I'm not mentally ill, I'm a master of a thousand faces!

Chapter 508, The next two months will see a dramatic decline in the domestic film and television industry!

Wang Chen could neither confirm nor deny this.

Because in a sense, Li Yun looks like a person with "faith".

One is to stick to one's own principles.

There is no one who is confused.

Such people are actually very dangerous.

Even Zhang Yimou, the "number one in the world," has his own confusion and insecurities.

Lü Haishi is the same. This middle-aged man with an artistic temperament actually regards the Western art system as the truth in his heart, and in fact, he often thinks of himself as inferior.

That's something ingrained in your bones.

Li Yun was different; he had no confusion about his goals or purpose.

There was no confusion.

If he had wanted to, he could have easily risen to Hollywood by following all sorts of temptations, but he chose to stay in this barren land.

This is also what Xie Qingya meant by Li Yun's most terrifying aspect.

He is unmoved by external things, or rather, he knows from beginning to end what he wants and what he needs to do in what place.

"Indeed, you weren't wrong about him this time." Wang Chen said calmly, "He is indeed a formidable and troublesome guy. His will is unwavering, and when faced with temptation, he always remembers his goals and what he wants."

"He has his own sentiments, his own patriotism and ideals," Xie Qingya said, seemingly quite satisfied with his own opinion and perspective—in his view, what drives Li Yun is probably his sentiments and passion.

"I'm not like someone like you who has no principles."

However, Wang Chen laughed.

He burst into laughter as if he had heard something very funny.

She was laughing more happily than anyone else, laughing so hard that tears were streaming down her face.

This made Xie Qingya very unhappy. The middle-aged man in front of her, who usually maintained his composure, was laughing heartily this time without any regard for his image.

"Have you laughed enough? Are you laughing at your own impending doom?"

"Young man, the end of the road is uncertain, but you're right about one thing: I haven't laughed enough."

At this moment, Wang Chen said calmly.

"You can ask me why I find it so funny. It's your words about patriotism and sentiment that make me laugh. It's not that I deny that kind of emotion, but that's not the kind of emotion Li Yun would have."

"You talk as if you know him very well, but you've barely even spoken a few words to him directly. I'm his business partner, how could I not know him as well as you?"

Xie Qingya was displeased by Wang Chen's knowing attitude towards Li Yun, even though they hadn't exchanged more than a few words.

What makes you think you understand him?

"I, Wang Chen, don't have any other skills, only a pair of keen eyes and a knack for choosing sides. I can always see the essence of things, and this time Li Yun is no exception. He is indeed qualified to be my opponent and the real opponent of the interest group I represent."

"But there's one thing you shouldn't get wrong: the reason he became my rival isn't because of those strange and lofty ideals you talk about. He chose to develop his career domestically and not rely on anyone, simply because his desires were so great that you couldn't even see them clearly."

"He did this for only one purpose."

"That means not being subservient to anyone."

We also aim to become number one in China.

wrong.

He wants to be the best in the world.

Then the whole world cheered wildly for his ideas.

Everyone rejoiced over his work, ensuring that everyone in the world would remember that he had been there.

This is what Li Yun wants.

Hidden corners, suspenseful atmosphere, and a small-scale setting.

Suspense dramas rarely have a grand scale; most of them unfold small stories from a small perspective.

Science fiction dramas are different.

Especially Li Yun's science fiction, it seems from the synopsis that the Three-Body Problem refers to a civilization.

It's now clear what kind of science fiction *The Three-Body Problem* is: it's orthodox, grand science fiction.

A grand perspective to showcase something macroscopic.

And a suspenseful perspective,

Completely incompatible.

In other words, people who create grand science fiction find it difficult to create suspense, and people who create suspense find it difficult to handle science fiction. There is a sense that the two styles are inherently incompatible.

This time, Li Yun chose to open two accounts simultaneously.

Many people actually prefer hidden corners.

Currently, Li Yun is one of the most popular directors in China. The phenomenal popularity of "Dying to Survive" provides ample data for a rational analysis.

Let's analyze what type of director Li Yun is.

Based on the current data analysis.

Based on current industry data, Li Yun is a director who excels at portraying subtle emotions and small-scale themes, following a similar path to Zhang Yimou.

He's a very typical type of director.

Something with a grand vision.

He can't take good photos.

It is difficult to reconcile delicate emotions with grand emotions.

Li Yun is a talented guy who tried all sorts of subjects when he was young, which is a privilege of talented people. He can withstand failure.

As it stands now.

"The Three-Body Problem" is more like an experimental work, while "The Hidden Corner" is the main attraction of this series.

This is Li Yun's trump card in this TV series: telling a story on a small scale within a subject he excels at.

"One work was used to scam subsidies, and the other was a suspenseful work that carried his true thoughts. Science fiction works were used as sacrifices to be pioneers."

At this moment.

On the other side, Tang Min kept an eye on Li Yun's movements.

She watched the movie "Dying to Survive" and gave it a similar review to those online, saying it truly deserves to be called a great work.

To describe it as great.

That's no exaggeration.

At the same time, I was also quite impressed by Li Yun and his vision.

The fact that this film, which reflects the medical insurance situation, was broadcast just as the new medical insurance was launched is definitely not a coincidence; it was intentional.

This was intentional.

Perhaps it was to capitalize on the immense popularity, or perhaps he knew the pace his film would face upon release and was laying the groundwork in advance. Whatever the reason, Li Yun had thought things through very thoroughly, achieving twice the result with half the effort.

This even turned the adverse rhythm into a reactionary force.

That's what's most admirable.

Perhaps after this reversal of fortune, the emotions it evokes will allow him to achieve even greater success, perhaps even surpassing the 1 billion mark, or even reaching 12 billion.

This is the result calculated by the actuaries of Tangren Media's Shanghai branch based on various data.

According to their meticulous calculations, 12 billion is the most optimistic result.

This box office is almost on par with the original Avengers. For a domestic film to reach this level is nothing short of a miracle.

I always thought that only Western films could reach this level in the realm of commercial cinema.

But now.

Li Yun proved something with his film "Dying to Survive".

Ideas and commerce can coexist; not only can they coexist, but they can also achieve remarkable box office success.

This sets a precedent.

If we have to call it a great work, then netizens might be overestimating it. After all, even if it can achieve a box office of 12 billion, that's only because it benefited from the hype.

But it is definitely a masterpiece that is rare to see in 10 years.

Tang Min can absolutely guarantee that.

"So what are you going to do next? You've been analyzing Li Yun's work for a while now." Li Liguo, looking haggard, was standing next to Tang Min.

He was exhausted; he looked extremely weak and frail, a result of depleting his energy and spirit. His novel, "Wesley," had entered the later stages of its promotion and distribution, and was released in the same period as "The Three-Body Problem" and "The Hidden Corner."

It's like a battle of gods.

"Withdrawal from the schedule."

Tang Min simply and directly stated her next plan, which was to announce the withdrawal and postponement of the film's release in the coming period.

She is self-aware.

When faced with a formidable opponent, the wisest choice is never to confront them head-on, but rather to retreat temporarily.

Escaping, though it may seem a bit shameful, is indeed a useful thing to do. After all, when it comes to real money, she doesn't want to be cannon fodder.

Moreover, she wasn't just afraid of Li Yun.

Li Liguo and his Wesley series also have elements of suspense and science fiction, making it a relatively niche, small-scale science fiction genre.

It lies somewhere between suspense and science fiction.

It is a soft science fiction that focuses on the interaction between characters.

From Tang Min's perspective, his Wesley series has a significant advantage in this competition for the science fiction genre, as all three directors are operating within their comfort zones.

Through mutual support and assistance, the work was created.

So, during this month of fierce competition, she decided to temporarily avoid the limelight, especially since this imported work is equally impressive.

The adaptation of "Journey Under the Midnight Sun," based on a novel by Keigo Higashino, a dominant force in the Japanese suspense genre.

In the science fiction genre, there's also a TV series called "Westworld" that's been imported during this time slot. We don't know its exact content yet, but judging from the production team and the budget for promotion, it's quite promising.

The production cost of just these 10 episodes was as high as 1 million US dollars.

Big production.

High cost. And the original work also serves as a driving force.

Both of these works are adaptations of original works, and both have extremely excellent original works as their foundation.

It's quite tricky.

This is why Tang Min felt that times had changed, and that it was time to avoid the limelight for the time being.

They can't beat either the outside or the inside.

What else is there to say?

Let's avoid the limelight for now.

Still making a fuss.

Moreover, both of these works were broadcast directly on television, specifically on CCTV.

In other words, it's not just about online channels anymore.

The broadcasting rights were directly delegated to the television station.

Rather than simply online channels.

It's a direct, head-on collision with absolutely no room for maneuver.

Let's fight for real.

Therefore, high hopes were placed on the work "Wesley".

A highly anticipated work that is expected to go head-to-head with the Western television world.

Sometimes, classics can be a weapon.

A classic.

This is also why Li Liguo has been under immense pressure lately.

The reason is probably that Liu Shanhe told him that they were being given high expectations this time.

This is the expectation that Wesley placed in.

That's what I hope for in this work.

To be the strongest this time, to be able to turn the tide when Western works came on strong.

This work will hopefully put them on their toes.

This is Liu Shanhe's vision.

The layout of the August First Film Studio.

Instead of focusing on subsidies and honors, they place more emphasis on social responsibility.

After hearing Li Liguo's account of this, Tang Min, still somewhat incredulous, asked doubtfully.

"Sniping Westworld, you guys? Are you serious?"

"That's right, we're targeting Westworld."

"You really have a broad perspective."

Lu Zhengguang poured Liu Shanhe a cup of tea.

The two are not entirely on the same page.

But now, Lu Zhengguang has to admire one thing: Liu Shanhe's vision.

He chose this release date for no other reason than that this month marks the official entry of Western works into China.

The kind that can be broadcast properly on television.

For domestic audiences, this is undoubtedly a feast for the eyes. Of course, the more good works there are, the better and more enjoyable it will be.

But for those working in the film and television industry, it's not such a good thing.

Especially on their own turf.

If you get beaten to a pulp.

So what?

How can one describe such a disgrace?

No, you can't.

Dignity does not allow this to continue.

The film industry has already slid to its knees, and slid down quite smoothly and thoroughly. Now, with this film, "Dying to Survive," even at this level, its box office is only on par with that of a decent Hollywood film.

Moreover, due to the special nature of the subject matter, this film can only achieve box office success in China. For foreign audiences, this means there is no sense of identification, making it a work with a very strong local flavor.

Such works generally have significant regional limitations.

But that's enough.

For Liu Shanhe...

Li Yun did exactly what he was supposed to do, as an artist and someone who conquered the local audience.

His ability to "guard the nation's gate" is already quite awe-inspiring.

"Your partner is doing such a great job, how can we possibly lag behind?" Liu Shanhe said with a smile.

At this critical juncture, many domestic TV dramas, to varying degrees, have had their broadcast schedules changed, withdrawn, or postponed due to interests, or they have brought in their own second-rate, low-budget productions to fill the gaps.

Actually, isn't the reason for feeding them just to avoid clashing with Westworld and White Night?

These two films were released in consecutive periods.

Although the target audience is different, the age range covers viewers aged thirteen to thirty.

Lu Zhengguang gently shook his head.

"For two consecutive months, all the works were second- or third-tier productions; they didn't even have the idea of ​​competing head-on."

Being straightforward makes one a coward.

Scared.

(End of this chapter)