Tokyo: Idol Girls have absolutely no bad intentions!

"美しくあれ(so beautiful)"

The gentle lyricism rises rapidly, like the surging, slowly accumulating discontent of Asada, which erupts instantly.

The guitar playing quickened, immersing the player in a long period of instrumental accompaniment. Ito leaned forward slightly, seemingly trying to get closer to Asada and see what she was thinking.

"No Destiny"

"こんなんじゃきっと物足りない"Just this will definitely not satisfy you."

"くらい语っとけばうまくいく(If you say this, everything will go smoothly)"

The breath is steady, mostly in one key, and the guitar repeats a rhythm, like the peaceful life of Asada and Ito, on campus, in their apartment, or anywhere else.

The inner monologue is expressed through lyrics, which seems to be both hypnotic and a way to give oneself confidence.

I thought it would continue like this, but then the lyrics changed in the next line, or rather, it was a prelude to that change.

"物、金、愛、言、もう自己顕示飽き (I'm fed up with self-expression—material possessions, money, love, and words)"

The guitar playing speed increased, the already fast-paced tone became even faster, and the pitch continued to rise.

"What is the sense of déjà vu? (What is the sense of déjà vu so dissatisfied about?)"

I think so. What could I possibly be dissatisfied with?

"San々ワガママ语っといて(I said a lot of willful words)"

"What else can I ask for above you? (What else can you ask for?)"

Mingming and Ito were just business partners, just friends who helped each other, and Mingming wasn't even my girlfriend.

But she was the one who arrived first!

"そんなところも Cut and dislike it (I surprisingly don't hate that kind of place)"

Lost in a lull in the rhythm, Asada closed her eyes again and took a deep breath, trying to accept something.

What on earth are you thinking!

Ito's attention was completely drawn to Asada, who was lost in her own world. He both anticipated Asada's next line of lyrics and didn't want her to sing it.

contradiction.

Both of them are contradictory.

"もう　, 　 by　 by by by by of the time. . . . . .. "

The lyrics flashed by quickly, followed by an emotional outburst.

"I hate it halfway (I hate ambiguity the most)"

Asada gradually raised his voice, then slowed it down without losing his strength, holding the last word for several breaths.

The sudden blank beat on the instrument is like an invisible hand tightly gripping Ito's heart.

"もういい(Enough)"

Enough is enough. I've had enough of this kind of life. I've had enough of this kind of life that is important but I can't express it at all.

Hesitant and ambiguous, but absolutely must convey those feelings!

"ああしてこうして言ってたって(Even if I tell you this or that,)"

"爱してどうして?言われたって(You will only receive the reply "Why do you love me")"

"Yu びだけなら SIMPLE (If you just play, everything will be easy)"

"真剣交澉無茶苦茶で (If we were to get serious, it would be a mess)"

"Those unexpected frivolous (heavy) words)"

"何度使い古すのか？ (How long do you plan to use it?)"

The following rapid tone is an accusation against Ito's behavior, a condemnation of Ito's irresponsibility.

All they do is run away, hide, and use flippant words to escape!

Writing lyrics like these, singing out these feelings, trying to portray this image—Ito, what were you thinking?

Asada sang the lyrics quickly, his gaze falling on Ito at the same time, their eyes inevitably meeting.

The sound of rain outside did not affect Asada's singing; on the contrary, it added fuel to the fire of the music at that moment... a fire that was low yet growing ever stronger.

The hoarse final tone was a heartfelt plea, and Ito saw a glimmer of... hope in Asada's eyes?

"どうせ(Anyway)"

"Looking forward to the coming out of the show (I looked forward to it even when the outcome was already decided)"

"Quotes that are all quotations"

"Heel holding the upper part of the word 葉タブーにして (and all those words that make people's hearts beat should be taboo)"

When Asada uttered the line "空気を読んだ雨降らないでよ (Don't let the rain fall so inappropriately)," her voice gradually faded, sounding somewhat pitiful, but more so lonely.

The rapid guitar playing kept everyone's emotions running high, keeping Ito's mind racing.

As the verse ended, Asada played the guitar, her gaze shifting from Ito, sometimes looking down, sometimes looking at the rain outside the window.

so.......

What is she still praying for? What is she still hoping for?

What...is she thinking?

"I hate talking in a roundabout way"

The chorus begins with a dramatic drop in pitch, giving the impression that the speaker is feeling somewhat uneasy.

And the slowing and increasingly heavy voice is both an expectation and a response.

.......

"Red Butterfly は のメールも Send らない (The bright red butterfly does not send any message)"

"The brittle fan is more attractive when you open the fragile fan, isn't it?"

The two self-questioning and self-answering sentences, which have almost the same rhythm, are like a girl giving an answer for the other person, but then she asks an angry and straightforward question at the end!

The emotions that could no longer be suppressed, the longing that could no longer be stopped, and the desire to escape that could no longer be accepted.

"MIで (confused)"

"応えられないならほっといてくれ (Since you can't respond, then leave me alone)"

"It's better to let go as soon as possible than to be confused and uncertain."

"The heart of the liver has been exposed for a long time."

Ito's mouth opened slightly, as if he wanted to say something, but Asada's marble-like questions left him speechless.

This is just singing; that's not what Asada really thinks...

What did I do wrong?

"Peace of mind is the only thing that can make people feel at ease if it is lowered."

" Sweet candy (rain) words"

"Umbrella umbrella? (Would it make you want to hold an umbrella?)"

From the very beginning, her tone rose and never fell. She skillfully used countless vocal techniques, which seemed like a display of skill, but more like a reflection of Asada's ever-changing psychology and her yearning to be understood.

The desperate roar, like the sound of rain outside, tormented and tortured the other party.

Torture, all of it is torture.

......

"目を瞑った変えたかった大人ぶった (I closed my eyes and tried to change, pretending to be an adult)"

......

"Now, please don't let the rain stop."

The same plea as the end of the verse, but now Asada adds a more commanding tone.

"コピー,ペースト,デリート(copy, paste, delete)"

"その缲り回し (This keeps repeating the cycle)"

"Breathe in and spit out"

The rapid emotions quickly subsided...

"だから(so)"

The prolonged, drawn-out sound meant that Ito's vision was limited to Asada.

"It's okay here (it doesn't matter even if that's the case, I want to stay here (the heartbreaking pain here))"

.......

"ああしてこうして言ってたって(Even if you keep saying "do that" and "do this")"

"爱してどうして?言われたって(Even if you tell me "love me" "why?")"

"Yu びだけなら SIMPLE (If you just play, everything will be easy)"

"The true sword will fall into pieces if we have a serious relationship."

"思いもしない重い真実(うそ)は(Unexpectedly heavy truth (lie))"

Her voice trembled slightly, her fingers tightened around the guitar, and her gaze lowered; she dared not look at Ito, or... she didn't want to look at Ito...

.........

"Formula pass りのフレーズも (for those template-like statements)"

"The problem with the upper heel is that the end is better (and the problem of easy heartbeat should be put to an end)"

As the last syllable of “空気を読んだ空晴れないでよ (Don’t let the sky clear up so conveniently)” faded, Ito remained silent, and the only sounds in the living room were the rain outside the window and Hayakawa deliberately cracking peanuts.

He felt Mori's hand come out of his pocket.

Before the urgent and soaring guitar music had even faded, after the intense strumming, Asada's gaze calmly fell on the balcony, where rainwater was blown in by the wind, wetting the clothes that had not yet been taken in.

His hands hung naturally, letting the lingering sound reverberate, the sound of rain echoing in the room, and Asada's "Shouting at the End of His Voice" was not yet over.