Beijing-Hong Kong Rosemary
230. The End
Complete text
I've finished another book. Thank you all for reading this far, and I'm grateful for your continued support.
After finishing each story, I feel a deep sense of reluctance, because I have to say goodbye to the characters I created and to the readers who love this book.
For various reasons, the data for this book is very unsatisfactory. What I find regrettable is that it originally had the opportunity to be seen by more readers. Even the editor has expressed his regret for me more than once.
While writing this book, I actually went through a lot of bad things. My work and life were not going well. I was under a lot of pressure during that time. I was so anxious that I couldn't sleep at night, and I lost hair and broke out in pimples all over my face. Later, when things finally eased up a bit, my father was diagnosed with heart disease, which left me exhausted and worried.
For a long time, I struggled with writing, losing my desire to express myself and create. I was constantly filled with self-doubt and internal conflict, repeatedly asking myself if I was simply not cut out for writing and whether I should continue.
Fortunately, I managed to finish writing this book. Although it's not perfect, I've done my best to present the story in its entirety.
I've always felt that novels present a relatively idealized world, imbued with a dreamlike quality. They originate from reality but transcend it, which is why they are so captivating. This is also why I initially enjoyed writing novels.
I'm happy when people like the characters I create, especially the female lead. I put a lot of effort into developing her, and I feel quite helpless every time I see comments that nitpick and criticize her.
I have written five books myself, and I have also read many books written by others during my student days. I have found that there are always some people who have extremely high requirements for the female lead, like to make moral judgments, seize on a flaw and magnify it infinitely, and even demand that the author change the female lead.
They seem to have misunderstood something: female-oriented novels must be centered around the female protagonist. The male protagonist should be grateful that the female protagonist likes him, otherwise he wouldn't be the male protagonist.
I believe that the female protagonists in each of my books are generally well-developed, but even so, there are still people who are dissatisfied. If the female protagonist is kind, she is called a saint; if she is framed, she is called stupid; if she prioritizes her career, she is called selfish and pretentious... The list goes on and on.
I used to be someone who cared a lot about what others thought of me. I was afraid that if I didn't write something well, my female lead would be criticized. So I was always constrained by certain things, hesitant and timid, which prevented me from writing freely and trying new settings.
As I've gained more experience, I've gradually come to terms with things. Caring too much about what others think and say will only make life more and more tiring.
However, I still want to say that none of my novels are suitable for people who are extremely obsessed with male protagonists, and even less suitable for people who are too harsh on female protagonists.
I think it's perfectly fine to be lenient and biased towards the female protagonist in female-oriented novels. Of course, it's okay if you have different opinions, since everyone has different views. But please respect my freedom as a creator. I think I can still make my own decisions about my own book.
In my next book, I plan to try a female lead who isn't so morally upright. She gets close to the male lead just to use him, and then runs away without looking back. I'll see how the crazy male lead and the seemingly innocent girl clash.
You run, I chase / Writing hate literature / Forced acquisition / (These are the tentative elements, subject to change)
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Okay, thank you all for listening to my rambling. I'm also very grateful for your understanding of my shortcomings. See you in the next book if fate allows.
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