It would be good to discuss it a little.

He didn't feel like an editor at all with Kurokawa Kazuya; he felt like a courier or messenger.

I took the original manuscript from Kazuya Kurokawa and submitted it to the editorial department for review...

Gone.

That's all the work...

He should be thankful that his job is easy, but perhaps too easy?

He thought for a moment, and finally, mustering his courage, he spoke with a hint of despair in front of the person who held his most precious job and was crucial to his future career: "Mr. Kurokawa, if you have any new manga coming out, could you let me know in advance? So I can get involved a little? After all... I'm an editor too."

Chapter 49 The Rhythm of the World

I'm an editor too!

I'm an editor too!

I'm an editor too!

This is... Yu Iwamoto's desperate cry...

"Hmm...that's fine. I'm currently preparing a new comic. If you have time, you can come over and take a look."

"Huh? Huh?" Iwamoto Yu was taken aback. Did he really have something to do?

"Well." Kurokawa Kazuya smiled. "I felt that since you're in Tokyo, it wouldn't be easy for you to come all this way, so I didn't invite you. But since you have this idea... well, that's fine. Let's discuss the next manga together."

"Yes!" Iwamoto Yu exclaimed with delight. That's right... he had already shouted it out: "I will definitely not let Kurokawa-sensei down!"

He glanced at the manuscript in his hand and said, "I'll come over immediately after I submit this to the editor-in-chief!"

"Alright, alright, but don't disturb my sister, and keep your voice down. Look, you scared Xiaohua so much she jumped up." Kurokawa Kazuya smiled and pointed to Xiaohua, who was sleeping but was now hunched over in fright.

......

Buzz————

Yu Iwamoto is on his way back to Tokyo.

Completely unaware, a certain presence had already set its sights on him—or rather, on the file folder in his hand.

There are no mysteries in this world.

This was something that Kurokawa and Ya had confirmed repeatedly.

The Tohsaka family doesn't have it, the Ryougi family doesn't have it, and it's not in London either.

The only "magician" who appeared was just an ordinary person performing magic tricks...

So—he drew the manga Fate/Zero without any burden.

He didn't care whether Tokiomi Tohsaka in that Type-Moon world knew about the Matou family's magic... After all, he currently had a good relationship with the Tokiomi Tohsaka in Fuyuki. It wouldn't be good if his manga ruined that relationship.

Regardless, he was the one who helped me when I first came here.

So he embellished it a bit. For example, in his Fate/Zero manga, he explicitly stated that Tokiomi Tohsaka didn't know about the old bug's magic from the Matou family, believing that this would bring Sakura a bright future.

For example, during the battle between Tokiomi Tohsaka and Kariya Matou, psychological descriptions are used to show that Tokiomi Tohsaka was lying to Kariya Matou.

After all, he didn't know the next Holy Grail War would be ten years from now, but rather sixty years from now. How could his two daughters possibly clash at that time... Whether the original intention was to provoke Matou Kariya is irrelevant; his premise here is "to provoke Matou Kariya," hence the statement.

As for why he didn't doubt the Matou family's magic after seeing Matou Kariya's magic?

This... well, we have to blame it on the Tohsaka family's tradition—"they're bound to mess things up at crucial moments."

Yes, that makes sense.

After taking care of all that, he went on to draw Fate/Zero without any psychological barriers... As for Emiya Kiritsugu, whom he met once in London?

You must understand, he is no ordinary person now, but a Ripple user.

He has transcended ordinary humans. In this world devoid of mystery, no one can rival him, someone who has fought vampires. Even if that battle took place in a dream...

Besides, why would an assassin be reading comics instead of doing his job properly? Especially someone like Kiritsugu Emiya... He's reading comics? Just thinking about it, the art style feels off.

but--

These are all just Kurokawa Kazuya's ideas.

In fact, mysteries do exist in this world.

Some beings have already sensed the mysterious destruction that lies hidden within that... seemingly ordinary folder, a destruction that could affect the entire world!

mystery.

It has been well hidden.

This can be seen from Kurokawa and Miya's side.

He had encountered mystery several times, but each time he was deceived. From initially being skeptical, he had now come to the point where he was certain that there was absolutely no mystery in this world; it was just an ordinary world.

Such a thing...

He even said that if Fate/Zero were ever made into a live-action movie, he could ask Tokiomi Tohsaka and others for help... though he didn't know if people who looked like nobles would actually help.

However, he did think about it.

And now, the world truly does contain mysteries...

In such a world—what would be the result if Fate/Zero passed the serialization meeting and was announced?

It's very simple, regarding the destruction of the mysterious.

This could very well be the trigger for the further fading of the mystery.

Of course... none of this matters to Gaia and Alaya, the world's restraining forces.

To prevent these guys from causing trouble, such as the "all evil in this world" in the Holy Grail in the Fate series. If there were no mysterious existence, would these people have been able to create such a thing?

and so.

The aura simply swirled around and then disappeared.

Yu Iwamoto, no... no one detected this aura.

but--

Putting aside the destruction to the entire world... once this Fate/Zero is released... then the upcoming Fourth Holy Grail War will likely become the last Holy Grail War... or rather, the last proper Holy Grail War.

There are still two or three years until the Holy Grail War begins.

At this time, Fate/Zero had not yet begun serialization.

If time is extended further... until this comic spreads beyond the surface world and reaches the realm of magicians, and is discovered by the big shots of the underworld...

What will the Holy Grail of Fuyuki City face?

The world was thrown into chaos at this moment—

Several beings with advanced clairvoyance, capable of seeing the future, have clearly discovered the changes in the world.

本来,未来对于他们而言是可知的,就算黑川和弥是未知,就算是只有一个未知,也不过是稍微的改变了一下公式,结果也不过是从1+1+1+1+1+1+1+1+1=9,而9就是那个固定的命运。变成了X+1+1+1+1+1+1+1+1=8+X。而现在...

Because of this comic, the fates of countless people were instantly affected, and their future destinies became X+W+E+R+S+F+G+H+B=? ?

WTF? ? ?

How do I calculate this? How do I predict the future? I don't understand!

Chapter 50 Iwamoto Yu's Nervousness

That evening—

Kurokawa Kazuya experiments by wearing the Stone Mask in the dream world of JoJo—

Kurokawa Kazuya failed.

Kurokawa Kazuya's brain was damaged by the fever.

Kurokawa Kazuya woke up.

Daylight broke, a new day began—

For Kurokawa Kazuya, it was a typical day. After dropping his younger sister off at school, he returned to his studio to start brainstorming ideas for his next manga project—

On the other side!

Tokyo, Yueisha.

Iwamoto Yu returned here with Kurokawa and Yashin's manga.

The manga, titled "Fate/Zero," was handed over to the editor-in-chief.

"Has Kurokawa-sensei's new manga arrived...?" Yoshikawa Taishi asked, taking the folder from Iwamoto Yu's hand.

He knew about this because Iwamoto Yu had already told him when he rushed over yesterday that it was generally not necessary to do such a thing... including showing him the original manuscript as soon as he received it.

However, Kurokawa Kazuya is a bit special.

He paints too fast.

That day, Kurokawa Kazuya didn't specifically show him how fast he could draw manga, but he still went over to take a look out of curiosity.

Then--

Well...

It is very aesthetically pleasing. Most cartoonists start by making a rough sketch and then work on it little by little with fine details.

However, Kurokawa and Miyako are different; he doesn't need to start with the original manuscript at all.

The pen moved continuously on the manuscript paper, and soon a draft was completed.

In addition, his storytelling ability in JOJO and Battle Royale... it's fair to say he has the ability to support an entire magazine company on his own. Even if there aren't any good stories later on, he could still make a fortune as an assistant just based on his drawing speed.

Not to mention... he had already read the later parts of JOJO and knew the plot. He could vaguely sense that a future pillar of JUMC was constantly growing.

"Look at this thickness... is it another one of those finished drawings... well, never mind, I'll just leave it here. I have some time to take a look. Don't you have work to do? Let's talk about it after I've finished looking at this. It doesn't look like much."

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