After learning about the six-eyed ability, Medea was so surprised that she didn't know what to say for almost a minute.

After that, she recovered and then spoke to Roland in an unusually serious manner, telling him not to tell anyone about his six-eyed ability. She also placed a spell to blur his perception in Roland's eyes, so that if anyone noticed anything unusual about him, he could say that he had a kind of magical eye similar to clairvoyance.

After doing all that, Medea began to analyze the six-eyed ability for Roland.

"Besides your ability to see far and wide, your combined ability to learn how to use a spell just by looking at it is indeed impressive, but it's not just that."

"After all, besides being able to see the trajectory of magic flow, you can also predict that trajectory, right?"

"So as long as you know enough spells, when fighting a magician, as soon as the opponent's magic power starts to flow, you can directly see what spell the opponent is going to use next."

"Those automatically reacting magical artifacts are so obvious to you that you can predict exactly what they're going to do."

"The positions that were set up in advance and the traps that were set up on those positions cannot be hidden from your eyes."

"It can be said that your eyes are extremely useful to magicians, both in terms of auxiliary capabilities and practical combat abilities."

Medea analyzed the situation for Roland in this way, and after a brief moment of thought, her gaze returned to Roland.

"If things had gone according to plan, I originally intended to wait until you learned some of the most basic magic before studying how you should learn magic next. But now it seems that you should be able to master the most basic things like suggestion magic, enhancement mode, detection shielding magic, detection magic, and familiar control magic just by looking at them once."

As she spoke, Medea used her A-grade prop to quickly create a tutorial for Roland.

"After you've learned those basic magic tricks, take a look at this. Many magicians prioritize magic tricks that better suit their attributes when choosing magic tricks, not to mention that your attribute is a rare imaginary number. So take a look at this tutorial on developing your attributes and think about it a bit."

"I won't rigidly stipulate what magic tricks you must learn at a certain stage. You need to think about your own future development trend in this regard."

"But come find me when you've thought it through. I won't teach you magic in a rigid way, but there are some things you really need to learn."

Medea had already made up her mind.

After Roland figured out what kind of magician he wanted to become, she tried to teach him the 'divine words'.

She herself possesses the skill of high-speed divine incantation, a technique that allows her to use any grand magic trick directly with a single incantation.

In other words, as long as you recite the name of the magic spell you want to use using divine words and supply it with magic power, you can instantly cast the spell.

It is a top-tier spellcasting method that does not require connecting magic circuits or complicated structures, and can easily unleash powerful spells as long as there is enough magic power.

However, as a higher-level incantation language, 'divine words' cannot be used with human vocal organs.

Therefore, Medea still needs to make some preparations.

and...

Even though the problems arising from Medea's own Servant status have been resolved, Medea has not given up her vigilance against the Holy Grail War.

She is also investigating information about other Masters and Servants.

However, compared to before, Medea is not under as much pressure now.

Because the purpose of participation is different now.

Medea had planned to stay, so she had to steal the Lesser Grail, which put her under a lot of pressure.

Now that Medea no longer needs the Lesser Grail, her purpose in participating in the Holy Grail War has become to find a few members from among the Heroic Spirits participating in the Holy Grail War who can join the ranks of the gods.

If it works out, that would be a good thing.

If that doesn't work, Medea now has plenty of ways to extricate herself from the Holy Grail War.

This is Medea's plan.

Roland, after receiving the tutorial from Medea, did not disturb her further and quietly left.

He naturally listened to Medea's words.

Moreover, Medea asked him to develop attributes... He really did have some ideas about the imaginary number attribute.

In the original development, Matou Sakura had already shown some of the potential of this attribute.

Moreover, now that he has gained six eyes, Roland is somewhat reminded of Gojo Satoru's limitless techniques.

Although their fundamental nature may differ, the effects of Gojo Satoru's limitless techniques...

He can do it too!

......

8. Roland's Limitless Techniques

Imaginary numbers can also be described as 'imaginary' properties.

This attribute is extremely rare, even more so than Rin Tohsaka's physique, which possesses five magical attributes.

Roland had read Type-Moon's concept art before he traveled through time.

The setting book describes the imaginary number attribute as follows: Imaginary number magic is magic based on fictional elements. In magic, it is defined as something that is possible but cannot be materialized.

In contrast, 'emptiness' is—though impossible, it can be materialized.

Therefore, if one wants to design a limitless technique for Gojo Satoru, the attribute 'emptiness' is actually more suitable than the attribute 'void'.

However, this is not absolute.

Because when magicians use the imaginary number attribute, it manifests as the ability to open imaginary space anywhere simply by consuming magic power.

In other words, if you can open up imaginary space directly in front of the opponent's attack during combat, then the opponent's attack will directly hit the imaginary space instead of landing on you.

By utilizing this characteristic in conjunction with the Six Eyes, any attack that Gojo Satoru's limitless techniques can defend against, imaginary number magic can certainly defend against as well.

Even attacks that have no limits and cannot withstand, imaginary number magic can most likely withstand.

After all, imaginary space is like an unlimited junkyard.

What is stuffed in will become what is defined as 'possible, but not materializable'.

This limit is terrifying, and almost impossible to reach.

Just as few people would question the capacity of a black hole.

Moreover, compared to Gojo Satoru's limitless technique, Roland's limitless technique is even more domineering.

After all, this is not a stop.

Things that are stuffed into imaginary space are very difficult to take out.

So if your remotely controlled Mystic Code gets stuffed into the Imaginary Dimension, it's not much different from your Mystic Code being directly destroyed.

It's unlikely we'll get it back anyway.

If ranged attacks are like this, imagine if your melee attack entered the imaginary space, and Roland simply closed the entrance—it wouldn't just be a matter of you losing a little equipment.

The main drawback of this technique in terms of defensive capabilities is its reaction time.

After all, when you are facing an enemy attack, what you need to do is open the entrance to the imaginary space at the corresponding location, and then close the entrance after the enemy's attack enters the imaginary space.

It's quite difficult for a magician to perfectly achieve this level of reaction speed.

If the opponent is a highly skilled enemy and has prior knowledge of your situation, then they may not be without options.

But Roland had six eyes.

If you're talking about sneak attacks, Roland's six eyes have a 360-degree field of vision, as well as the ability to see a thousand miles, and his vision is not obstructed.

What's even more terrifying is that your spells will be instantly recognized.

It can even see and predict the flow of energy.

This new perspective greatly enhances this simple and direct technique.

However, even with your exceptionally quick reflexes, you still have a chance if that's all.

After all, the eyes and brain are directly connected. Even if the eyes notice something and the brain realizes it, there is still a gap between when you actually react and what you do. So, as long as you don't use magic and don't let the flow of magic be predicted, seizing this gap is the key to victory.

But the six-eyed creature also has high-precision energy manipulation capabilities.

Roland's eyes noticed, and his magic immediately followed.

For Roland, who possesses imaginary attributes, opening the imaginary space is simply a matter of having enough magic power.

This completely resolved the issue of making the technique public.

This also gave Roland a deeper understanding of Gojo Satoru's statement, "I am invincible," from the world of sorcery, where he possessed six eyes.

Roland's first magic trick, a simple, crude, and unscrupulous technique, was thus completed.

With this technique, as long as Roland has magic power, most attacks will be ineffective against him.

Magic was never a problem for Roland.

"A technique with no limits...that's quite interesting."

Compared to the previously recorded suggestive magic and probing magic, Roland's first real spell, which relied on the characteristics brought by his own attributes, aroused his interest in magic.

Many ideas thus appeared in his mind.

For example, if a channel in imaginary space could be made to have an extremely strong suction force, would that be a black hole technique?

For example, if one uses the method of imaginary number infiltration to enter the imaginary number space and then leaves a phantom shadow outside to share sight and sound and serve as an anchor point for oneself in the real number space, would that be equivalent to Obito Uchiha's Kamui?

In short, Roland had an idea.

Then he had no shortage of magic power, and his control over magic power was so precise that it was terrifying.

So, with all the conditions met, he took the teaching materials given to him by Medea and immersed himself in the study of magic.

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