Uma Musume no Nama no Nichijou (Horse Girl), First and foremost

"But I assure you that apart from that point, I did not interfere in any other part of the match, and I already explained the drawbacks before instructing Tamamo Cross."

It's unclear whether anyone noticed that Tamamo Cross was actually caused by her body giving out in the end.

But since he wanted to get to the bottom of things, Golden Victory naturally had to choose to be honest and explain everything clearly.

"So this victory was won by your own people, there is no doubt about it, there is no need to doubt it."

After saying all this, Golden Victory still had a wry smile on his face.

After all, even she herself felt a bit disgusted by those words coming from her own mouth.

For example, making two-sided plans seems to violate the spirit of competition in a certain sense.

Not to mention that she only revealed this information after the competition ended and after other unrelated people had left.

However, this frankness did not earn him any suspicion or ill-intentioned treatment from the crowd.

Kasamatsu and his group exchanged a few glances, but Fujimasa was the first to burst out laughing.

"Ha ha ha ha......"

The cheerful and relaxed laughter, along with the hearty laughter of Kasamatsu and the others, completely erased the last bit of distance between them.

"No wonder. I was wondering why Tamamo's aura sounded so familiar. It turns out it really was taught by you, Victory Gold. I have to say, that tingling sensation, like being shocked by static electricity, is something I never want to encounter on the field again."

"Actually, this isn't the first time I've experienced that kind of thrill, so it wasn't too bad. Turns out, not all Central Racemets are like this..."

"Well, although I haven't really experienced aura attacks much... wait, Golden Victory-senpai was on the spectator railing earlier..."

"Hahahaha!!!"

When the newly radiant brilliance mentioned that past incident, Golden Victory couldn't hold back and quickly interrupted the other person's answer by bursting into laughter.

After all, being teased like that by her own student was bound to make her lose face as a teacher.

Of course, more than anything, it was a relief to unload the heavy burden that they had intended to silently shoulder.

After all, she wasn't sure how close Kasamatsu and his group would ultimately become to her.

Just as Rudolf symbolized, it is those who, knowing the victory of the Gold and the past of the White Disaster, would still choose to help her.

That's mostly asking for trouble.

After all, the enemy of the Golden Victory is a prestigious family that can almost represent the entire Uma Musume Pretty Derby Association...

Me... the old man.

Perhaps we're finally not a lone wolf anymore.

Those who said I've narrowed my options are absolutely right.

Since the road has become narrow, we should... find more people to widen it.

Wouldn't that solve the problem?

Right...?

"Hey! If you want to learn, I can teach you, it's just a matter of whether it's suitable for you or not."

“It would be very inconvenient for me to teach you if you don’t have that foundation. Tamamo has the foundation of Central Uma Musume, so there’s no need to worry about this problem.”

"As for whether other Central Racehorse Girls will have the aura and skills? I really can't guarantee that, after all, the chances of a monster emerging from the younger generation are not small."

"But, as long as those guys don't come to me, the Golden Victory Trainer, even if they do figure out their own aura techniques, they'll only know a little bit of the basics."

Regarding whether she can learn the techniques of momentum, Golden Victory has competed with many top female racehorses, and she is certain of that.

But if we mention whether anyone knows that there are enough techniques for projecting energy, or even that multiple principles of energy can be mastered to create a systematic learning process.

She simply didn't believe in the possibility of a golden victory!

Everyone saw the pure white horse girl instantly regain her confidence and even seemed more relaxed than before.

In the end, Kasamatsu and the others spoke their minds in unison:

"Miss Gold Victory!" "Boss Gold Victory!" "Senior Gold Victory!"

"Please take good care of me from now on!"

Upon hearing this, the pure white horse girl became unusually shy.

She touched her nose, her eyes revealing a rare, genuine, and unpretentious shyness:

"Hey! Well, well... I should be asking you guys for your guidance! You guys from Kurimatsu!"

"Alright! Go back and rest now! I'm so tired!"

Before anyone else could say anything more, Golden Victory immediately strode away from the scene.

The idea is tricky, and we're in for a tough time!

A newbie author's little postscript:

Today, I wrote until dawn, when the sun was high in the sky. After finishing the final part of the Kasamatsu chapter, I drank a few cups of coffee.

Hey, what do you think? I suddenly got the urge to say something to the readers.

Once, a veteran fanfic writer named Arima asked a question about the first few chapters of a newbie's work.

Why write the Fujimasa March?

"Why focus on writing about a character who hasn't appeared in the anime or game at the very beginning, especially during the early stages when the book is so important?"

Why...?

I remember back then, this newbie author jokingly told the other party, "Because there are too many arrogant people, I want to try writing a march."

It's half a joke, and half reality.

After all, fan fiction is written specifically for certain parts of the story.

As for other reasons?

Because the march in the comic is cool?

Because she was the second chairwoman of Kasamatsu who defeated Oguri Hat in the early stages?

Because I wanted to change the ending of the march, and I didn't want her to completely disappear after the local chapters ended, becoming nothing more than a passerby.

Or perhaps, as the author jokingly put it, since there are quite a few authors who focus on Oguri Hat's horse girl stories, I foolishly chose to write a march (although I don't know if any other authors have done the same silly thing as this newbie).

But now, as we write, we come to the symbol of Rudolf and the Central Horse Girl Tamamo Cross, who is the enemy.

Even after Fujimasa accepted his situation at this point in his writing.

The author's true answer may have already been written down long ago.

Because this was originally a story about a horse trainer.

Let's put aside the issue of racehorse girls becoming trainers for now. In the author's opinion, the biggest problem is how to demonstrate the superior performance of racehorse girls trained by trainers.

In the early stages, the author was unable to write large-scale scenes and content, let alone write about the situation where a racehorse girl with a top-notch track record in history directly ascended to heaven, and still managed to write it well.

If this isn't handled well, the trainer becomes nothing more than an accessory, either excessively attached or used to divert attention with a harem/drama trope and bizarre writing style to attract readers' fantasies...

But none of these authors are good at it!

Even if the main character is Uma Musume, she should just be constantly racing or something...

We're not so good at it either!

In short, I've decided not to rewrite these yet, but to learn more from the content of the experts first, and then, naturally, it'll flop (laughs for your own safety).

So, I can only resort to this method, using my remaining lifespan to beg for a little money from subscriptions when the book is released, sob sob...

Back to the topic.

Since the author did not choose these options.

So perhaps pairing second-rate horse girls is the way for top-rate trainers, which seems to be the correct answer the author has in mind.

As for why I didn't write about other second- or even third-rate female characters... I'll write about that later.

For example, letting someone who can't get first place get first place (probably).

For example, let the person who usually comes in third place get first place (probably).

And so on and so forth, anyway, the timeline of this book is still very long.

The author himself doesn't know how far the story will go.

As for why I didn't write more about Oguri Hat?

It's not that the author is biased, but rather that in the author's view, Oguri Hat's moment hasn't arrived yet, so there's no need to give her enough spotlight.

Because the facts of her victory, as written by the author, were enough to construct the image of Cinderella with her feathers.

As for his daily life, we won't go into details, but we will continue to add more scenes featuring Lu Mao Han Han.

It's not that she didn't work hard or didn't need to put in any effort, but rather that, in the author's view, she didn't need to spend too much time and effort writing in the early stages.

She enters the race, then wins the next race after a setback, and earns the right to compete with other Central Rookie Racers, eventually climbing the path to the top and even becoming a legend.

This is the kind of creature the author envisioned as the goose-feathered monster, Oguri-hat.

Finally, the author would like to add one more sentence:

The author believes that passion shouldn't be about pure competition where one knows nothing about anything...

Even if Ma Niang is unrealistic to begin with, the author will only experience the painful feeling of logical coercion when writing about such complete unrealism.

As a reader, I definitely won't read anything that isn't logically consistent. Even if there are flaws, I can still accept it as long as that one point is correct.

Facing difficulties head-on and attempting to make a difference in the face of tragedy—that's what the author considers true passion.

There's no need for excessive bitterness and hatred, but the author himself likes to write with resistance as the main theme.

So which bastard actually tagged me in this post? I'm so angry and cold!

The new team of the 78th ship

Kasamatsu Tressen Academy.

Today's Kasamatsu Tressen Academy is quite different from what it used to be.