"I'm in Tokyo, and this is some kind of movie star comeback system?!"
Chapter 84 shows a clear contrast.
A black Nissan President came to a steady stop in front of the photography studio in the port area.
Sakamoto Yu and Ono Hitomi got out of the car. Watanabe lowered the car window, took off his sunglasses, looked up at Sakamoto Yu, and whispered a few words of advice:
"Keep a low profile on set. With your skills, you should be able to finish filming in eight hours and then you can leave immediately."
Sakamoto Yu raised his hand and waved it, indicating that he knew what he was doing.
Seeing his nonchalant demeanor, Watanabe knew he was sensible and turned to instruct Ono Hitomi:
"Keep an eye on your boss and don't let him cause trouble."
Hitomi Ono nodded quickly and repeatedly, "Okay, I'll definitely keep an eye on Sakamoto-san!"
The car window slowly rolled up, and Watanabe put his sunglasses back on.
The car's V8 engine gave a low hum, quickly accelerated, and drove away, disappearing in the blink of an eye.
"Let's go, let's finish filming quickly and leave." Sakamoto Yu took the lead and walked towards the film crew.
.......
On set, Nakagawa was discussing the specific shooting plan with the assistant director. Just as he was giving instructions, his assistant walked over to him and whispered a few words.
Nakagawa's face darkened, he nodded, and his assistant turned and walked towards the door.
Not long after, the assistant arrived at the film set with Sakamoto Yu and his female assistant, Ono Hitomi.
Sakamoto bowed to the crowd in greeting.
"Hello everyone, I'm Sakamoto Yu, and I'm very happy to work with you all."
Hitomi Ono followed behind, bowing in a similar manner.
Nakagawa glanced at it once and then walked straight behind the monitor.
Sakamoto Yu was left standing there, and the people around him didn't dare to speak, for fear of getting into trouble.
The previously noisy surroundings instantly fell silent.
The atmosphere at the scene visibly became tense.
Ono Hitomi carefully surveyed her surroundings, having already heard about it from Sakamoto Yu before she came.
Even with mental preparation, one can't help but feel restrained at this moment.
She moved closer to Sakamoto Yu, seeking some sense of security.
"Sakamoto-san, let me talk to you about the scene." The assistant director stepped forward and said in a gentle tone.
Sakamoto Yu smiled and nodded, glancing out of the corner of his eye at Nakagawa, who was sitting in the director's chair.
Nakagawa remained indifferent, completely ignoring him.
Sakamoto Yu sighed inwardly.
I recalled Watanabe's instructions: "Just do your job, and leave after you're done filming."
Sakamoto Yu pursed his lips. This shoot wouldn't last long, so he'd better finish quickly and leave.
He smiled slightly at the assistant director and listened attentively.
The GG video shouldn't be too difficult to shoot.
After listening, Sakamoto Yu indicated to the assistant director that he understood, and an assistant immediately took him to get his makeup done.
Not long after, Sakamoto Yu appeared at the scene wearing a sharp suit.
He was wearing a white shirt underneath a classic gray three-piece suit.
The moment he stepped out, several gazes fell upon Sakamoto Yu.
Some people gasped in amazement, while others' eyes lit up.
The sounds were faint, but their sheer number created a small, chaotic commotion.
Nakagawa was drawn to the view and turned to look, his expression momentarily stunned.
Even though he didn't like Sakamoto Yu, he couldn't help but be amazed when he saw that visually striking outfit.
His large frame perfectly complemented the suit, and even though it wasn't a custom-made one, he wore it with an innate air of elite elegance.
With his 1.86-meter height, superior facial features, and natural bone structure, Yu Sakamoto exudes a youthful and elite aura when he wears a suit.
He has the air of a finance professional working in a high-rise building.
Subconsciously, Nakagawa mentally compared Higashiyama Noriyuki to him.
Imagining Higashiyama Noriyuki in a suit and comparing him to Sakamoto Yu in front of me, the former looks like a fledgling just entering society.
Nakagawa pursed his lips and turned his head away, no longer looking at him.
Sakamoto Yu remained expressionless in the face of the commotion; he was already used to it.
Sakamoto walked up to Nakagawa and bowed slightly to him.
Nakagawa Asa pointed to the designated location on set.
Sakamoto looked in the direction indicated.
A brand new black Fairlady Z31 turbo has already been placed in the set.
The entire car has a matte, slightly glossy pure black paint finish, giving it a premium feel. The long hood and sloping roofline of the coupe are both low and aggressive.
The car body has an exceptionally smooth curve.
"Go stand there." Nakagawa pointed to the designated spot, his tone flat. "You've all read the script, haven't you?"
"Yes, I've seen it." Sakamoto Yu responded immediately, without the slightest delay.
With that, Sakamoto walked towards the location set up on the film set.
Nakagawa looked at Sakamoto Yu's back; he was tall and broad, unlike the slender figures of those idols, he exuded a strong sense of power.
The scene was a private garage, and the shot needed to depict Sakamoto Yu opening the door and getting into the car.
After a brief moment of preparation, Sakamoto Yu quickly got into the zone.
Nakagawa looked away from the monitor, then picked up the megaphone and shouted:
"All departments in position, 1, 2, 3, go!"
With the lights on, Sakamoto Yu calmed down and began his performance.
His face was tense, his movements were swift and clean, and he exuded a composed aura.
The camera cuts to Sakamoto Yu's well-defined fingers opening the car door with a click.
He turned slightly to the side and got into the car.
He gripped the steering wheel with both hands, and the expression in his eyes gradually changed.
From calm and composure, a gradual calm settled into restraint, suppressing the excitement within.
This kind of nuanced eye acting easily captures the audience's attention.
Nakagawa watched the changes in Sakamoto Yu's eyes on the monitor. Even though he wasn't a fan of the actor, he had to admit that the actor knew how to grab the audience's attention.
The tension between his danger and restraint is incredibly captivating.
Men can immerse themselves deeply in the story, while women are instantly captivated and filled with fantasies.
Nakagawa's expression gradually became serious and focused. He rested his hands on his knees and watched Sakamoto Yu's performance with complete concentration.
Sakamoto Yu reached out to light the fire, and with a deep, heavy roar, the corners of his mouth curled up slightly.
His gaze shifted to the car's interior, the camera naturally switching from the instrument panel to the center console, showcasing the subdued yet sophisticated sports car atmosphere of the driver's seat.
Matte deep black with light gray frosted trim, a relatively small three-spoke sporty leather steering wheel, and a fully digital instrument cluster.
The camera stops here, marking the end of this segment of filming.
Nakagawa called out "cut" at just the right moment, and the crew instantly relaxed.
The stagehands immediately led the props to their positions, the lighting technician lowered the light stand, and the makeup artist immediately went forward to check Sakamoto Yu's makeup and hair.
The assistant director came over, waiting for Nakagawa to arrange the next steps.
But he was found to be staring intently at Sakamoto Yu in the distance, his lips pressed tightly together, and he remained silent for a long time.
The filming just now went so smoothly, it was unbelievably seamless.
From the moment she appeared until the end, the entire performance was done in one take. Her smooth and natural delivery made it seem as if she had rehearsed countless times in private.
But everyone present, including Nakagawa himself, knew in their hearts that this was Sakamoto Yu's first scene to be filmed today, so there was no chance for rehearsal.
Isn't that obvious?
Sakamoto Yu is an actor whose talent is ingrained in his very being.
Nakagawa shook his head. Although it was a lost cause, no director would be unwilling to present exquisite visuals, and that often depended on good actors.
He couldn't help but wonder if Higashiyama Noriyuki from Johnny's Entertainment could have done the same.
Don't be fooled by the simplicity of the role; the simpler the role, the more technically demanding it is.
If it were an idol focused on the stage, Higashiyama Noriyuki might have needed several adjustments.
There's a chance we'll have to do one or two more takes.
The thought of finding fault with something inexplicably popped into his mind, but he quickly suppressed it.
"Maybe it was just a coincidence that he was in a good mood."
Nakagawa shook his head, giving himself a reason to accept it, and stopped thinking about it. He then turned to discuss the filming arrangements for the next scene with the assistant director.
Sakamoto Yu got out of the car and glanced at the prototype several times before leaving, feeling a little itchy, wondering if he would ever have the chance to drive it.
He walked to the rest area, where Hitomi Ono handed him a bottle of water with a straw.
He carefully slurped up a mouthful of cool water, which slid down his throat.
Hitomi Ono moved closer and whispered:
"Sakamoto-san, there was a guy watching you from outside the film set."
Upon hearing this, Sakamoto Yu looked at Ono Hitomi.
"The staff around him all call him manager, so he's probably a senior executive."
After a moment's thought, Sakamoto Yu guessed the other party's identity; it must be the brand manager who had come to inspect the business.
"What was his expression like?" Sakamoto Yu handed the water back.
Ono Hitomi said with a hint of pride, "He seemed very satisfied; he was nodding as he watched your performance!"
Sakamoto Yu nodded as he listened.
Hitomi Ono, slightly annoyed by her boss's calm demeanor, said, "Sakamoto-san, you're really confident."
"What else?" Sakamoto Yu raised an eyebrow.
At this point, the production assistant came over and informed them that they needed to move to another location for filming.
Sakamoto Yu and Ono Hitomi boarded the van together with the stagehands.
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