Wizards are mighty.
Chapter 199
Chapter 199
People in different worlds, although they are all "virtual works" in a certain sense from a higher narrative level.
But their worlds are almost equivalent to two parallel lines that are completely unlikely to intersect.
Except for one situation.
That is, when a higher narrative level intervenes, the original world becomes "split".
This allows the split world to stitch together other worlds at the lower narrative level.
In this way, the new world created by the combination of the "splits" of the two lower narrative worlds seems to have merged together.
But the original two mother worlds still remain the same.
To put it in simple terms, every time someone at a higher narrative level has an "opinion" or even an "inspiration", the world at a lower narrative level will split.
As the saying goes, there are a thousand Hamlets in the eyes of a thousand people. When a thousand different higher-narrative beings observe their lower-narrative world, their world will naturally split into a thousand copies.
These thousand copies may be similar or completely different, and everything depends on the views of those at the higher narrative level.
In fact, it is no longer clear who is the copy and who is the source.
Every world may have gone through countless evolutionary versions during the process of generation.
If these evolved versions are forgotten in the world of higher narrative levels, they will naturally disappear into the lower narrative levels and will never be discovered again.
To Vic, the conditions of their worlds were enviable.
Because the multiverse like the one where he and the imaginary Vic exist is actually a world that is "focused on" by the existence of a higher narrative level.
If they want to escape from the attention of the higher narrative level, they have to spend a lot of effort to let another or even another group of worlds take their place.
In a sense, they themselves are the "replacement products" of the other two worlds.
Because the original worlds of Vic and Virtual Vic are actually two completely unrelated worlds.
Those worlds may have originally been the focus of a higher narrative level.
But after the "author"'s operation, their world was created.
The original two worlds naturally disappeared successfully.
And after they complete a series of actions, their world will naturally split and disappear.
In their place were other copies.
This is very complicated logic and it is difficult to explain it all at once.
But the relationship between the narrative layers is quite strange.
So it’s better not to delve into it.
……
……
……
After waiting for a while, Vic decided to jump directly to the day of "creating the world".
Of course, this first depends on whether the "author" agrees.
In fact, he had tried to adjust the time countless times before.
However, due to obstruction from a higher narrative level, or "non-authorization of power", he is unable to quickly jump to that time period in the future under the watchful eye of the "author" at a higher narrative level.
Well, maybe some "author" wanted to reduce the word count.
In short, after slightly adjusting the time and finding that no one was stopping him, Vic simply adjusted the time to the end and came to the day when the "author" created the world.
……
……
No strange phenomena occurred, nor any earth-shattering explosion.
This is not surprising, because Vic himself is not in any world or any space. The process of creating a world is unexpectedly fast for him.
It was as if in a completely indivisible moment, a new world had been created and appeared in his perception.
This perception is not one of the five senses, nor is it the perception of the regular dimension or any other perception he had before.
This perception is more like a ticket.
Allowing him to go to an "other world".
"wrong……"
At this moment, Vic's spirits perked up, and he seemed to understand something.
It turns out that the so-called third trick is something like this.
No wonder the illusory Vic kept talking about the third trick but didn’t mention any specific measures.
He was only told that he was going to a new world to help the "author", but he didn't say what benefits doing so would bring to them.
He originally thought that this was the reward the "author" asked them to pay.
But now that I think about it, since the "author" has absolute control over them, it is absolutely impossible for him to help them for the so-called rewards.
Because the "author" himself can make them do anything at any time.
In other words, in this low-narrative world created by the "author", the "author" himself is truly omnipotent.
The author can only, and must, be willing to help them simply because he is willing to help, or because he has developed feelings for the existence of the projection he created.
Therefore, the only explanation for this third trick is not that the author wants them to help.
Rather, the "Vic" of the original world and the "virtual Vic" need the present Vic to become the new "substitute that is paid attention to by a higher narrative level."
In other words, after perceiving that world and establishing a connection with it, Vic himself has become a part of the "new world".
He himself became a shield for himself in the past world.
"I see."
Vic smiled with relief.
Sure enough, this is indeed his style.
No wonder his past self did not realize this in his memory.
Now it seems that I was not unaware of it.
It is clear that this part of the memory has not been "copied".
"Forget it, it doesn't matter."
"In a world that is almost identical, what is the difference between different 'I's'?"
"But after doing these things in this world, I should be able to get rid of the attention, right?"
The new Vic has already thought about what's next.
The world we see today is a world created by the "author" who needs to perfect the settings in it.
In other words, he is now a member of a world where the replicas of the world of "the past Vic, the imaginary Vic of the past" and the replicas of the world of "the future that has not yet been created" are combined.
It sounds confusing, but the reality is that once he has completed his mission, this world will be out of the focus of the higher narrative level, and he will directly control this world.
As for why this world will also be out of the focus of higher narrative levels...
Nonsense, it’s not difficult for the “author” to re-evolve a world.
In the new world, "Vic" only needs to be a background board.
No need to participate in the story.
In order to avoid confusion, there is definitely no need to use the current world.
(End of this chapter)
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