I, Hiroshi Nohara, the star of Japanese cinema!

They are all very stable.

It's outrageous that he doesn't even come to the office during normal working hours!

"Could something have happened to Section Chief Suzuki and Deputy Section Chief Hashimoto?" Nancun Xing pursed his lips, looking embarrassed.

Everyone present, whether it was Hase Rozo, Kitagawa Yao, or Nohara Hiroshi who opened his eyes with a look of astonishment, looked at each other in bewilderment and were speechless.

"Forget it, why don't we get to work first." After a while, Nancun Xing also sighed: "At least finish the work first."

Coming to work is the most important thing.

After all, Section Chief Suzuki had already arranged their corresponding work content yesterday, so they just had to start working according to the arrangement today.

In addition, according to Hiroshi Nohara's suggestion, we can make the animation in the form of a slide show.

The drawing board is also ready-made.

With a little modification, it can be produced quickly.

So following Nancun Xing's suggestion, he and Hase Roku, the only two employees working, quickly got down to work.

Hiroshi Nohara also provided advice and guidance.

How was Neon's "Anzhiju" produced in the previous life?

Now you can make it any way you want!

Standing on the shoulders of the previous life's Japanese film and television industry, or the mature shoulders of the 21st century, facing the Japanese in this parallel world of the 20s.

It’s simply a dimensionality reduction blow!

"Siguoyi! Siguoyi!"

"Yoshi! Yoshi!"

While sighing, Minamimura Hoshi and Hase Michizou quickly hand-drew the first version of the animation based on the content and guidance of Nohara Hiroshi's drawing board.

This is called hand painting.

Now the neon animation production in the 90s has become quite mature.

How to use single hand-drawn paintings, connect them together to form a certain number of frames per second, and merge them with computer technology to form an animated film.

Originally this was a highly intensive and tedious form of hand-drawn animation.

And it is quite tedious and boring.

However, the slideshow mode proposed by Hiroshi Nohara completely simplified this animation production method, and instead seemed a bit like a return to the ancient times.

So it is simple to make.

In addition, Nohara Hiroshi's drawing board itself has completed the script and plot, and the setting is also very comprehensive. The comics themselves have also completed the storyboards and composition, and even the coloring has been decided.

All they had to do was follow Nohara Hiroshi's drawing boards and repeat over and over again to create a more coherent animation.

It's so simple it's outrageous!

After all, it is more complex than the animation production of 16 or 24 frames per second, which requires 16 or 24 hand drawings per second.

Now, it's basically one frame every two or three seconds.

In other words, it takes two or three seconds to paint a picture.

Could it be simple?

"That's amazing! I guess we can finish the first article of Anzhiju before the end of get off work today!" Beichuan Yao also expressed the same emotion.

But at this moment, the time had just arrived at ten o'clock in the morning.

Suzuki Seito walked in with a gloomy face.

Following behind him was Hashijita.

"Section Chief!"

Everyone present stood up and greeted them, looking at Suzuki Seito with a gloomy face, and Hashiji Ichiro who was following behind with a very unhappy look on his face.

Not sure what happened.

"How's the production going?" Suzuki Seito came to Minamimura Hoshi and Hase Rokuzo who were making hand-painted paintings.

Looking at the hand-painted paintings they made, he nodded with satisfaction, and the gloomy look on his face improved a lot: "The hand-painted paintings you made are very good. You must pay attention when you color them later."

"Yes! Section Chief!" Nancun Xing and Hase Luzou immediately responded in a deep voice.

"Nohara-kun." Suzuki Seito looked at Nohara Hiroshi.

"Here!" Nohara Hiroshi responded immediately.

"Come to my office." Suzuki Seito pursed his lips and slowly exhaled from his nose. He was in a much better mood now because of this powerful general who could help him turn defeat into victory.

When he opened the door of his office and let Hiroshi Nohara in, he also did so to his trusted subordinates.

Hashijita Ichiro, who is also his beloved disciple, said, "You should do your best too."

"I understand, Chief!" Hashijitaro nodded seriously, sat down to understand the production progress, and joined in.

But his face still looked worried.

"Section Chief Suzuki, did something happen to you?" Hiroshi Nohara closed the door at the signal of Seito Suzuki.

Seeing that Suzuki Seito still had an ugly expression on his face, he asked with concern.

"Yeah." Suzuki Seito didn't want to hide it from him, so he suppressed his expression and said in a voice that seemed to be squeezed out from between his teeth: "Hashi Ichiro's promotion to third-level director was rejected, and the price of your Anzhiju copyright purchase was also reduced by 20%."

Chapter 9 Play

As Suzuki Seito explained the whole story, Nohara Hiroshi also understood why he and Hashiichi Ichiro were late today.

The first is to apply for Hashimoto Ichiro's promotion to third-level director.

Second, it is about the copyright of "Anzhiju".

After all, the copyright of "An Shiba Inu" is still in the hands of Hiroshi Nohara. If it is to be made into an animation, they will definitely need to purchase the copyright of Nohara Hiroshi and then produce it.

This is the normal process.

But the reason why Suzuki Seito was so angry was that Hashimoto's promotion to third-level director was delayed by the human resources department.

They said that after an investigation by the Human Resources Department and feedback from the Animation Department, Hashiji Ichirō needed to participate in or produce better works alone.

This made Suzuki Seito extremely angry.

If that's the case, then forget it.

He also understood that the people at Tokyo TV's production headquarters were quite hostile to outsiders like them.

Even Suzuki Seito was marginalized, let alone Hashimoto Ichiro?

I can only hold my nose and admit it.

The key point is that when he went to the animation department to apply for funds to purchase the animation adaptation rights of "An Shibauri", the purchase cost of 50 yen per episode that he proposed was directly reduced to 40 yen.

It's like slapping him in the face.

"This is damned!"

Suzuki Seito sat in his chair, still quite annoyed, gritting his teeth and saying, "According to my understanding, Iwata Masao's production costs are 200 million yen per episode, not including the copyright fees for purchasing the comics!"

This is an extreme double standard.

Suzuki Seito didn't say anything.

Because the production budget he was allocated was only 100 million yen per episode!

It’s half as much!

Although in terms of subject matter, Masao Iwata requested a more exquisite horror animation that should be broadcast in the midnight slot, around 23pm.

Seito Suzuki was asked to produce a horror animation in the midnight segment, which is around 0:20 in the morning, and the requirements were more relaxed.

But this itself is a double standard.

just now.

They're playing with double standards!

As Suzuki Seito sat here, he felt a kind of anger burning from the soul level, making him extremely indignant.

"Section Chief Suzuki, it's okay. 40 yen is already a lot." But at this time, Nohara Hiroshi chuckled and spoke, which stunned Suzuki Seito.

"Nohara-kun..." Suzuki Seito looked stunned.

"I accept this copyright fee." Nohara Hiroshi's lips curled up slightly. "After all, this is only the price for the first season. If our show becomes a big hit, will the copyright fee for the second season still be this much?"

Hiroshi Nohara puts the copyright fees on the future.

After all, whether "Anzhiju" can become popular or not, others may not know, but how could he not know?

"Nohara-kun!" But Suzuki Seito really didn't know. At this time, he looked at Nohara Hiroshi with an emotional expression on his face.

Then he stood up directly from his seat.

He bowed deeply to Nohara Hiroshi on the spot and said with great emotion, "Thank you very much! Nohara Hiroshi-kun!"

For Seito Suzuki, Hiroshi Nohara sacrificed his own money to help him succeed.

And he also recognized Suzuki Seito so firmly.

This is enough to show the affection between the two!

In particular, Nohara Hiroshi was an intern assistant recruited by him personally, and he was also a classmate and good friend of his nephew Suzuki Kawa.

You can definitely treat them as your own people!

And is.

The kind of people you must respect!

"Mr. Suzuki!" At this time, Hiroshi Nohara certainly understood the etiquette of the Japanese people. He did not dare to stand there and enjoy the bow. He also bent deeply and bowed deeply to Seito Suzuki to show his humility.

Even when bowing, Hiroshi Nohara still felt a little helpless.

Bow at every turn.

You have to return the gift.