agent around, everything should be fine.

I guess I'm overthinking it.

He stopped thinking about it and picked up the megaphone to order a change of location.

The next scene will still be an everyday moment.

This scene involved the entire cast and crew, and the scene was quite chaotic.

The two actresses will have scenes together, but this time, Yu Sakamoto will be there as well.

Endo wanted to use this scene to deepen the understanding and cooperation between the two female leads.

Soon, the scene and machines were set up.

Sakamoto Yu and the others had also changed their clothes.

The group was all wearing pajamas, and their hair was styled as if they had just woken up.

The assistant director came over and explained the details of the rehearsal to everyone. After they were ready, filming began.

In the corridor, Sakamoto Yu walked out of the room, still half asleep.

He reached inside his clothes, scratching his back, his hair disheveled.

He kept adjusting his glasses, squinting as he vaguely heard noises coming from the kitchen.

I tried to peek out, but because I had just woken up, I was feeling lightheaded and unsteady. I almost lost my footing and quickly grabbed the wall to steady myself.

At this moment, the eldest son came downstairs, and Sakamoto Yu lazily raised his head upon seeing this.

"morning."

"morning."

The two arrived at the bathroom one after the other, where their younger son was already up and washing up.

The eldest son and the youngest son started arguing as soon as they met.

Sakamoto Yu casually adjusted his slipped glasses and used his body to block the two of them.

"alright."

"Don't argue first thing in the morning."

As he spoke, he turned his head and gestured towards the kitchen:

"That girl, Ah Jing (daughter), is still throwing a tantrum because of Zhongshan, isn't she?"

As soon as she finished speaking, footsteps came from behind her, and her daughter looked like she had just woken up.

The three looked surprised, giving each other a "you weren't in the kitchen" expression.

Immediately, the group exchanged glances and hurriedly ran to the kitchen.

Inside the kitchen, Zhongshan, wearing an apron, was cooking.

Seeing everyone, he smiled and greeted them:

"Good morning! Breakfast will be ready soon, please wait a moment~"

Seeing this, the two sons looked at Sakamoto Yu with mocking expressions.

The daughter stared wide-eyed.

She pushed her two younger brothers aside, stepped forward to glare at her father, sulking with anger, her chest heaving, and finally uttered, "I hate Dad the most!"

He turned and went upstairs.

The next scene we filmed was Goto and Nakayama arguing in the kitchen.

After everyone changed into their everyday clothes, filming began.

Sakamoto Yu was caught between the two. He glanced helplessly at his daughter, then turned to Nakayama Miho: "Next time you come, remember to say hello first, okay?"

Just as Miho Nakayama was about to speak, the roar of a vacuum cleaner suddenly rang out.

The daughter had deliberately turned on the machine, and the piercing noise instantly drowned out their conversation.

Miho Nakayama stormed forward, hands on her hips, tilting her body slightly and deliberately bringing her face close to hers:

"I've already cleaned it."

Her daughter acted as if she hadn't heard her, ignoring her words and continuing to push the vacuum cleaner.

Zhongshan pursed her lips helplessly. She looked around, then had an idea and went straight to unplug the socket.

After doing all this, she looked at her daughter with a smug expression.

But the other person merely raised their eyes indifferently, their tone tinged with mockery: "It's smoking."

As he spoke, he gestured towards the kitchen.

Miho Nakayama's expression changed, and she hurriedly dropped the plug and ran into the kitchen to turn off the stove.

What followed was a bickering scene between the two women.

"What is this?" The daughter raised an eyebrow, looking at the dark, unidentified object.

"French toast..." Miho Nakayama glanced at her irritably and hurriedly threw away the burnt bread.

"We usually eat breakfast." Her daughter rolled her eyes at her, tilted her head, and made no attempt to hide her sarcasm.

Miho Nakayama's eyes gradually darkened with annoyance, but she maintained her smile: "We need to change things up every now and then."

"Do you have any other questions?" She stared at the other person intently, her smile gradually fading.

"Actually, this is all you can do, isn't it?" The daughter's smile faded, and her tone became sharp.

The chemistry between the two was fantastic, but Sakamoto Yu, who had no lines and was just observing from the sidelines, keenly sensed that something was amiss.

They weren't filming a scene; they were clearly having a real argument.

"Cut! That take is good." Director Endo took off his headphones and rubbed his temples.

With Endo's decision, the two women didn't even glance at each other and headed off in opposite directions.

The tension in their relationship is obvious to everyone.

The scene fell silent instantly.

The staff exchanged glances, no one dared to speak, and they even unconsciously softened their movements.

The other two actors had already left the set, clearly not wanting to get involved.

Sakamoto Yu watched silently from the side.

The problem between these two isn't acting skills; they just don't like each other.

They subconsciously want to be superior to each other, and they don't get along.

This kind of emotion, if used properly, can indeed be effective.

The problem is, they just can't stop.

If left unchecked, it will inevitably erupt sooner or later.

He walked back to the rest area on his own.

Ono Hitomi saw Sakamoto Yu approaching and cautiously stepped forward.

Just as I was about to hand him some water, I saw Sakamoto Yu wave his hand.

He stood there, his brows furrowing and relaxing as if he were thinking about something. After a while, he walked towards the director.

Hitomi Ono stood there watching his back, wondering what he was going to do.