Shining Star Korean Entertainment

When he returned to his home, he seemed a little deserted at this time. Fortunately, Lin Youmin was used to it. When his new home was renovated with Park Hyo Min, he would probably be much more lively when Ning Meng and Xu Meila moved in.

Well, Lin Youmin is looking forward to it.

Walking to his desk, scattered with stacks of paper and materials, Lin Youmin couldn't help but grin, this is the problem he had. He usually spent very little time at home, so unless there were guests,

Otherwise, he usually doesn't like to clean up. He may throw away music scores, adapted scripts, learning materials, etc.

Quan Baolan has now arrived at T-ara's dormitory, so naturally he will not continue to live in Lin Youmin's home.

Suddenly, a folder attracted Lin Youmin's attention. He carefully pulled the folder out of a large pile of information and smoothed the folds on it. On the cover, there were several names written in Korean.

——The embalmer.

Lin Youmin suddenly remembered and suddenly realized that this was not a script he had when he went to Cannes when he met Yojiro Takita and Kaoruto Koyama, and then suddenly became interested and gotten a script?

But after getting the script, I was busy with the Cannes Film Festival, and then preparing for Park Hyomin's birthday. For a moment, I threw the script of "The Immortal" behind me.

Seeing Koyama Kaoruto was still very considerate of himself, afraid that he would not understand it, he chose a Korean version with ingenuity. Even those who had to use the original Japanese because of the expression of words and sentences, they specially marked it for Lin Youmin.

I have to say that Xiaoshan Xuntang is very attentive and sincere, which made Lin Youmin feel more or less embarrassed and brought a chair. While it was okay, Lin Youmin calmed down and carefully

Looking through the script of "The Immortal".

"The Mortalist" uses the perspective of a novice to observe all kinds of deaths and stare at the loving people surrounding the deceased. Everyone will have a time to "send someone" and "being sent".

.This is the most common theme about "people". It shows the touching of friendship, family, love, work dignity, etc. by describing the story between a couple. In laughter and tears, the story of an embalmer

, will lead the audience to experience all the true love in the world.

The so-called embalmer is the person who sent the dead body for the last time. His work includes beauty for the body, dressing up, entering the museum, etc. This kind of profession is far away from many people. Needless to say, the reason is, but the protagonist in this film

Kobayashi Dazui learned a lot of truths as he was named and fell in love with this profession.

Among the top three things that Lin Youmin hates most is: talking about life insights, but what "The Devourer" wants to tell is life insights about life and death, so Chuchu reads "The Devourer"

》The script really gave him a headache.

This is not because Lin Youmin has such rich experience and outstanding wisdom that he disdains these things.

It is just because he always feels that the only difference between people is birth and death. As for the process between them, he believes that there are no two completely identical lives. It is precisely because of this difference that the reason why talents are human beings has the so-called meaning of life.

Compared to the empty life perception without replicability, Lin Youmin is more willing to have an in-depth understanding of the warm details full of humanistic colors in the script that deeply attracted him.

When I heard the name "The Insector" from Yojiro Takita, I didn't think so. It was just out of my interest in this special profession. But now it seems that Lin Youmin is very glad that he did not miss such a script.

.

After reading it, it feels like I have found an out-of-print old book on a roadside book stall. In the quiet touch, there is also a clear thinking. You must know that in this era of commercial blockbusters, you can

It would be amazing to do one of these two things.

The movie has not been made yet, but just from the storyboard in the script, Lin Youmin has already realized many things in his sigh, what is a good script, this is a good script.

Stories are extremely ordinary stories, and people are extremely ordinary people. Just because he does an extraordinary job, everything becomes different.

People are prejudiced from birth, and people living in groups will fix this prejudice, which is a taboo.

Death is an inescapable end for people, but almost everyone is taboo to talk about it, let alone do the job in person.

Dawu, the protagonist who changed from a failed cellist to an obstetrician, was also discriminated against and disunderstood by people without exception. His former friends, his wife who supported each other, and even the relatives of the deceased felt that this was a shameful job.

, without exception, they chose to stay away from him.

This is the sadness of human nature. If you don’t understand things, you will habitually choose to follow traditional views. You are never willing to change your position to feel others. But when things happen to you, you will suddenly realize it.

All along, the education and values ​​of this world have only taught people how to understand the world and fight when they are alive. It never talks about what happens after people die, and this issue is crucial to people.

"The Immortal" has achieved the ultimate goal in this regard. As a person's last journey in the world of life, the process of burial is the ultimate concern of this friend of life and death.

In the storyboard script, as the protagonist of the embalmer, every step of polishing faces, changing clothes, combing hair, and applying makeup is done perfectly. In terms of the lines from Daxiong in the script, it is: be gentle and leave the most beautiful face of the dead at the last moment.

, leave with dignity.

The principle that Kobayashi Daigo in the script understands is exactly the theme that Yojiro Takita intends to express.

What surprised Lin Youmin even more was that the themes contained in this movie were so huge and rich, including the philosophy of life and death, husband and wife's family affection, parents and children's love, humanistic care, the meaning of life, etc.

The clues that run through the stories behind these themes are Kobayashi's growth process after becoming an embalmer.

A person's life and death are nothing more than whether a body carries life, and life is a very abstract thing.

Therefore, at first glance, living people and dead people are nothing more than being able to move or unable to move. When a person dies, he may have no meaning to himself, but it is tied to the feelings of living people.

Therefore, the last side is very important for the living. Looking at the little descriptions in the script, whenever Kobayashi and his president respectfully dealt with the body neatly and beautifully, they are all about the relatives of the deceased.

The comfort that cannot be replaced by other means.

Lin Youmin still remembers the script processing of several sets of scenes. When the embalmer buryed an old man's body, the family looked at the body as if they saw the old man asleep as usual, and even joked about the old man.

A lipstick mark was kissed on his face. Although he was sad to lose his loved one, how comfort it was to see the face of the deceased.

When the protagonist Kobayashi first became an embalmer, he knew that this was a sensitive and controversial profession, so he kept it from his wife and did not tell his neighbors what he did.

But over time, this matter will sooner or later be known. When his wife Mika Kobayashi learned about this, she was extremely disgusted with the job of embalmer and returned to her parents' home in anger. Of course, her neighbors also treated Kobayashi differently.

Under heavy pressure, the protagonist Kobayashi did not give up the profession of embalmer. Perhaps at that time, he already understood that he was engaged in a sacred job.

The story is actually still developing. When she got her wife's understanding, Lin Youmin went back and forth to read the script several times, and initially understood that the protagonist's wife could understand him because she understood that the protagonist Kobayashi was brave enough to do it.

In her eyes, the extremely "dirty" work is entirely for her to live a happy life.

One day after he got the recognition of the people around him by burying the neighbors' relatives, Kobayashi suddenly got news that his father, who had abandoned him for more than 30 years, passed away.

After persuading from many parties, Kobayashi decided to meet her father for the last time. When he and Mika arrived at the scene, two people from the funeral home wanted to "simplely" deal with Kobayashi's father's body, and Kobayashi pushed them away.

His wife Mika explained, "My husband is a mortalizer." When burying his father's body, Kobayashi found that his father was still holding a pebble he gave to his father when he was a child before his death.

Objectively speaking, this film tells the story based on life and death. It is a type that is extremely difficult to interpret. Lin Youmin didn't know why he suddenly thought about it. He always felt that there was a voice in his heart.

Tell yourself: You can't miss it.

But self-suggestion cannot solve Lin Youmin's confusion about this huge theme, and he doesn't know if he can control it, maybe.

However, he believed that the movie made in such a script would definitely touch many people. Just reading the script, Lin Youmin had already triggered such emotion, and even stepped on his way to Japan without hesitation.

The plane, separation from life and death itself is a subject that can be sympathized by the audience.

Therefore, even if it is just a script, it is inevitable to be moved. However, being able to express emotions to the fullest through life and death is the essence of the film. In other words, if you are devoted enough, this will be a movie from

A video that can touch people outside.

Lin Youmin's expression slighted, as if a strange thought was breaking through the shackles in his heart and breaking through - that was his desire for performance.

His fingers gently stroked the slightly rough paper surface of the script. After a while, he suddenly fell in love with the script and could not help it.

He sighed and Lin Youmin picked up his cell phone and dialed a number, "Brother Encan, help me prepare my flight to Japan."