Strength Does Not Allow Me To Keep A Low Profile

Chapter 378 Subverting The Global Film Industry

Especially in China, no matter how much box office it sells for a movie, the producer can only get one-third of the box office share, and the theater chain can get the big one!

Therefore, most domestic film and television companies are not doing well.

Even if the box office sells well, they won't get much share, and the theaters suck blood too hard.

If the box office is not good, in order to stop losses in time, the theaters will release the film in advance, but the producer will bear all the losses!

It can be said that the current situation is that the box office is selling well, making money, and the theaters are taking the lion's share.

The box office hit the street and lost money, and the film and television company, the producer, bears everything.

Under this model, the theater chain can make a lot of money, make a steady profit without losing money, and have the absolute right to speak.

The film and television companies are not only squeezed by blood pressure, bearing all the costs and risks, but also have to please the theaters, they dare not offend the other party at all, and need to act according to the faces of the theaters.

Otherwise, if the theaters say a word, they will directly block the entire film, and even all the works of the producer and director, and it will be over.

A lifetime of development has been ruined, just because of a word from the theater-line!

Therefore, entertainment companies, directors and producers dare not offend theaters at all, let alone fight for their legitimate interests.

Unless they have the status and energy of Disney, and the courage and capital of the world's number one entertainment overlord, they dare to challenge the theaters.

Only dare to negotiate with theaters, dare to ask for 65%, or even 70% of the box office share!

But it's a pity that even Disney doesn't succeed every time, and they dare not be so arrogant every time!

There is no way, the theater chain controls the film schedule, and controls the lifeblood of the film, the producer, the director, and the film company!

And the producers, directors, and film companies can only bow their heads to the theaters, and act on the faces of the theaters.

This is the reality of the moment!

Of course, with this unequal relationship, it’s not that no one has thought of rebelling, and it’s not that no producers, directors, and even film and television companies want to rebel against the theaters and renegotiate the share.

But unfortunately, they all failed and were banned, and now they are completely cold.

The first batch of warriors had already died on the beach, and they were completely cold.

How dare the people behind do this?

But now, it's completely different!

The launch of the future theater chain is a complete rebellion!

Not only resisting the blood-sucking pressure of the theater chain, but also directly subverting the theater model, and switching to the future theater model!

Under the future theater model, not only will there be no black-box operation, but there will also be no discrimination against film scheduling!

There are only so many offline movie theaters, each theater has so many screening halls, and each screening hall only has so many screenings a day. If it is arranged for "Superman Returns", it cannot be given to Disney at the same time!

This is inevitable, and they are all exclusive. It is impossible for one screening hall to broadcast two movies at the same time!

Which one to give priority to depends on the meaning of the theater chain. There are black-box operations and even stealing the box office.

But in the future, theaters will be mainly online, and all movies will be on the curry, and users can order them at any time without being affected by other movies at all, and there is no upper limit.

For example, Avengers 4, which was popular before, was limited by the number of theaters. The number of viewers on the first day in China broke the record, with 3 million people, and the box office on the first day was 159 million yuan!

Then, if it is shown in future theaters, there will be no limit on the number of people, and no time limit.

Let alone 3 million viewers on the first day, 30 million viewers are possible, and the box office can be doubled by ten times!

This is the power of future theaters, online mode, you can watch it in 3D with naked eyes at home, not limited by the number of theaters, and not limited by the movie schedule of the theaters!

It can be said that there are infinite possibilities in the future of theaters.

As long as the quality of the movie is good enough, the box office of more than one billion a day, or even billions of box office, is nothing to worry about.

In the future, theaters are even more friendly to film and television companies, and even support them in various ways.

For example, when the Future Cinemas is launched, the Future Cinemas is responsible for all publicity, distribution and operation, and only takes 40% of the box office share, and the remaining 60% belongs to the film and television company!

This is a high proportion that theaters don’t even think about, it’s twice the amount in China, and it’s also the highest amount in foreign countries!

After all, not any foreign film and television giant has the right to speak like Disney, and can get a starting 60% box office share.

On the contrary, the vast majority of overseas film and television giants can only get 40% of the box office share!

If you cooperate with Future Interactive Entertainment, everyone will get 60% of the box office share!

………… Seeking flowers 0

The 20% difference in the box office during the period was all the profits of the film and television companies.

How to choose, need to consider?

What's more, Future Interactive Entertainment has also introduced other policies to fully support film and television companies.

For example, a film and television company has a good project, but does not have enough funds to make a film, what should I do?

You can contact Future Interactive Entertainment. As long as it is approved and approved, it is indeed a good project that can make money. Then Future Interactive Entertainment will provide financial, material, human and other support. The two parties will cooperate to make it into a blockbuster.

After earning the box office, the two parties share in accordance with the specific agreement in the contract.

And the film and television company does not need to bear any cost at all. Of course, the box office share is not as much as 60%.

After all, they only provide projects, and Future Interactive Entertainment is responsible for all operations and costs, so naturally more work will pay more.

However, there is no need to invest huge costs. If there are good projects, they can share the box office and make a lot of money, which is considered excellent.

What's more, there are also future special effects, all of which are taken out.

Subsequently, Li Yi announced the specific cooperation rules: mainly for three situations, adopting three cooperation models:

First, film and television companies do their own special effects, independently produce films, and launch them on Future Theaters, which is responsible for publicity, distribution, and operations. All box office revenue is divided into 64%, film and television companies account for 60%, and Future Theaters account for 40%.

Second, film and television companies produce films by themselves, use future special effects, and launch them on Future Cinemas, which are responsible for special effects production, publicity, and operations. After all, with the use of future special effects ten years ahead of Hollywood, the box office is more guaranteed, even if the share is reduced, the profit can be more.

Third, the film and television company only provides specific plans such as script projects, and cooperates with Future Interactive Entertainment in an all-round way to launch Future Cinema, which is responsible for capital investment, shooting, and special effects production

Publicity, distribution and operation, 28% of all box office revenue, 20% for film and television companies, and 80% for future theaters. police

Looking at this scene, even the big guys in Hollywood couldn't sit still!

The emergence of future theater chains is simply a revolution in the history of film development!

Really revolutionary!

More importantly, even the special effects of the future are brought out, that is the fatal one!

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