Genshin Impact: I wrote the plot into a novel to spoil the future

The Divine Cherry Tree was created by Raiden Shin according to the 'function' of the World Tree, essentially providing Inazuma with a 'private server' since Inazuma 'lacks' ley lines.

Both are related to ley lines, but one is related to 'the rule of time' and the other to 'the rule of death'.

At least Inazuma's private outfit has almost all the functions of Yggdrasil.

In addition to what Tinari mentioned, it can also resist the invasion of the abyss, so that Inazuma doesn't have to face the abyss all the time like Nata does.

Private servers require maintenance costs, so regular purification rituals are necessary, which is reasonable.

In the story, Tinari continues to introduce the World Tree:

"The reason the Grass Goddess is also known as the 'Goddess of Wisdom' is because her consciousness is connected to the World Tree. The Grass Goddess's power can actually be seen as a manifestation of the World Tree's power."

Nasita nodded, agreeing, but she couldn't access the World Tree's knowledge as freely as everyone imagined.

This is quite strange. She should be the administrator of the World Tree, but it seems that some factor is blocking her.

Nasita could naturally see the connection between the Dead Zone and the Demon Scale Disease, and the root of the existence of these two things lay in the World Tree, but Nasita could not explore it, as if something was hindering her.

This matter had always puzzled Nasita, but not anymore, because from this story Nasita saw the Great Tree King.

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Character Voice Lines - Nasita: About the Great Tree King

"It turns out she's been protecting me all along."

Chapter 499 The Traveler's Illusionary Experience 2.0

Nasita could accept the Great Sage's imprisonment, but she could not accept her people suffering because of it.

So she has tried, she has tried for a long time, and she is still trying to search now.

But she couldn't find anything. No matter how Naxida searched, she couldn't find any relevant information!

She could only watch her people suffer from the Demon Scale Disease, her heart aching with grief.

At first, Nasita thought she wasn't qualified enough, but now she knows that there was a Great Tree King there.

The Great Tree King is dead, but she cannot die.

Demons are inherently immortal, and the Great Tree King is even more special, as she is the embodiment of the World Tree.

The only way to kill her, besides deleting her, is to burn the World Tree and make the World Tree 'die' so that she will 'die'.

From a normal person's perspective, the Great Tree King is already dead. She cannot leave the World Tree, nor can she affect the outside world. It's no different from returning to the ley lines.

Therefore, the Great Tree King knew of Nasita's plight, but she was powerless to help.

However, the consciousness of the Great Tree King resides within the World Tree, and can protect Narcida from being tainted by 'forbidden knowledge'.

Narcida's current access to the Void and the World Tree is incomplete, the reason being the protection of the Great Tree King, who has shielded the corrupted parts of the World Tree.

Without the Great Tree King, if someone accidentally stumbled upon forbidden knowledge while searching for the World Tree, it would all be over.

Even just in case, the Great Tree King couldn't let Nasida sense her presence, since she had already been corrupted by 'forbidden knowledge'.

This led Nasita to have no idea why she couldn't find the information and to think it was because she lacked the ability.

Now Nasita understands what's going on, after all, Lin Qiu wrote the sentence 'World, forget me' in the book.

An ordinary person might not be able to guess, but Nasita immediately recognized who said it, though she didn't yet understand why.

Nasita did not search for or look for the World Tree, because she knew that the Great Tree King must have a reason for hiding itself, and that rashly searching for it would be counterproductive.

As for how Tinali knew these things, it was actually something his ancestors heard from the retinue of the Great Tree King.

That's right, it was the magical Lanalo who told the ancestors of Tinari about the World Tree.

Tinari also said that those magical creatures did not know how to heal the World Tree.

This was truly a heavy blow to the Sumeru people; how could they have encountered both humanity's incurable disease and the World Tree's incurable disease...?

This thing is exclusively for the Sumeru people; people in other regions cannot 'enjoy' it.

Great Sage, Demon Scale Disease, Dead Zone, does your country have anything this 'amazing'?

Fortunately, the heavy topics in the story ended there, and after resolving the Dead Zone, Tinali returned to Huacheng Guo with the Traveler.

They had just returned when they received another letter from Haibasha; they were truly never free.

The letter contained three lines, which Tinari explained meant that Haibasha had been hungry for three days.

The reason I can understand it is because this isn't the first time. Last time, Haibasha drew five lines. Draw five lines, and you'll understand.

Araki Ichito: "If the three turtles were starving for three days, then the nine turtles must have been starving for nine days! Hahaha, you still have the nerve to talk about me like that!"

That's why Seno wasn't by Ichidou's side; otherwise, he would have had to be praised no matter what.

Tinari said to the travelers, "I have some emergency food here. Could you please take it to her for me?"

Even so, Tina was not in a hurry. It was only three days of hunger, not too bad. She had survived five days of hunger before and was very resilient to hunger.

Because there was no rush, Tinari even talked to the travelers about 'hallucinations' before they set off.

Tinari admitted that he had indeed deceived the traveler before. It was not an illusion, but rather the traveler's consciousness connecting with the World Tree.

Because this was no small matter, Tinali chose to keep it a secret until they confirmed that the traveler was one of their own.

After spending several days together, the travelers have become friends, not enemies, so they should be honest with each other and prepare to lay down their armor.

It's possible that the removal of the armor really was the cause of the trouble. Tinari was also "too powerful to be a threat to his master." The Great Sage might want to get rid of Tinari later, but that's another story.

In short, after a frank exchange, Tinari had prepared food and a letter; Paimon could keep the letter, and the traveler could keep the food.

You know Paimon; if you let her take it, by the time they get there, half the food might be gone.

In the story, the traveler and Paimon arrive at the cave where they had previously met Hypasha, only to find it deserted.

The two split up to search; Yingmei stayed inside the cave, while Paimon went outside.

Then, inside the cave, the traveler found Hybasha and also encountered a cute creature—the Cucumber Spirit!

It is Lanaluo, a member of the radish spirit Naxida's retinue.

The illustration of Lanaro:] has a round, green body, and the two green leaves on its head look quite healthy.

The main thing is that he has short legs and a big butt, and the way he waddles when he walks is really cute, like a corgi's butt.

At this point, the readers did not know that this was a servant of the grass god; they only thought it was extremely cute and could definitely become a new emergency food.

Just then, Paimon was away, and I inexplicably felt a sense of betrayal; the mascot's status was about to slip away.

Lanalo was startled to see the traveler and actually jumped up. After landing, it disappeared.

Like a small ginseng fruit, it burrows into the ground as soon as it encounters soil.

Lanaro ran away, and Paimon arrived late.

Haibasha was lying in the cave, already exhausted from hunger, but strangely, there was fruit right next to her.

[Hai Ba Xia weakly: "Ugh... ugh... I'm so hungry... cough cough... water..."]

[Traveler: "He seems more energetic than I expected."]

Take Yingmei for example. She doesn't talk much usually, but when she does, it's always something big.

Haibasha was so hungry, yet she still said the other person was energetic.

Indeed, she can still speak, so it's not a big problem. This situation doesn't warrant the intervention of Master Hu. She truly lives up to her reputation as a woman who can go hungry for five days.

However, everyone felt that this scene was somewhat familiar, as if they had seen something similar with Mona.

Is this how all academic researchers are? How come they're even worse off than those starving people in a desolate place?

In short, Haibasha was really hungry for too long and had difficulty eating, so we needed to find her some water to drink first.

The traveler planned to go out to find water, but discovered that there was a completely different world outside the cave entrance.

The endless, enormous vines, the large, unopened buds, and the azure sky create an atmosphere reminiscent of a fairytale world.

The scene was beautiful, but no one was in the mood to appreciate it, because it was clear that the travelers were hallucinating again.

Damn it, is it an illusion? When?!

Instead of asking when you fell under the illusion, ask yourself when you started to have the illusion that I didn't use the illusion?

Chapter 500 Dream? Reality?

The travelers have been affected, but this time they're not unconscious, because Paimon is also there; perhaps they've been dragged into an illusion.

This is something everyone is familiar with; isn't this the same situation as the island stories we watched before?

Wait! An island!? We've encountered this situation again here in Sumeru. Does this mean this ability originates from Sumeru? It's the Grass God!

Because the book has no sound, even though people have seen the 'Happy Birthday' PV and heard Narcida's voice, they didn't immediately connect it with the mysterious female voice in the book.

Now I finally realize that it seems like the emphasis has been on the dream ever since we entered Sumeru!

The traveler was quite experienced in dealing with this situation; let me, Old Ying, go ahead and scout the way.

The traveler followed the vines forward and entered the interior of the plant. The space here was huge, with lush green plants and emerald green water, and even the surrounding flowers seemed to glow, making it quite dreamlike.

As the traveler continued to explore, the scenery changed; the vegetation disappeared, and it felt as if they were in a room, the decorations of which resembled Inazuma's house.

In Sumi's dream, Inazuma's house appeared?

Further on, the scene shifts back to the interior of plants, but this time it seems to be inside a mushroom, and the entire scene turns yellowish.

This back-and-forth transition has left readers bewildered. The previous dreams were all about someone's state of mind, so they were somewhat traceable. What's going on this time?

The interior of the plant area has a very Sumeru-like landscape style, but why is there an Inazuma house interspersed in the middle?

Why not Sumeru's house? Is it because Inazuma's house lease is about to expire, so he urgently needs to use it?

Just as I was wondering, I turned the page again and the illustration changed to Inazuma's house.

The house's terrace offers views of blooming cherry blossoms, which are quite beautiful, and the artificial rockery and water features are also characteristic of Inazuma.

As the traveler observes, the beautiful scenery before him transforms into a 'canvas,' turning a real scene into a two-dimensional painting.

Although it is beautiful, it is really inexplicable, and readers are completely confused about what is going on.

Why is Inazuma appearing in the middle when Mount Sumeru is still in the foreground? What is the connection between these two? Is this a traveler's dream?

I can't understand it at all. This dream was truly as chaotic as a dream, completely illogical.

Is it rare to see travelers eating mushrooms? Or does that little cucumber have the power of mushrooms, making you susceptible to their allure even without eating them?

If this reflects the mindset of a traveler, it's quite reasonable, considering she travels everywhere and it's not impossible for the scenes in her dreams to be vastly different.

But this makes it strange that Mondstadt and Liyue didn't appear. Given the Traveler's experience, it's not just about switching between Sumeru and Inazuma.

At this point, the readers wouldn't understand, because how could they know that this situation was caused by stragglers?

This illusion is somewhat like communicating with 'gods', and theoretically, it's normal for dream locations to have vegetation.

The reason Inazuma's house still appears is because the memories of the scattered soldiers are influencing this place.

Those houses were places the stragglers had been to; that house was his "sleeping house."

Although the traveler lacks resistance, their willpower is too strong, making them completely immune to these mind-affecting things.

Therefore, travelers will feel even more confused during this process because they are unaffected.

It was different for Haibasha; it had a great impact on her, which is why she would become a follower of the Scatterers in the future.

She made a mistake during her first communication with the 'gods'.

The unaffected traveler in the story continues her exploration, returning to the interior of the plant, where she encounters the Abyss Apostle.

Enemies meeting are bound to be furious, and the traveler immediately attacked.

Strangely, this guy was impossible to kill. He kept babbling a bunch of things, something like, "Your brother has abandoned you" and "You can't find your brother."

Say things like, "You'll die here," or "You can't do anything."

This is exactly what Yingmei is worried about; she is still very afraid of being abandoned by her brother.

So Ying asked anxiously, but before she could finish speaking, she opened her eyes and was back in the cave. Everything that had just happened seemed like a dream, and she was still very moved even after waking up for a long time.