Shining Star Korean Entertainment

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Kim Tae-hee was stunned. She didn't expect this. As a movie that expresses Japanese culture, she could not participate in the Japanese box office dividend. Isn't this almost a loss?

Hesitated for a moment, but when he saw Lin Youmin's upright figure, Kim Tae-hee didn't hesitate anymore and said with certainty, "It's okay, just like that, but I hope Mr. Nakaze can help me win the best interests of dividends overseas.

.”

Toshiaki Nakazawa nodded slightly, "It's certain."

He would do this without Kim Tae-hee's explanation. Nakazawa is not a good person to be "bullied" by Yamamoto. He has to pay some price there, and there is probably no need to pay attention to overseas income for Songzhu.

The company has always been like this and has an almost blind confidence in the local market.

Lin Yumin's lips were twitching, trying to persuade him, but Kim Tae-hee suddenly held his hand, held his bare hands tightly, and shook his head at him.

When Yojiro Takita happened to see this scene, he was stunned. After he pinched his chin, he remembered the script, and thought about it.

……………………

Kim Tae-hee has been famous for many years and has always been a darling in the advertising industry. In terms of total income, it is definitely a considerable amount.

One-fifth of the investment in "The Devourer" is not a big deal for her. Soon Kim Tae-hee called her own financial and lawyer team and began to deal with this matter.

Nakazawa Toshiaki's negotiations were also very smooth, and he had a lot of energy. It is said that Yamamoto was scolded by the company's senior management and transferred from Tokyo. He then agreed to the opinion of half of the box office copyright income of Fenrun overseas.

Kim Tae-hee forced to give Lin Youmin 25% of the income, and said she was lending him the principal, and it would not be too late to pay it back after making a profit. Before Lin Youmin agreed, she was already beneficiary

Fill in his name.

Anyway, after the messy trivial matters, "The Devourer" finally started filming. Yojiro Takida told Lin Youmin. "The most difficult thing to star in this movie is not nationality, not script, not whether you can play the cello, but

Culture and people’s hearts.”

"The Immortal" is a pursuit and desire for the beauty of death. The Yamato nation's pursuit of beauty is not perfect, but a kind of incomplete beauty, and an almost cruel and harsh rigorous.

As a Japanese movie, it must reflect Japanese culture. Lin Youmin is a Korean. A Korean-American who grew up in the United States and matured in South Korea. She has never been exposed to Japanese culture. Can she understand and interpret it?

, This is the most core issue.

Yojiro Takita told Lin Youmin some details and techniques of shooting this movie. At first, it made people laugh, but as the plot deepened, tears wet the corners of their eyes. On the one hand, they designed various perverted plots to abuse the actor's heart, and on the other hand, they

In an extremely pious way, let the audience believe in their inner strength and purity at that time. It is to use such an extreme way to tell you the meaning of life. After listening to it, Lin Youmin felt a little creepy.

"Yu Min, do you know that before this, I searched all the famous Japanese actors I could find, and the result was no exception. Reject, refuse, refuse, or refuse!" As he said this, Yojiro Takita's voice suddenly became clear

It became much bigger and even turned into a roar.

"There are those guys who say I can't succeed at all. They were all lucky before? Haha, nonsense!" Yes, Yojiro Takita is a famous Japanese director, but in the circle, those who disdain him are far more respectful than those who respect him

People come more simply because he was born in pink movies (a－－－－－－－－－－－－－－－－－－－－－－－－－－－－－－－－－－－－－�

Kim Tae-hee sat next to Lin You-Min, slightly surprised. Only then did she realize that Takita used to be a filmmaker, and her face was a little weird.

"Forget it, let's continue to talk about the script. The holiness of the embasser lies in that he is focused, focusing on transforming every irreplicable, irreplaceable individual in the world into an equally peaceful nostalgic nostalgic nostalgic nostalgic nostalgic nostalgic nostalgic nostalgic nostalgic nostalgic nostalgic nostalgic nostalgic nostalgic nostalgic nostalgic nostalgic nostalgic nostalgic nostalgic nostalgic nostalgic nostalgic nostalgic nostalgic nostalgic nostalgic nostalgic nostalgic nostalgic nostalgic nostalgic nostalgic nostalgic nostalgic nostalgic nostalgic nostalgic nostalgic nostalgic nostalgic nostalgic nostalgic nostalgic nostalgic nostalgic nostalgic nostalgic nostalgic nostalgic nostalgic nostalgic nostalgic nostalgic nostalgic nostalgic nostalgic nostalgic nostalgic nostalgic nostalgic nostalgic nostalgic nostalgic nostalgic nostalgic nostalgic nostalgic nostalgic nostalgic nostalgic nostalgic nostalgic nostalgic nostalgic nostalgic nostalgic nostalgic nostalgic nostalgic nostalgic nostalgic nostalgic nostalgic nostalgic nostalgic nostalgic nostalgic nostalgic nostalgic nos

Face to face the farewell. Death like living means that living better is a memory." Yojiro Takita closed his eyes and said with some emotion. Finally, he asked again, "Yomin, Taehee,

Can you understand?"

The two looked at each other, and then nodded their heads in a vague way.

The filming of the movie officially started. Apart from showing off at the opening ceremony, Toshiaki Nakazawa was busy with other things, and there was no much attention from Japanese media, while the Korean media was unaware of it.

Everyone had a full meeting first, including all the actors, crew members, and other technicians.

Needless to say, the soundtrack producer Joshi Hiroshi, even the camera director is famous in the circle.

But Lin Youmin was quite surprised. The camera director turned out to be a woman, and he was a Japanese woman who looked in her early thirties and still had charm. I heard that she had been working in the camera industry for a long time and had a high prestige.

She even had the title of executive deputy director in the crew. When Takita introduced her, she said she could just call her director Ryoko.

The status of the camera is indeed important. For an excellent film, the camera does not only record the events, but also explains the subject, but more about the events. This description seems to be the inner part of things.

A sense of movement between relationships.

For example, the collision of "light" and "heavy", "spirit" and "meat", or the natural feeling of being separated from two societies, this sense of movement also exists in "The Immortal".

, and constitute the most core "psychological description" of the film.

The method used by director Takita is to describe the protagonist's complex state of mind here mainly by combining static close-ups of things with dynamic behaviors of characters.

This is a difficult challenge for cameras. It not only requires rich experience, but also superb skills. The most important thing is to find the feeling of shooting. Similarly, this is a kind of acting for Lin Youmin

A great test.

……………………

"Let the already cold person rejuvenate and give her eternal beauty, which requires calmness, accuracy, and gentle emotions. When parting, say goodbye to the old friend, quiet, and all actions are so beautiful."

The narrator said like this.

Most of the life of the embalmers, who have cleaned up their last appearance for strangers, and used simple and serious integration into the operation of their fingers to express their respect for death and protect the dignity of the deceased. It is like a whisper, and a whisper to the deceased.

Lin Youmin tried his best to integrate his mood into this role, to experience and understand it carefully.

Director Takita's grasp and handling of details is amazing. The opening description of the protagonist Kobayashi who was buried with a young girl. When wiping her body, she had to cover her with a white cloth because she could not expose the deceased's skin. As a result, the mortician touched her.

The girl's lower body turned out to be a male.

After a brief shock, Kobayashi had to whisper seriously, and then the master asked the family to speak carefully, because the makeup of the face was a man and a woman, and the family must be consulted.

Later, the burial was completed according to the deceased's preferences during his lifetime. This attitude of dying like life moved the deceased's father.

The burial steps with a strong sense of ritual fill the skin of the dead and the living, pressing the eyes, closing the lips, smoothing the jaw, wiping the body, changing the mourning clothes, and tidying up the makeup.

When filming a movie, it is naturally impossible to really use corpses, and most of the people used are medical dummies. If you need close-ups, you can let extras come and play them.

The first time I saw the body, the body of the old man who had been dead for two weeks, was no one found. Lin Youmin had to react quite "hardly". He wanted to vomit, and felt that his whole body was dirty, so he wanted to

He cleans himself hard in the bathhouse. When he saw the killed chickens at home, he started vomiting again. He felt that he wanted to become an embalmer because he did not attend his mother's funeral. Like any normal person, he rejected such a profession from the bottom of his heart.

Lin Youmin was a little painful to shoot this part, and his face became a little hideous, but fortunately it was not a big problem.

Then, the protagonist's first change in his heart was when he saw the president burying a woman who died of illness. He saw that the president regained the already cold people with gentle emotions, and freezing this beauty forever

, He felt a sense of tranquility, and for the first time, Lin Youmin felt a sense of solemnity in his profession and began to recognize this profession.

This film not only expresses the professional art of embalmers, but also runs through the deep family affection, and is also the type that Lin Youmin is interested in.

……………………

Due to the schedule, many of "The Immortal" are filmed interspersed and will not directly follow the narrative line of the script.

Among them, there is a main line that runs through the movie. Kobayashi Daigo's father left his home in his early years, which caused great trauma to his soul. Although he often missed his father when playing the cello, he was always unwilling to forgive him.

The father was so embarrassed that he was wandering around alone.

Until the father died, the father and son who had been separated for thirty years were separated by yin and yang. When the protagonist was collecting his father, he warmed his father's clenched fists with his hands. Seeing the stones he gave to his father when he was a child, he finally completed the final communication between the father and son.

, I couldn't help but burst into tears. How can this kind of communication between life and death not touch people?

Lin Youmin's shooting this time showed almost no sense of stagnation. Every time the shooting was done, it was completed in one go, and his understanding of the script made screenwriter Xiaoshan Xuntang admire him.

It is hard to imagine that such a young man would be so deeply touched by such a profession and Japanese culture.

I think it is impossible for Lin Youmin to have received this influence before. The only explanation is that he is really working hard and studying hard and dedicated. (To be continued

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