Chapter 200

It is even more likely that when Vic completes his mission in the future, all that will be left in the new world is some processed information.

The "author" will most likely not allow anyone in the new world to go upstream and explore everything in the past.

Because that would make it easier to expose the various setting loopholes he left behind in the old era.

Especially myself, in the new world, I may just be a projection of some data.

Rather than a real person.

Intuitively, Vic believes that if the "author"'s personality is similar to his own, he would not put the protagonist from the "old book" into the "new book".

It's great as a background board.

If the protagonist of the old story can still exist in the new story, what position should he play?

If it’s not handled properly, the whole story will collapse.

That is definitely not what the "author" wants to see.

Therefore, thinking from this perspective, Vic believes that he can actually play freely next.

……

……

……

After having some ideas in his mind, Vic moved from the non-existent area outside the world to the world newly created by the "author".

It was different from what he had imagined.

This world, which was created not long ago, does not have any fixed world rules at present.

After receiving part of the "author's" power, Vic gained considerable authority in this world.

"First of all, help me improve the basic rules of this world."

After entering the world, Vic suddenly received a message.

This is what the "author" said to him.

Although he cannot communicate directly with the "author", the "author" can actually know his every move and even his thoughts as he is under the "author's" watchful eye.

So this isn’t much different than communicating directly with the “author”.

It’s just that the initiative of communication is in the hands of the “author”, not in his hands.

"Well, perfect the rules of this world?"

Vic stroked his chin and began to read some settings provided by the "author".

As well as some known rules of that world in the higher narrative level, and some taboos and taboos of that world.

"Sure enough, that Earth civilization is exactly the same as the situation at a higher narrative level."

"I was wondering why Earth civilization was able to engrave its culture into the multiverse, but only a small part of it was engraved."

"It turns out that it was not an accident, but under the influence of a higher narrative layer, the multiverse itself tends to favor their history and culture."

"Even if Earth civilization did not do that, various accidents might have occurred, causing the history and culture of Earth civilization to be assimilated into the multiverse."

“Thus a series of subsequent civilizations were derived.”

"wrong."

Vic thought again.

"In fact, it was inevitable for Earth civilization to make that choice, and it was also inevitable that it would end up like that."

"Because the author needs a world that is deeply connected to the culture and history of 'Earth', but the real forces and names of 'Earth' in the higher narrative layers cannot exist."

"So, the rise and fall of Earth civilization is inevitable, and the engraving of culture and history into the multiverse is also inevitable."

"Even the subsequent Blue Star civilization is almost identical to Earth civilization, which is inevitable."

"The author arranged it this way, firstly to make readers familiar with 'my story' and resonate with it." "Secondly, it is to avoid and prevent certain taboos from being triggered during the creative process."

"So now he's asking me to 'create' this new world on his behalf, and I should follow these principles."

"This way, the 'new world' can be more in line with his wishes."

"Especially what we just got, which comes from the 'real situation' in a higher narrative layer."

Vic sighed.

“Living in a world like that is not an easy thing.”

you do not say.

In Vic's opinion, not only does that world not have rule-level power, even the extraordinary system beyond the rules of physics has not been clearly discovered.

Living in a world without magic is a torture in itself.

Especially since the "author" is just an ordinary person with little power, and the technology in that world is very underdeveloped.

It is only the strength of conventional carbon-based biological surface civilization under the general rules of planetary-cosmic civilization.

It's the kind that hasn't even achieved nuclear fusion.

Vic simply couldn't imagine a life where he would feel thirsty and hungry, and couldn't directly use his supernatural powers to create water or food.

You have to walk when you go out, you can't teleport directly.

Communication has to use primitive electromagnetic wave communication tools, and it is impossible to contact the other party with just a thought.

You must rest when you are tired, and you must sleep for one-third of the day. You cannot just sleep when you want and not sleep when you don’t want.

Even the "author", who is just an ordinary person, cannot leave his planet and explore the universe.

For the rest of its life, it can only stay on a tiny rocky planet.

There wasn't even a maid or anything.

That kind of life is too hard to endure.

In contrast, if given a choice, he would rather stay in this low-narrative world.

Anyway, as long as he is out of the control and observation of the higher narrative level, he can do whatever he wants.

What does the so-called narrative layer have to do with him?

No one can clearly tell what is virtual and what is real.

Everything he enjoys now and before is real to him.

Even compared to those in the higher narrative layers, the resources, computing power, etc. he controls are even more massive if we ignore the differences between different narrative layers.

This may be some kind of indescribable complement between different narrative layers.

……

……

With a clear idea in mind, Vic began to create rules.

Although he was just an ordinary first-level wizard before.

But after mastering the entire multiverse through the power of "Author", he instantly understood all the knowledge in the multiverse.

Of course, he is the only one who owns this knowledge.

Even if he could complete billions of thoughts in an instant and construct the most perfect world, he would not be able to pass the relevant information of this world to the "author" at a higher narrative level.

Because there is a certain absolute isolation between the higher narrative level and the lower narrative level.

In other words, not only is his power unable to penetrate into higher narrative levels, but even abstract things such as information and logic will be greatly distorted when transmitted between different narrative levels.

(End of this chapter)

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