The Legend of Ultra Galaxy Begins with Tiga

"Well... definitely next time!" Seeing that the boy had no intention of stopping, Fujishu patted his shoulder seriously, then turned around and ran away.

"Hey! Let's discuss it again!" The high school boy cupped his hands into a trumpet shape behind him, hoping that Fujishu would change his mind.

But Fujishu had already run away.

After all...time is limited.

He only had half a day to stay in this era.

......

According to the teenager.

Tengshu walked to the intersection, turned left, and continued walking forward for about two hundred meters.

A large bungalow comes into view.

There is a nameplate hanging next to the parking space at the door.

【Yuan Gu Special Effects Production Co., Ltd.】

"Sorry, give in!"

Just as Fujishu was staring in a daze at this bungalow of great historical significance, two workers carrying monster stunt costumes passed by him on the roadside and shouted.

"Ah, okay." Fujiki nodded at them.

Then make way.

The leather suit these two men were carrying was that of the meteorite monster Galamon.

Behind the bungalow at the main entrance is Studio No. 1, and next to it is Studio No. 2, as well as various logistical warehouses. This bungalow is the office where the screenwriters work.

The two men carried Galamon's leather case and prepared to transport it to Studio No. 2.

"Hey Fujimoto, why are you here just now?" A man wearing a fisherman's hat and round-frame glasses saw Fujiki wearing the Victory Team uniform, and immediately rushed out of the screenwriter's office and said to Fujiki with a frown.

"Aha?"

"Fujimoto...are you referring to me?" Fujiki looked at the anxious man and pointed at his own face, meaning to ask if he had recognized the wrong person.

I am a future person in 2008.

How could you possibly know me?

"Who else could it be if it wasn't you?"

"Then who are you?" Fujishu asked in confusion.

"It's not you, kid, what's wrong?"

"Didn't I just tell you yesterday that my name is Jissoji Akio?"

"New here, remember my name well." Jissoji Akio patted Fujiki's shoulder and pushed him towards the bungalow in front, saying as he walked, "You should know that Jincheng is under a lot of pressure right now."

"this......"

Fujishu originally wanted to retort that you had the wrong person.

But when he thought about the fact that he would be visiting director Eiji Madoka next, this identity would probably be very useful, so he decided to temporarily disguise himself as this guy called "Fujimoto".

then.

After a light cough, he quickly got into the state.

"Ahem... I'm sorry, Mr. Jissoji, I'm late today." Fujiki said with an apologetic smile, and then took the initiative to walk towards the bungalow in front.

Then he turned around and asked Jissoji Akio, "By the way, where is Director Madoka Eiji now? I have some questions I want to ask him."

"Director Madoka Eiji?"

"Well...he's been quite busy lately."

“We hardly see him normally.”

"But he should be there when the crew starts filming later."

Jissoji Akio replied to him from behind.

then.

The two of them pushed the door open together and entered the large bungalow.

The first room at hand is the writers’ office.

This is an old-fashioned room filled with various materials. There is a blackboard in the middle against the wall. There are four wooden desks placed horizontally and vertically in the room. These are the offices of four screenwriters.

There are many monster design sketches hanging on the walls of the office.

"Kinjo, I brought the new guy!" As soon as he entered the room, Jissoji Akio shouted to Tetsuo Kanejo who was working at the desk in the corner against the wall.

At this time, Tetsuo Kaneshiro was holding a pen, struggling with the draft paper on the table with a painful look on his face.

Hearing what Jissoji Akio said.

Jincheng Tetsuo didn't even raise his head, but replied in a melancholy tone: "Hey, Zhaoxiong... You don't expect a newcomer to solve my problem, do you?"

"This newcomer switched from a cartoonist to a screenwriter. Maybe he can give you some special inspiration." Jissoji Akio patted Fujiki's shoulder and said to Tetsuo Kaneshiro.

As soon as Fujishu entered the house, he looked around the structure.

Except for the design drafts of those monsters.

He also found his own desk.

The name of the desk owner is written on it: Fujimoto Itsuki.

And on the corner of the table, there is a label.

It says.

[From now on, I will take off]

Such a meaningless statement.

"Maybe a strange guy." Fujishu tilted his head and said after seeing the slogan on the table.

Chapter 147 The Meaning of Ultraman

"Kinjo, it's hard to create a good script by working hard alone." Jissoji Akio pushed Fujiki in front of Tetsuo Kanjo and smiled at him.

Then he grabbed another editor, Masazo Uehara, who was in the room, and led them outside.

"That's it. You guys keep up the good work. I'm going to have a drink with Uehara."

After saying that, he hurriedly left the screenwriter's office, ran outside and drove away.

Jincheng watched the two people leave and shook his head helplessly.

"This difficult problem that Mr. Enko Eiji left me... is really too difficult." Tetsuo Kaneshiro tore a piece of draft paper on the table into a ball and threw it on the ground.

His face was full of melancholy.

Judging from the paper ball at his feet, Jincheng has probably been struggling here for a long time.

Fujiki looked at Tetsuo Kaneshiro who was leaning his head on his hand and thinking hard.

He was wearing a tan short shirt, grey trousers, a silver watch on his wrist, and his short black hair was neatly combed, making him look quite handsome.

This is, "The man who created Ultraman".

Tetsuo Kaneshiro is the chief screenwriter of "Ultra Q" and the creator of the special drama "Ultraman", which will become a sensation and have an impact across centuries.

In another parallel universe, he would still be the editor-in-chief of Ultra Seven.

"The Messenger of Nongmalt" and "The Street of Snipers" were both written by this screenwriter. His anti-war ideas brought important soul to the early Ultraman series of special effects dramas and continue to influence future heroes.

"Mr. Jincheng...what are you worried about now?" Fujishu moved a chair over, sat next to him, and asked with a serious face.

I heard Fujishu speak.

Tetsuo Kaneshiro also cast his gaze over.

He looked up and down at the Victory Team uniform that Fujiki was wearing.

"Newcomer, your clothes are nice."

"Maybe...it can be used in some kind of...some kind of defense organization."

As soon as he saw the vine tree, some vague inspiration suddenly popped up in Jincheng's mind.

In this new scenario...maybe there can be some special defense organizations.

Thinking of this, he immediately wrote down the ideas in his mind on a piece of draft paper.

After closing the pen cap with a "click", Jincheng's gaze towards Fujishu was no longer so casual.

The guys who can bring inspiration to him are definitely not simple.

It was also at this moment that he officially regarded Fujiki as a colleague.

"Fuji...Fujimoto-kun, right?"

"Ah...right!" Although Fujiki really wanted to correct his name and said that it was actually Fujiki, he nodded in response as he had to borrow the identity of Mr. Fujimoto after all.

"You should also know...the "Ultra Q" project we are currently working on." Tetsuo Kaneshiro turned around, put one hand on the back of the wooden chair, and gestured with the other hand and spoke to him.

"This is the first work since Mr. Madoka Eiji founded the company. Considering the revenue issue, he decided to stick with the monster series he is most familiar with, and asked me to write the script."

"But... Mr. Madoka Eiji soon told me that we couldn't just film monsters, we needed... something more special."

"In addition to Ultra Q, he also wanted me to create something that would be even more popular, something that would make more people think, and something that would be different from the previous monster series."

"Honestly... this is too hard."

“I really can’t think of anything that can top Godzilla.”

Jincheng poured out to Fujishu all the grievances he had experienced during this period of time.

"I wrote several scripts, but Mr. Tsuburaya Eiji's son, now Director Ichi Tsuburaya, was always dissatisfied after reading them."

“Problems in all aspects.”

“It has to be innovative, interesting, and profound, while also ensuring that people will like it.”