When I’m in a music show, I just want to make music seriously!

Although their band's lineup wasn't bad, who would dare challenge the top band right out of the gate? And even the top band at its peak!

If it was performed before Roselia, she would have no opinion.

As long as it is not too bad, the audience will give it good reviews.

But after Roselia, as long as Roselia successfully warms up the audience and gets them all excited, what if they can’t keep up?

That huge gap brought the end of the band's road!

For this kind of live, top bands like Roselia are usually the last to close the show, which not only makes the audience feel anticipation and allows them to see all the previous bands, but also mobilizes the atmosphere and makes the show end perfectly.

How do they connect with the band?

If this fails, the band's first live performance will be a complete failure. Even if others say their songs are okay afterwards, they will definitely not be amazing.

Although the live performance at the stadium is not a competition and there are many bands participating, with such top teams present, the audience will definitely have expectations and disappointments.

If joining the band is just to have a disgraceful failure at the first live performance, Yutenji Wakamugi feels that it would be better not to join.

Facing Yutenji Wakami's words, Toyokawa Shoko did not respond. She just looked at him and said, "If you are afraid, you can quit."

Yutenji Wakamugi was startled. She looked into Toyokawa Shoko's eyes and realized that this woman was serious.

This guy, is he kidding me?

One month of training may not be enough.

At this moment, Sakagami Takuya asked curiously, "This is your first live performance. How long will it take?"

Of course he also knew Roselia. If it weren't for the fact that they had been established for a long time, Sakagami Takuma would have wanted to poach the lead singer. Oh, the keyboard player is not bad either, no, the bass player is pretty good too, and the drum player is pretty good too... Never mind, they're all good.

But compared to this, he didn't object to Toyokawa Shoko's choice.

You've already formed a Galaxy Battleship, why don't you play bigger? What's the point of forming it? Are you wasting his time?

In response to Sakagami Taku's question, Toyokawa Shoko replied, "In half an hour, I plan to sing two songs: one for me and one for Taku. We'll use the play as a foundation for the worldview and create a brand new band performance model. And for this first live performance, we won't be taking any share of the ticket sales; we'll let the stadium use our band logo on the tickets as a promotion."

Yutenji Wakamai was a little dumbfounded. This was a complete desperate move. If it failed, it would be the end of everything.

However, just when she thought this was crazy enough, Sakagami Taku's next words made everyone's expression change.

"The drama performance will be shortened to half an hour with six new songs, without interruption. You write one song and I'll give the remaining five. If the team can't coordinate and rehearse all six songs within a month, whoever can't keep up will leave."

With just one sentence, Taku Sakagami brought the pressure to a climax.

124. Miao Meng, I'm really going to put the pressure on you and increase the intensity! (7,000 words)

To be honest, what Toyokawa Shoko said was a bit outrageous at best, like challenging to climb Mount Everest, which is extremely difficult, but it doesn't necessarily mean there is no hope at all.

Following Roselia, as long as their band can thoroughly stir up the emotions and meet the audience's expectations, that's enough.

To do this, we need to carefully prepare for the first live performance.

But what Taku Sakagami said is really a bit far-fetched.

Six songs?

Does he know what the six songs represent?

Yutenji Wakamugi looked at Sakagami Taku. At this moment, his dissatisfaction with Sakagami Taku's identity had been completely aroused.

Not to mention rehearsing six songs in a month, how good the coordination is, and what level of skills the members need to have.

What about the songs?

New songs, six in a month?

If you ask them to record only the golden songs, they can only record two songs a month.

How to ensure the quality when writing six songs?

It would take more than ten days just to prepare the corresponding music scores for each team member, right?

This is quite genius and highly efficient.

She didn't believe that Taku Sakagami could do it, and even if he could, there was no time for training.

When Toyokawa Shoko invited her for the first time, Yutenji Wakami was actually a little disgusted by her rustic clothes.

But at least with Mikado Chuhua and Wakaba Mu in charge, she was reluctantly attracted to join, and she was also seriously planning to become famous and working hard for it.

But now, for some reason, when she actually saw these band members, she felt a little angry and funny.

It's just like playing house.

Let’s not talk about others for now. Sanjiao Chuhua is from the band circle. Don’t they understand what these represent?

Do you think that training for six songs is so casual?

There should be a limit to bragging.

Yutenji Wakamu finally couldn't help it. She looked at Sakagami Taku, her tone no longer as gentle as before: "I say, do you really know what you are talking about? Six songs? Xiangzi booked the time for a month later. Two songs are reasonable for rehearsal, but what do you mean by six songs?"

Sakagami Taku just looked at her calmly: "Just like I said, literally."

"Huh?" Yutenji Wakamu let out a sound of obvious dissatisfaction, her voice almost choking. "What nonsense! That's six songs! Let's not even talk about whether you can write them. Even if you can, what about rehearsals? What about the members' sheet music?"

Or were you planning on just writing down the chords?

In that case, what is the difference between the quality of the songs in the first live performance and those of ordinary bands?

You know, if you write six songs on time, even if you give us time to practice, we can only write one song every four days at most, and then we have to leave time for rehearsal. Are you really playing a band?"

Four days to train coordination for a new song?

Unless it's a song with a simple melody, it's simply not realistic.

Does this inexplicable guy really know what nonsense he is talking about?

She joined the band to become famous, not to embarrass herself on stage.

If you don't have enough training, your coordination on stage will be a mess, which will be embarrassing.

She vented her dissatisfaction without mercy: "After all, why do we need your guidance in our team training? I have been dissatisfied with you since I came here. I don't know if you remember that I went to the coffee shop where you worked and saw you playing the piano. Your skills were not that good.

Why are you here to guide us?"

Her words immediately made the atmosphere tense.

But the others remained silent.

Sankaku Hatsuka knew Sakagami Taku's identity and trusted him 100%, and there was no way she would have any doubts at all.

Hachiman Kailing sat in her seat with her arms folded across her chest.

She knew Sakagami Taku's personality and didn't think he would say anything big. Most importantly, she was actually vaguely looking forward to and excited about this challenge, because if they wanted to succeed, there must be no mistakes in any of the band's plans this month.

Not to mention Shoko Toyokawa and Mutsu Wakaba, as former teammates of Taku Sakagami, they both know each other's skills.

Rather than worrying about Sakagami Taku's arrangement and lyrics not being able to keep up, it is better to worry about whether their own level can keep up with the other party.

Shoko Toyokawa looked at Taku Sakagami and wanted to say something to explain, but Taku Sakagami gave her a look that told her not to worry about it.

Then, Sakagami Taku let out a breath and slowly stood up.

"What?" Yutenji Wakamu's momentum weakened a little. He didn't understand why he suddenly stood up, or what he wanted to do.

Sakagami Taku just looked at Yutenji Wakami with a calm gaze, without any emotion, and called out her name: "Yutenji Wakami, I think you made a mistake."

For some reason, the moment he saw this look, Yutenji Wakamu felt a little scared.

She took a few steps back in fear.

Sakagami Taku's eyes didn't hold any arrogance, but he seemed to not care about anything. His tone was cold, without any of the gentleness he had in other bands:

"First of all, we're a commercial band. When we invited you, Xiangzi should have told you, no, everyone here, that our goal isn't to play some fancy music, or enjoy music, or live out some ridiculous dream. Our goal is to become famous."

Hearing this, Yutenji Wakami did not refute. She was very clear about this and that was why she joined.

However, Sakagami Taku's next words seemed to completely pierce the deepest part of her heart.

“This is work, not play.

I don't need to answer the questions you just raised.

Arranging music and writing lyrics is not something you need to consider. I can't do it, that's my problem, I will go my own way naturally.

Then, there’s the issue of training and rehearsal that you mentioned.”

At this point, Sakagami Taku's tone was calm, yet it was filled with a sharp edge and an invisible, terrifying pressure, making Yutenji Wakamu feel as if his whole body was being pressed down by a mountain:

“If you can’t keep up with the band’s training, that’s your own problem.

Why should anyone think about this for you?

If you can't keep up, then put in twice the effort. If that still doesn't work, then leave the team and don't waste the time of the rest of us. No one will pay for your falling behind.

If you are just a half-baked person, why would you join this band?

Or do you think that by forming this band, everyone can tolerate others' lagging training progress and understand your hard work?"

Sakagami Taku looked directly at Yutenji Wakamugi and asked a soul-searching question:

"Or do you think you can't do it?"

Work is work. The purpose of a commercial band is to make money, so it is normal to have high demands on members.

It’s like when you want to join a professional team for training, and they ask you to show off your ability to defeat five people at once, but you find it unbelievable and unreasonable?

If you can't keep up, then work harder and train more. If that still doesn't work, then you're not suited to this job and should find another way.

Sakagami Taku is very gentle to the band of Chihaya Aine and Ijichi Nijika.

That's because their original intention of forming the band was to fulfill their own dreams and hobbies.

So Sakagami Taku has no demands on anyone in their band.

However, Ave Mujica, formed by Shoko Toyokawa this time, is a purely commercial band, and is also managed by Takuri Sakagami.

Since he is in charge, his requirements for other members are not so simple.

He didn't create the band just to lose money for these young ladies.

If Yutenji Wakamugi cannot handle the pressure, cannot keep up with the band's rhythm, and cannot adapt to the difficulty of the drum score he gave in the short term, then it will be just like what Sakagami Taku and Toyokawa Shoko had agreed upon.

He has the right to ask any team member to withdraw.

There is one less drum position, but Taku Sakagami can still take it. It’s just that the band is just six people at the beginning, and it may not be possible to find the sixth person in a short time.

It can even be said that now is the best time for Yutenji Wakami to withdraw.

After all, they have only agreed verbally and the contract has not been signed yet.

If Yutenji Wakamugi can't even handle this little bit of pressure, then the schedule of six songs in a month seems unrealistic and he can't do it.

By the time the band was officially formed, everyone had signed the contract in black and white. If she couldn't keep up with the progress, Sakagami Taku could just kick her out without even asking for any compensation.

Moreover, at that time, if she wanted to withdraw voluntarily, she would face a huge fine as long as it had an impact on the band.

Of course, Sakagami Taku isn't that cruel.

As long as Yutenji Wakami can work steadily for a period of time, and wants to leave when the pressure becomes too great, Sakagami Takuya is willing to part ways amicably.

In fact, he was quite satisfied with all the members present, but as a manager, he needed to establish his authority instead of laughing and joking with Yutenji Wakami and saying, "It's okay, I'll lead you if you can't keep up with the progress." That was too casual and was not the atmosphere a commercial band should have.

Taku Sakagami, who had already had a precedent with CRYCHIC, said that this time he would personally review the contract and only let this group of people sign it after there were no problems.

When the band starts to get successful, Takuya Sakagami will distribute the profits to each person in proportion. He will not exploit their value like a capitalist.

Moreover, he would indeed teach them seriously how to coordinate their instruments. Even if they really wanted to leave the band in the future, Sakagami Taku would not force them to stay. The techniques of playing instruments were their own abilities, which would give them more opportunities in the future.

The requirements of Sakagami Taku's contract are actually very simple in nature. They must listen to him on matters concerning the band, and other than that, there are no excessive demands.

If there is a loss, he will bear the responsibility, but the premise is that everyone listens to him and still loses money, rather than acting on his own to cause the band to lose money.

And he said these words today on purpose, in order to make them realize that this was not a joke, but real work.

Taku Sakagami needs to make them face up to this matter and take it seriously.

If these people have not adjusted their mentality until now.