mygo, Villain Simulator

The brown-haired girl took out her phone and filmed Ichinose Wakaba's infatuation with her idol.

The next story is a simulation of writing about a prostitute; the ending of that story made me feel really disgusted.

One of the biggest motivations for writing this book was to thoroughly expose and critique the characters that evoke disgust.

So, the next story will be based on very realistic content, but it shouldn't be as extreme as the first simulation, since those things are common occurrences.

P.S. I saw someone post a book today saying that Xiangzi killed his father for insurance money.

Regarding this matter, I went to read that book. How should I put it? The person who exposed the person can only be described as having a perfect score in journalism—they only pick what's eye-catching.

I read the book and found that the protagonist controlled Xiangzi in the simulation, lowered Xiangzi's morality, and controlled his body.

Then I looked at the following chapters, which described how, in the simulation, he controlled Xiangzi's body, took Mu with him, started plagiarizing, became a rising star, and then jumped off a building in front of thousands of people at the height of his fame.

I couldn't understand the third simulation. Suddenly the background changed, and it went to an alternate ancient history. I wondered why the author wrote this plot. I guess it was to create a story about revenge for her father. After all, in this alternate ancient history, Mu is an orphan picked up by Xiangzi (her true identity is the daughter of a deceased duke).

Leaving aside the third simulation, let's talk about the first two, as I feel I haven't written enough about them.

The first case of murdering one's father for insurance money was solved by the protagonist controlling his body and using external cheats to lower Xiangzi's morality.

I actually wrote a similar story before, about Miyuki Shirogane.

Because of Da Chi's various questionable actions, this character has a very poor impression on me.

Therefore, I used malice when I wrote this character.

Development can be achieved through academic performance, part-time jobs, and family circumstances.

In academics, he caused Shirogane Miyuki to be suppressed and no longer be number one. For Shirogane Miyuki, the most fundamental element that constitutes his character is arrogance.

Arrogance as the top student in the grade.

If it weren't for this arrogance, he wouldn't have had the confidence to do anything at all.

The second job involves Shirogane Miyuki, whose family situation is well-known. The author, Daikichi, describes him as going bankrupt with 5 million yen in debt, and being tricked into it – specifically, the Shinomiya family.

This is something that Mr. Daichi didn't elaborate on at all, which is really infuriating. It's clearly a classic Romeo and Juliet story, and he didn't even bother to write it? Instead, he wrote about some idiotic high school student fighting against a conglomerate.

Therefore, in order to destroy Miyuki Shirogane, my second point is to start with part-time jobs, making it impossible for him to supplement his family's income through part-time work. Furthermore, since he's no longer ranked first in his grade, his scholarship will be reduced.

The third family, as mentioned in point two, was tricked by Shirogane Dio, their factory went bankrupt, and they owed 5 million yen, yet they acted as if nothing had happened. It's worth noting that while Japan does have the concept of bankruptcy, it also outsources non-performing assets to other institutions.

Violent debt collection methods are quite common.

Starting from this point, I made Shirogane Miyuki experience what it means to be in hell on earth, and put Shirogane Miyuki's father in a dilemma: You won't pay back the money? No money? No problem, I know a company that will provide you with a loan.

As for this being a loan that is clearly usurious?

I ask you, in Japan, do you really care about those useless police officers and that society?

Can Baiyin's father refuse to sign?

Therefore, at this point, Shirogane Miyuki's three most basic principles have been destroyed.

After that, I described how Kaguya Shinomiya and Miyuki Shirogane had a misunderstanding, how his sister was bullied because of him, how his father went to work illegally for money and became a string of cold numbers, especially since he squandered the money and allowed Miko to successfully replace him as student council president.

At this point, Shirogane Miyuki was completely destroyed. -/Yi-/First Release

I'm saying all this because after reading that book, I felt it was written too vaguely.

The system just used it all at once, and Xiangzi made his father die.

As for the second simulation, after reading it, I felt that the protagonist was preparing to win over Mu. But if I were to write it, I would add that the protagonist prepares by backing up all the works that Xiangzi copied in advance—to expose her as a plagiarist.

The higher you're lifted up, the higher you'll fall.

Especially Toyokawa Shoko's identity—what? The heir to a conglomerate? That's how these rich people are!

Malice can drive Toyokawa Shoko to the brink of collapse, especially when she discovers that her works have been proven by others with irrefutable evidence that she is a fake!

At this point, the person who is trapped in self-doubt will break down.

Furthermore, Mu, who was half-body, was scolded in order to protect Xiangzi, and then committed suicide.

This truly ruined Toyokawa Shoko.

Of course, I won't write this kind of plot about these characters; if I were to, it would be about an annoying character like Shirogane Miyuki.

I'm only writing this to share my own writing thoughts; I have no intention of criticizing anyone.

Chapter 30, this new episode

At first, when I saw how dark the background and background music were, especially when Hatsune Miku and Little Shoko ran out to play at night, I thought: Hmm, the next part of the story is that True Hatsuka will die unexpectedly because she didn't go.

The result—the adoptive father died.

Scratching his head, he continued reading.

Xiangzi, Xiangzi, Xiangzi, Xiangzi, Xiangzi—Don't come any closer!!!

Oh my god, I was shocked, especially by the two black faces in the last two pictures.

Uh, keep reading. Hatsune Miku went to Tokyo and formed an idol group with the Donut Lady group, who had won the national singing competition for five consecutive years. They made their debut at the opening of a super mall.

Let me explain the order in which idols appear in Japan. Those at the bottom perform at random roadside stalls, while those with some talent and a powerful management company will be arranged to appear at music festivals. The most outstanding ones will even appear directly at concerts by their seniors.

As for Sumimi, all I can say about her debut is that her end point is someone else's starting point.

Old Deng said he wouldn't care, but in the end (is this the darkness of the Toyokawa family?).

As for Xiang's father, all I can say is that if he were a girl, he would be a naive and innocent character.

And Old Deng, you said not to let these things be exposed, after all, the darkness of the Toyokawa family is unimaginable, but you still did it yourself—double standards.

However, it's also possible that Old Deng's methods are so sophisticated that others can't detect them.

In short, after watching one episode, I understood two things: one is that the darkness of the Toyokawa family is unknown, and after all, the unknown is the most frightening.

So, you, the second Old Deng, also married into the family?!

Damn, what kind of curse has the Toyokawa family been cursed?

Not only are there no male heirs in each generation, but are the women all so incapable of achieving anything?

Are they all like Xiangzi, only able to exhale breath?

As for the others, Old Deng was in great pain after his grandmother Toyokawa passed away, and he had Hatsune Miku with a maid who loved him.

Anything else you want to say? Oh, right, Xiangzi's transformation in this episode was too fast. I feel like there was a missing scene where Xiangzi learns Hatsune's true identity; that would have made the transformation more natural.

Also, this episode should be classified as a solo episode, which would normally be placed in the early to mid-stages. Just like idol anime, it starts by introducing the characters, then each person has their own solo episode explaining their reasons for wanting to become an idol, then the solo episode ends, and preparations for team spirit begin, culminating in the ending.

I don't know what the editor was thinking with the "Mother Hen Card" part. Couldn't they have just followed the traditional approach?

The first four episodes are all about the group's destruction, then each character goes back one by one. In the middle, Kasuga Kage takes down Shoko, and then he begins to mature as the captain, dealing with his teammates one by one.

The final episode will be a live performance.

There are so many scripts for you to copy, yet you still can't copy them properly.

However, because of this episode, I finally finished perfecting Xiangzi's next simulation. Without the darkness of the Toyokawa family, some plot points were stuck, but now, they've all been resolved.

P.S. Some people have said that the author has been talking too much lately, and that's definitely something to pay attention to. Sometimes, seeing long passages about gangsters really disrupts the flow of the novel.

I won't write those things next time; I'll just discuss the plot at most.

Furthermore, this Hatsune Miku is entirely based on the "You saved me!" storyline.

Refresh if there is an image

Chapter 31 Special Life Simulation

"Pushing the Thread" is a manga created by Aka Akasaka and illustrated by Yokoyasu. The story revolves around themes such as idol culture, the entertainment industry, and parent-child relationships, combining suspense and plot elements, and carrying a profound reflection on modern society, media, and interpersonal relationships.

Oh, and there are also some personal projects that Teacher Da Chi added to it.

For example, there's the idol mom who has two kids out of wedlock, the girlfriend who's getting more and more powerful, and the completely useless background heroine, Miss Hat.

Regarding this work, when we saw Hoshino Ruby and Hoshino Aqua recognize each other, and Hoshino Ruby said, "Doctor, I'm an adult now"—the great Akasaka knew what we wanted to see.

But later, the story delves into the differences between the murderer's daughter and the murderer's sister who killed the murderer's father, the hat-wearing lady who confesses her love at the funeral, the ex-girlfriend who becomes the daughter of the Superintendent General, and the sister who recovers from the deaths of her mother, father, and brother, among other things.

All I want to say is: Shit!

Therefore, after seeing the three members of Komachi, he did not hesitate to choose to simulate!

In the raging inferno, three dolls stood silently, as if chosen by the flames as their sacrifice. Each doll's figure was engulfed by the flames, charred tongues of fire licking their bodies, creating a chilling scene.

The first doll had a face as white as porcelain, expressionless, with empty eyes like lifeless glass beads. The reflection of the flames danced on her face, illuminating her dreamlike golden hair, which swayed like burning light, dancing silently.

The second doll's eyes opened slightly, like ripples on still water, a trace of pain emerging, yet she could not escape the merciless sea of ​​fire. Her skin began to change color from the scorching flames, red branding marks spreading rapidly, her clothes turned to ash, and her exposed skin glowed a chilling red in the firelight, as if her blood were burning along with the flames.

The third doll had been completely engulfed by flames, her shape barely visible, only a ball of fire dancing in the air. Her skeleton had long been deformed by the fire, the flames almost reducing her to ashes.

The burgundy shoulder-length hair, the long golden hair, and the bee-colored apple head—each characteristic hints at the role the doll represents.

【Caution! ]

[This Sims session is a special instance. If you choose the High level, you will have three Sims; if you choose the Mid level, you will have two Sims; and if you choose the Low level, you will have one Sim.]

If you select the advanced level, you can choose three keywords.

"A special instance? For three people?"

After glancing at Hoshino Ruby, Arima Kana, and Meu, Ichinose Wakaba decided to try this high-level special dungeon.

[Do you wish to select these three individuals for the simulation?]

【Sure. 】

This life simulation is at a high difficulty level and is a special simulation.

[Please select an initial affix. After the scenario concludes, you can choose one affix as your permanent affix based on the evaluation. The level of your existing affixes will also be randomly increased.]

[Status (white): Just like Hoshino Aqua and Hoshino Ruby have a clown as their biological father in the entertainment industry, you also have a clown as your father.]

[Writing (white): Your talent rivals that of Kasumigaoka Shiyu.]

[Acting Skills (White): You can cry in 5 seconds ( )]

[Because this is a high-level, special life simulation, you can choose three keywords this time.]

"What's the difference between saying that and not saying it at all?"

Unable to resist making a comment, Ichinose Wakaba glanced at the entry with only three options: writing (white), and mentally considered all the choices.

[Do you want to select keywords such as Music (white), Acting Skills (white), or Status (white)?]

【confirm. 】

【Start simulation.】

[You were born at age 0. Due to your status (white), you have a very important father named Kitagawa Hiroshi.]

You feel the other person's name sounds familiar, but it's from such a distant memory that you can't quite place who they are.

[However, according to the entry's description, you think the other person might be similar to Hoshino Aqua's father—the kind who was famous before transitioning into becoming an agency owner.]

[Furthermore, your father isn't very close to you, and you haven't paid much attention to him.]

As for your mother? You've never met her; your father's sister is the one who takes care of you daily.

[At five years old, you've grown up and begun to experience the world around you. Your father, Hiroshi Kitagawa, isn't often by your side; he's busy with his career and various complex interpersonal relationships. As for your father's sister, she's also been busy lately, so you've been entrusted to a nanny's care.]

Although this isn't the ending of an orphan who has lost both parents, for you, the situation of your father being busy with work and your mother being missing is no different from that of someone who has lost both parents.

[Besides that, you've demonstrated an extraordinary talent—writing. From initially simply imitating others to gradually revealing your own unique insights, you've begun to express your inner emotions through words.]

Your nanny became your first book fan. As for your father, although he paid attention to you, he was more interested in the young idols in his company, since you were a helpless little child.

At age 7, encouraged by your nanny, you tried submitting your work to a magazine. Because it was still the 90s, you couldn't submit via email; you had to ask your nanny to run the errand for you.

At 8 years old, you became somewhat famous. Although your writing wasn't exceptionally good, the delicate style, combined with the works from your past life's memories, made your books sell out.

[At age 9, your father finally noticed you, Ershan Sijiu Qisi. The reason is that an artist under his company recently auditioned for a script.]

After learning that you were the lead writer of the script, your father came to your door.

He talked to you a lot, saying he would use his position to pave the way for you to join NHK's scriptwriting team as soon as possible.

For Japanese screenwriters, joining the NHK screenwriting team is equivalent to achieving a leap in social class.

The NHK screenwriting team wields considerable power; they can cast anyone as the lead in a national historical drama if they so choose.

Writers already enjoy a high social status in Japan. Even if they had affairs with 50 people or committed adultery, they wouldn't face public condemnation or have their careers ended like entertainers. On the contrary, they might be praised for their "true colors as writers."

At 15, you officially became a member of the NHK scriptwriting team. Relying on your father's power and your own abilities, you became the lead writer for that year's Taiga drama.