I'm not mentally ill, I'm a master of a thousand faces!

Chapter 229, On the Land of the Poor and Remote

Director Yang Wei looked at Li Yun in front of him.

I was shocked.

The image of the young man in front of me began to blur.

It began to change into a different form.

"Did you call me?"

At this moment, the young man in front of me spoke with a genuine Xishan accent, his eyes were clear, and he had a touch of simplicity.

"Come with me. It's about to begin." At this moment, Yang Wei was somewhat shocked, but still swallowed hard.

"it is good."

Li Yun nodded.

He caught up with Yang Wei.

Yang Wei looked back from time to time

The young man followed Yang Wei with a limp.

Yang Wei turned and looked at the young man's legs.

An idea naturally came to mind.

Tengu, his legs.

Is he really lame?

"Get ready, get ready, filming for 'The Dog' is officially starting."

Yang Wei returned to the film crew and called for the actors to take their places.

His gaze seemed to hold a hint of complexity.

This complexity was noticed by Liu Yuan and Ma Shengchang.

Considering the director's expression changed after he went to see Li Yun, it's likely that our lead actor made the director feel uncomfortable.

This was expected.

Not surprising.

Even if you try to cram at the last minute, you won't get anything out of it.

"Let's start filming, the villagers are all ready."

In the crew of "The Dog".

The extras were real people.

They all employ local residents, living in this earthen hill valley.

After getting them into position, Zhu Yuan changed into a village woman's outfit. Although it couldn't hide her beauty and charm, she was, after all, the female lead.

You need to have such a good-looking appearance to attract viewers.

At this moment, this first scene is the beginning of the entire "The Dog," and it also sets the tone for the whole story.

What Li Tiangou did alarmed the entire provincial capital.

People from the provincial capital.

I learned that a major case had occurred here.

A fairly large case.

at this time.

In the footage, an investigator from the provincial capital picks up the "murder weapon" in his hand.

He clicked his tongue in disapproval.

"Hanyang Rifle, 32."

"It's an old, grinding thing."

"Grinding your teeth again? Ha, look, within seconds, three targets, one shot after another, hitting vital points."

"How is this possible when this guy is still seriously injured?"

"Yesterday's war hero, today's murderer—good news! Good news!"

"County Head, Bureau Chief, the investigation team from the Provincial Forestry Department has set off, led by Deputy Director Xing."

At this moment, the county magistrate pondered for a moment and then spoke.

"Why did you appoint a cripple as a forest ranger?"

At this moment, the leader next to him spoke honestly.

"This is considered a favor to their family. Going down there or over there will give them some financial flexibility."

"To make the economy more vibrant?"

The county magistrate was accompanied by questions.

The story begins in reverse chronological order, starting with Li Tiangou's fate, recounting his life.

A veteran came to the mountains to work as a forest ranger.

In the end, however, he ended up as a murderer.

His story.

Tell the story in detail.

"Click!"

"very good."

"Perfectly completed"

The prologue was filmed in just one day; it's a common narrative technique in art films—a flashback.

Film the ending first.

The story unfolds from the perspectives of other characters, using a reverse chronological order to depict the protagonist's fate.

From combat heroes.

Even when it comes to murderers, there's that line: sending Li Tiangou to be a forest ranger, to the grassroots level, is a way of "taking care" of him.

The economic situation is more flexible.

This is the focus of the filming and description.

Almost the entire movie revolves around Li Tiangou.

This is also why village chief Liu Yuan and the three Kong brothers, Ma Shengchang, felt somewhat unmotivated.

If the lead actor isn't compelling, an art film is hardly interesting.

At this moment, everyone saw Li Yun, whom they hadn't seen for many days.

A young man with a limp and a somewhat simple and honest look on his face.

A person's temperament is like dust.

When they saw this, Liu Yuan and the others were stunned.

It seems to be this kind of temperament.

And when we first met.

It's gotten a bit big.

At this moment, Li Yun...

Li Tiangou.

He leaned on his wife Tao Hua's shoulder and said with his eyes half-closed.

"I served in the army for six years, in the mountains and forests. I returned for six years and then went back to the mountains and forests."

"The organization wants me to be a forest ranger."

Li Tiangou spoke fluent Xishan dialect.

His temperament

It has become one with this land.

at this time.

Liu Yuan also became serious.

At least, the demeanor that Li Yun displayed was by no means abrupt.

This play.

Yes, you can take pictures.

Li Tiangou's first scene was filmed in the village.

The villagers lined the road to welcome them.

This made Li Tiangou feel quite embarrassed.

"Village chief, I'm so sorry."

"This is a tradition in our Payuan Village: agriculture and forestry combined, water clear, welcoming spring with three flavors of water."

As for Li Tiangou, the forest ranger.

The village chief treated him with the utmost courtesy, and Liu Yuan even acted out the obsequiousness on his face.

This surprised Li Tiangou, and even made him look a little uneasy.

It's not that the acting was unnatural.

Rather, it was Li Tiangou who felt uneasy about the kind of treatment he received.

As the villagers sang enthusiastic folk songs, the three Kong brothers, standing on the high platform, sneered.

"A war hero, my foot! And all he's got is this tattered clothes."

"Hahaha, that's his wife, that's his stepmother! Girls."

"Hey sis, hello sis, taking care of the household."

There was mockery in the eyes of the three Kong brothers.

It seems that these sugar-coated bullets are specifically designed for dogs.

It was created for Li Tiangou.

Gifts kept coming

Sheep, cows, pigs, and many other items, big and small, were all sent to the dog's house.

At this moment, Zhu Yuan, who plays Tao Hua, speaks in authentic Xishan Province accented Mandarin.

"Doggy, how much would those things cost if we bought them outside?"

"A chicken costs seven or eight yuan, a sheep costs thirty yuan, an egg costs two mao, and a pound costs one yuan and eighty cents."

"Sis, you've really figured things out."

Meanwhile, the dog in the camera is stubbornly keeping track of the accounts.

The things that the villagers brought were all recorded in the account.

They've all been remembered.

"Your salary this month is only 148 yuan, while mine is less than 50 yuan."

"Even with our combined salaries of two months, we can't afford these things."

"Doggy, I never imagined being a forest ranger would be so great. If I had come two years earlier, we'd have a TV and a refrigerator by now."

Here.

The scene depicts the mundane conversation between Li Tiangou and his wife.

He appeared completely indifferent.

But it doesn't seem out of place at all; in the shot, there's a combat hero and a retired forest ranger.

He came to this poor and remote land.

We've arrived here.

He remained calm and composed.

The entire crew, Liu Yuan, Ma Shengchang, and Zhu Yuan felt...

accident.

he.

She's like a completely different person, totally unlike before.

(End of this chapter)