People in Terra, governing a bizarre little country

He boldly called a halt to the film halfway through its run in 2010!

Ernst admired his courage. Although Nian did not reveal her identity as a giant beast, it took great courage and boldness to forcibly stop the screening of a movie in front of everyone, especially Ernst and his large group of government officials and another large group of Nian's "brothers and sisters"!

Nian seemed like an optimist, but through his interactions with her, Ernst had long understood her true nature. Just as her elder brother Chongyue had said, she had always been someone who cherished the things she loved.

Family, friends, food, and movies—these are her greatest passions in life. When Ford stopped Nian's film, Ernst noticed the surprise and tension that flashed in Nian's eyes!

Ernst wasn't sure if the actors could handle the criticism. Even if they could, Ernst wasn't sure if the other actors present would have a problem with the director.

There is no shortage of people in this world who completely "help their relatives and ignore the truth," especially in "special" family relationships like that of the "Beast Agent."

Ernst was even prepared to step in and save the day.

But instead of criticizing Nian, the renowned director Ford scanned the sparse crowd below the stage, pondered for a moment, and then asked Nian a question:

"Ms. Nian, are your movies always critically acclaimed but commercially unsuccessful?"

Ernst was stunned!

Look at them, that's what the art of speaking is all about.

That's why he's called a great director; there's a reason he has that title and earns that salary! He's truly remarkable!

"Critically acclaimed but commercially unsuccessful"—this simple sentence encapsulates the reasons for the film's cancellation, the specific circumstances, the social niceties of flattery, and the convenient way out.

The following year, her expression changed from nervousness and surprise to a slightly embarrassed look.

She scratched her hair, appearing somewhat reserved in front of the renowned director.

"It certainly can't compare to your 'The Godfather' film. I've always made movies mainly for my own enjoyment, and I've never thought about making any money. If everyone likes them, that would be the best."

Ford's lips twitched.

He was a man of experience who had seen it all, so of course he understood what Nian meant by those words.

She definitely wants to be famous, but she hasn't become famous yet, and she's too embarrassed to say it out loud, so she can only use "entertaining herself" as an excuse.

It's basically the same as when you did poorly on a test in school and, while checking the answers, you made up some empty excuses like, "Oh, I didn't use my full strength this time," "I changed the answer to this question in the last two minutes before handing in the paper, what a pity," or "It was just a small test, I just wanted to see what it would feel like to fail."

However, the situation that year was more complicated.

From Ford's personal perspective, he felt that the year was actually quite good.

She did a very good job in special effects, camera work, and some details. Moreover, she has a very special advantage - she can always use methods that surprise even Ford to shoot those "explosive big scenes"!

And her problem is also obvious.

The elements she crammed into the film were too mixed up. Ford had watched the film for half an hour, and now, after only a minute of conversation, he should theoretically be able to offer some summary, even a casual remark. But he truly couldn't say anything.

What she filmed were like individual "amazing clips," each of which could be a highlight on its own and looked exceptionally brilliant, but together...

To paraphrase a popular saying from Ernst's previous life: It's hard to imagine that Chinese characters can be arranged and combined in this way.

Because I watched the movie so quickly, I had already finished watching it by the time I realized what was happening.

After another period of silence, Ford offered a suggestion that couldn't be more sincere:

"Ms. Nian, how about trying a different approach? How about shooting some short videos?"

After stepping down, Ernst found the year.

The year seemed noticeably disappointing.

No one would be happy to receive advice from a respected senior in the industry who would say something like, "If you really can't do it, you should change careers. You're different from others. Don't let movies waste your talent."

Although Ford phrased it in a much more subtle way, Nian wasn't stupid; how could she not understand what Ford meant?

In Sherag, in Lungmen, and in front of her brothers and sisters, it's clear that no one would say her films are bad.

But the market won't be so kind; it won't let her off the hook just because you say, "Oh, how could Hayek be so bad!"

Backstage, kind older sisters like Shu were already quietly comforting Nian.

But Ernst felt enthusiastic, even exceptionally motivated and passionate!

Ford is a great director; he truly saved everything!

He made Ernst realize that what he said made perfect sense!

Nian is different from others. We must not let movies waste her talent. Her talent lies entirely in short videos!

Her strengths lie in her extraordinary camerawork and the unimaginable set design achieved through the power of form. However, her directing style, which is full of explosive moments and can easily lead to confusion about the main points and visual fatigue when watched continuously, is a huge drawback in film, but it's a different story in short videos!

Making a good movie requires a beginning, development, climax, and conclusion; it also requires a build-up to a climax; and it needs rich spiritual content or profound cultural heritage.

But shooting a good short video is a completely different story!

Just enjoy it!

Highbrow art has its audience, and so does "The Return of the Dragon King." There's no need to force yourself into circles you can't fit into. As long as you're strong enough and unique enough, you yourself are the circle!

Especially for Ernst, who doesn't have many advantages as a time traveler, these advantages have often been reflected in the political arena. But Ford, with his directorial vision, gave Ernst a wake-up call—Terra's short video industry is not yet developed at all!

Ernst had already planned to find a new economic growth point for Sherag through Stargate and other surrounding areas. Now, he has suddenly found a new talent and a new opportunity!

I don't need Ernst to explain how huge the potential of short videos + e-commerce is, right?

Nian was clearly taken aback by Ernst's enthusiasm, and after hearing what he said, she felt even more puzzled:

"Does anyone actually enjoy watching that kind of stuff?"

It's no wonder he was puzzled; the "art forms" of those short videos that Ernst described were indeed a bit beyond Terra's comprehension.

They never experienced the early days of internet celebrities where "everyone's eyes are on me." Intercity networks in different regions developed almost entirely independently and wildly, with significant cultural barriers. Only now has this barrier been broken down by [Paradise Network]. It's understandable that culturally conservative regions like Da Yan would be "confused" by content like "I'll show you a movie in one go," "I'll tell you a book in three minutes," "My family recommends this store," and "The ten-year period has ended, the Dragon King is back."

But is this a problem?

Obviously, this is not a problem at all.

Ernst gave an absolutely affirmative answer:

"Of course people will like to watch it! In fact, a lot of people will like to watch it!"

The difference between fragmented, massive short videos and traditional movies is that traditional movies allow the film to select its audience, while short videos allow the audience to select the videos.

Once the platform is established and enough people create content, audiences will eventually find something that suits them in the free short video market. If Ernst goes a step further and contacts several tech companies to develop a big data algorithm, then achieving the kind of "intelligent push notifications" seen in his previous life wouldn't be a problem!

The impact of short videos on other traditional film and television industries is undeniable!

Ford may not have realized the enormous butterfly effect his unintentional reminder had. Perhaps he simply couldn't stand it, or perhaps he genuinely wanted to help Nian change his development path. But whether it was a case of bad intentions leading to good or bad, his unintentional act was about to bear fruit!

Nian believed in Ernst. Ernst had helped their whole family and brought back Jie. Nian had always wanted to find an opportunity to repay this kindness and also wanted to help Ernst as much as possible.

But she still had one last bit of hesitation.

"Ernst, you say this is very profitable, but I actually wanted to pursue art."

She answered somewhat shyly.

Ernst immediately frowned.

Doing art? What's wrong with doing art? Can't you make money doing art?

Ernst was also unsure when this strange idea had formed, as if the word "art" was inherently incompatible with "money."

Wang Bo, who wrote the "Preface to the Pavilion of Prince Teng," considered the greatest parallel prose piece of all time, was also seeking employment from powerful figures. Did this affect the historical status of the "Preface to the Pavilion of Prince Teng"?

The mustachioed man who painted with the land across Europe pursued art so much that he almost couldn't afford to eat. Later, he became successful and wealthy. Did that affect his pursuit of art in building Germania?

I've only ever heard of poor people having to give up their artistic ideals because of the pressures of life; I've never heard of wealthy people being unable to pursue art because of money.

On the contrary, it is precisely those with money and power who "define" what art is; otherwise, there wouldn't be an "art myth" where a banana stuck on a wall can sell for millions.

This kind of thinking is unacceptable, and Ernst refuted it cleanly and decisively:

"Equating integrity with poverty is a despicable act that misleads people. They consider shamelessness the primary factor in making money, and when they see others earning money while maintaining their integrity, they can only angrily slander them."

“Nian, you must not learn from those people.”

Ernst paused for a moment, then casually made a promise.

"Not only can you not learn from those people, you must also break their monopoly on the word 'art'!"

"You need to tell them that there are many kinds of art, and art cannot be entirely defined by them. It cannot be that only things that satisfy them and make money can be called art. What you need to build is a platform where everyone can unleash their artistic talents!"

"Not only do you need to showcase your directing talent on this platform, but you also need to use your talent, your abilities, and your videos to attract more people!"

"This is the kind of scene I'm looking forward to seeing!"

Ernst vividly described it as follows:

“One day, you will be able to make those who criticize you and this platform for not being artistic enough come here and see for themselves.”

"Some people dance in the mountains of Da Yan, some sing in the fields of Kazimir, some dive into the deepest part of the Iberian sea, and some climb the highest peak of Shelag!"

"Mutual understanding, tolerance, and recognition between people cannot be achieved overnight, nor can it be accomplished by one person alone. But you can create this platform to provide more people with the possibility of seeing."

"In this way, the majority who were originally silent can break their silence. The ordinary things can become extraordinary."

“You can be that person, become the first to hold and share this power of seeing.”

"Because you are a behemoth, in this land, only you are completely unrestricted, indifferent to any slander or oppression, and refusing to acknowledge any threats or intimidation!"

"So, are you willing?"

Nian stood there, stunned.

After a long while, she took a deep breath as if waking from a dream, and her eyes swelled with almost boundless fighting spirit!

"I am willing!"

Chapter 1053 Abrahana, You Can Act Out The Return of the Dragon King

Ernst has always felt that "Seeing" is a very good speech from a business perspective.

It may not be considered a classic, and its content is mostly abstract. From an artistic point of view, it focuses too much on slogans. Compared with those classic, powerful, and resounding speeches, it seems too empty. The transitions and shifts in the speech, as well as the elevation of values, are also rather abrupt. The difference in literary level is not insignificant.

However, it also has its own undeniable advantages.

It is indeed simple enough, yet appealing enough, and inspiring enough.

Humans are not rational beings, but rather emotional beings. Reason only occupies a small part of our lives, which is why, most of the time, the lesser part controls the greater part. Even if there's now a rabbit head, it's just another oddly shaped lesser head.

9. "Seeing" is a speech script that is very effective in evoking people's emotions.

In Ernst's previous life, it was published around the same time as the article "The Next Generation" from Pink Station. It directly used "The Next Generation" as a stepping stone, indirectly whitewashing Kuaishou, which had been criticized for "a million idiots in the world, half of whom are from Kuaishou and Douyin," and even sending it a considerable amount of traffic. This shows how successful it was as a commercial move.

Meanwhile, on Terra, Ernst no longer intends to use "The Next Generation" as a cushion.

If it's just for promotional purposes on a platform, then "Seeing" is enough.

3 After all, even from the most basic perspective, there are too many people and things on Terra that deserve to be "seen".

The workers who silently forge steam knights on the Victoria production line; the orchestras in Letania that struggle to gain attention due to the lack of noble support; the judges who tirelessly patrol the Iberian coastline to protect the peace of their region—these people deserve to be seen by more people.

The ancient and mysterious Great Yan's inherited, stunning craftsmanship that has gradually faded away; the farmers behind modern Kazimierz who silently give without a sound or reward; and the Sarkaz people who repeatedly fail and rise again in the process of building their homeland, but ultimately still have no homeland and can only become mercenaries.

If there were a platform, these things could receive exposure from a perspective that goes beyond the ordinary.

This was Ernst's second objective.

Besides purely commercial purposes, Ernst also wanted to use this platform to break this "monopoly" on discourse power.

When did traditional media collapse? When did traditional information dissemination media such as newspapers, radio, and even television gradually disappear from the public eye? When did the "government," which could control everything, begin to lose control of the flow of information?

The answer lies in the rise of this new internet model.

When the monopoly on information is broken, Ernst doesn't expect to trigger a wave of so-called "Victoria, Great Yan reconciliation," but at least it can be considered a simple and convenient process for ordinary people to understand each other.

Understanding is the first step in comprehending, and it is also the most important step in breaking down barriers of prejudice.

Ernst compiled "Seeing" into a speech manuscript and used it as the promotional slogan for the new platform "Seeing Platform." He personally recorded the audio and video, and the filming in 2010 was a great success!

Her talent was indeed well displayed. When Ernst mentioned the craftsmanship of the Great Yan Kingdom, she could directly use [Power] instead of special effects to create a kind of Yan Kingdom handicraft that was astounding in Ernst's hands.

When Ernst talks about the fields of golden wheat in Casimir, it can also wave its hand and transform the entire area of ​​the studio into a golden, swaying sea of ​​wheat.

She could even recreate, based on Ernst's description, the magnificent Stutifaira that Ernst had seen in Iberia. Standing on the bow deck of the Fool, Ernst would appear like a true captain, able to issue a call to go to "One Piece".

It can be said that with the help of the year, all of this has taken a step further from the level of "excellence" and reached the level of "perfection"!

After filming this promotional video, I still felt a little uneasy.

Using her powers didn't seem to be a drain on her, but this feeling—that every time she used them, they were used effectively and that each time they brought positive benefits to her "movie"—was a completely new one.

In the past, those actors would have come to complain to me long ago, saying things like, "Director Nian, this is too flashy, this is not good!"

Her interest was fully piqued: Seven