Peerless Happy Hand

Han Feng looked at his hand and then looked at He Chun and said, "It's not interesting, it's not meaningful at all."

He Chun was even more angry when he heard this: "What did you say is boring? Do you mean that my ink bamboo picture is fake?"

Seeing that he was aggressive, Hanfeng was no longer polite: "Yes, your ink bamboo picture is a fake!"

When the onlookers heard this, they immediately became excited. Some were laughing, while others looked at Hanfeng with contempt and said he was talking nonsense. One of the loud voices said loudly: "You fart! Don't talk nonsense if you don't understand at such a young age. People's grandson, Mr. He, is also a famous antique appreciation genius. Do you dare to say nonsense that his paintings are fakes. This is slander. Do you know if you want to go to jail?"

The cold wind looked at the sound and saw that this person was the one sitting next to He Chun when he was visiting He Zhongguang yesterday!

He Chunze was not panicked at all. He looked at Han Feng coldly and asked, "You said it was a fake, so how did you see that it was a fake? What if it was not a fake?"

Han Feng sneered: "Then I will teach you the class."

When everyone heard this, they cursed again: "Damn, where did this kid come from? Why is he so crazy? He dares to say that he teaches Mr. He. He is really an arrogant person who doesn't know the best of heaven and earth!"

He Chun also sneered: "Then I will be a good student. If you can't tell me why, I'll call the police immediately."

Han Feng said: "It's up to you"

He Chun said: "Let's start"

Han Feng said, "Then please take out the painting and I'll talk about it for you."

He Chun immediately called the staff, signed the staff's responsibility letter, the staff entered the password to open the glass cabinet, took out the painting, spread it flat on the glass cabinet, and left.

The cold wind walked to the painting and heard the news and rushed to watch the crowd. The three layers inside and three layers outside. If you can't see the outside, you will ask the people inside what was going on. The originally orderly exhibition hall was suddenly very noisy.

Han Feng looked at the painting and said lightly: "First of all, the ink bamboo picture drawn by Wen Tong is made of silk instead of paper. Silk is a kind of silk fabric that feels very delicate and smooth. Even now, the quality is still very good. It will turn yellow after a long time when painting with paper. It will definitely be much better."

Han Feng paused when he said this. The onlooker, who was very angry, immediately reached out to touch the painting. After touching it for a few times, he stopped talking. He hurriedly asked, "It's the silk."

There were a few people who touched the paintings, who were He Chun, who remained silent, and said in a low voice: "It's rice paper."

His voice was not loud, but it had already made people feel unprecedentedly shocked. A few who were unwilling to believe it asked loudly: "No, it's really paper?"

Ning Jing was also shocked. Now that she saw Han Feng calm and calm, she had already determined that Han Feng was right in her heart, so she asked happily: "Xiao Han, then you can continue talking."

The noise of cold wind and other noises became quiet, and continued: "Wen Tong's ink bamboo paintings are made of double-patch silk. The meaning of double-patch is to determine the vertical and horizontal lines by himself. Therefore, his painting is 131.6 cm in length and 105.4 cm in width; and the vertical and horizontal size of this painting is definitely not up to par with it."

After these words were said, He Chun's face began to change because his confidence in his treasure began to shake.

But he would not accept this reality so quickly, so he said to Han Feng in a deep voice: "You keep talking"

Han Feng laughed and his voice became relaxed: "Wen Tong is the originator of bamboo paintings. His ink bamboo paintings are the best work of his lifetime. Therefore, there are many paintings that later generations imitate his ink bamboo paintings. Now there is a Wen Tong ink bamboo painting in the Eastern Guangdong Museum. However, this painting is painted on rice paper. The biggest difference from Wen Tong's ink bamboo paintings is that not only is the size larger than the original ones, but this painting also has the four words "and test ink" in the lower right corner of the painting. This is the most powerful proof of the ancients imitating the ink bamboo paintings! And now, aren't there these four words in the lower right corner of the painting?"

Han Feng's words shocked everyone. Even He Chun could not speak, and cold sweat began to appear on his forehead!

Han Feng didn't want to give up, and looked around and said, "I could have painted Wen Tong so much, but his skills are already very profound. It is definitely not something that an unknown person can draw. In addition, it is an ancient painting. Although its value cannot be compared with Wen Tong's original works, it is worth 20 to 3 million."

After saying this, Hanfeng deliberately paused for a moment. Seeing that He Chun's face improved slightly, he immediately began to use his trump card, and he wanted to smash He Chun's remaining lucky mentality ruthlessly!

Han Feng looked at the painting and said with great contempt: "It's a pity that Mr. He's painting is not even a counterfeit by the ancients. Please see, this kind of rice paper is called Renhua Yangtze River Xuan in eastern Guangdong, which was only produced in the late Republic of China. In addition, please see the method of mounting this painting, which is obviously a modern craft, that is, machine mounting."

"No, why do you think it's a worthless modern imitation? Mr. He has capsized in the gutter this time."

"Well, this kid is a famous guy at first glance. He cheated on his grandfather's signature. This time he sees he is still alive, hehehe."

"Damn it, just because Naizu is a famous collector, that so many people believe in him? I didn't know how many people were harmed by his ignorance before, damn it!"

The gloating voice began to sound, and He Chun had no time to care about it. He was just staring at his so-called treasure in a daze.

Ning Jing asked at this time: "Xiaohan, do you even understand the mounting technique? Then let's talk to us and let's understand it too, haha."

Ning Jing is now impressed by Han Feng. She is thinking about how to help him gain a reputation, so the questions she asked are all at the critical moment, making Han Feng secretly grateful in her heart.

When everyone heard Ning Jing ask, they agreed, "Yes, yes, Mr. Han tells us, so that we can also open our eyes."

Han Feng looked at Ning Jing deeply and said, "Okay, I'll talk about the techniques of ancient and modern mounting and the differences between the two."

Speaking of this, I paused and started to sort out my thoughts. The magic of the universal mind mantra lies in what knowledge Han Feng wanted to obtain. This knowledge will appear in his mind. He sorted out his mind a little and became clear: "Traditional mounting is to determine the appropriate support method based on the texture of the paper, the use of ink and color of the work, and cover the painting core with water on another piece of rice paper, which is called "support". There are four support methods, and the various support methods are different in water. This is the most basic and most important process. The quality is directly related to the life of calligraphy and painting. Therefore, old artists often call the support paper "life paper".

Then, according to the determined style, a piece of work is mounted after inlaying, covering the back, up and down the wall, back, and loading. The rice paper used in this mounting process is mainly raw rice cotton material, and the inlay material is mostly made of silk woven from silk. Cooked rice cannot be used as backing paper, otherwise it will easily wrinkle and bulge. Traditional mounting, after a second drain, can make the painting core as flat as a board, and the ink color is more energetic.

The modern mounting method that emerged in recent years, also known as machine mounting, is not as profound, difficult to learn, and difficult to master. It replaces handcraft with machinery. The painting core and mounting parts are made of ordinary paper like double-sided tape, covering and heating and ironing, saving labor and labor. The inlay materials are mostly made of chemical fiber and other fabrics, showing different thicknesses and thicknesses, because they cannot be seen by heating, ironing, and wrinkling of the painting core. If the painting piece is rolled a few times, it will still be shelled, and cannot be cleaned and repaired. When encountering some mounting machines, regardless of the connotation of the work, the inlayed fabric is darker, and the extension space of the work is unintentionally blocked, resulting in a dull and lifeless painting. This is the biggest difference between traditional and modern mounting methods. Please look at this painting. Is the mounting method very similar to the shortcomings shown by the modern mounting technology I just mentioned?

Therefore, this painting is not only a fake, but also a garbage among the fakes!”

"Damn, I'm convinced. This is an expert, a young genius." Praises came one after another, media reporters' spotlights flashed constantly, and the cold wind suddenly became the focus of this exhibition.

When he looked at He Chun again, he was gone. Only Hanfeng knew when he slipped away, but he pretended not to see it, and Ningjing began to leave the crowd and walk forward.

Not far ahead is the porcelain exhibition area. This is Han Feng’s favorite antique, so he led Ning Jing quickly over.

The porcelain exhibition area is divided into blue and white, enamel, white porcelain, Tang Sancai and other categories. The one that can arouse the most interest in cold wind is undoubtedly blue and white porcelain.

The cold wind slowly walked, lingering in front of the blue and white porcelain display cabinets, and was very happy to appreciate these ancient artistic crystals.

Ning Jing followed Han Feng, listening to Han Feng's explanation of the blue and white porcelain placed inside, which shocked her again!

The explanation of Cold Wind is very detailed, from the quality of blue and white porcelain to the manufacturing technology, to the cultural atmosphere of the dynasty at that time, it is very detailed, and the tranquility constantly marvels at the vastness of Cold Wind's knowledge of cultural relics.

Ning Jing was excited and looked at the blue and white porcelain with different shapes and asked: "What you said just now is quite extensive. As far as I know, among blue and white porcelains, Yuan blue and white have the highest value. Can you tell me about Yuan blue and white?"

Han Feng smiled and said: "In the Yuan Dynasty, with the development of domestic and foreign trade, China's porcelain industry made greater progress than in the Song Dynasty. Jingdezhen Kiln successfully fired blue and white porcelain. The general emergence and maturity of blue and white porcelain, and the production and sales were prosperous.

The blue and white porcelain of Yuan Dynasty is represented by Jingdezhen. It is exquisitely made and has very few passed down from generation to generation, so it is extremely precious. It is roughly divided into three stages: the Zhizheng period and the late Yuan Dynasty, among which "Zhizheng model" is the best.