Huayu after the system left

..........

After Zhou Yang's identity as a major shareholder of Tangren was revealed.

Two people were extremely vulnerable.

One of them is Yu Zheng.

Because he is in contact with Tangren's behind-the-scenes team and screenwriting team.

He wants to poach all the talent to his studio and produce a few high-quality works to gradually wash away negative labels such as plagiarism, shoddy work, and outrageous content.

People?

When money is no object, one should naturally start to slowly maintain their reputation.

However, the plan fell apart before it even began.

After all, how can someone who started out by plagiarism compare to a popular writer like Zhou Yang who owns multiple high-quality IPs?

not to mention.

Cai Yinong also hinted that the company is currently making preliminary preparations for its IPO.

It's clear from this perspective that staying with Tangren Company offers a better future.

The other person is Zeng Jia.

Upon hearing this news, she was so angry that she smashed the cup.

If Yang Mi and Cai Yinong are currently at a stage where they don't like each other, then when they meet, they will at most just exchange some verbal sparring.

However, Zeng Jia regarded the other party as an irreconcilable enemy.

the reason is simple.

Cutting off someone's livelihood is like killing their parents.

That's no exaggeration.

Just look and you'll see. Even now, Zeng Jia still only has Yang Mi as her card.

But a few years ago, Yang Mi almost got poached by Tangren Media.

Zeng Jia paid a huge price to keep him, and in the end she blamed Cai Yinong and Yang Mi.

That's right.

She harbored resentment towards Yang Mi.

However, because they wanted to climb the social ladder and had to rely on each other, the two even formed a real community of interests, so they could only pretend to be kind and amiable.

Gradually.

Zeng Jia's mind has become twisted.

Previously, her happiest moments were watching Tangren, once an industry leader, gradually fall to the bottom.

Even with the full support of her major shareholder, Cai Yinong could only barely maintain the status quo and was completely unable to adapt to the new era of the entertainment industry.

But the major shareholder is Zhou Yang.

Having already stepped one foot into the capital market, Zeng Jia naturally knew about market expectations.

That's why she was so vulnerable.

From the moment Zhou Yang stepped onto the stage, Tangren's resurgence became unstoppable.

There's a saying that's true.

The person who knows you best is not yourself, but the enemy who wishes you dead.

This statement is absolutely accurate when applied to Zeng Jia.

at the same time.

Many astute investment banks have begun to take action, wanting to participate in Tangren's IPO plan.

For them, there was no need to verify this at all.

The fact that Zhou Yang, a major shareholder, has stepped out from behind the scenes and into the limelight is a very clear signal.

After hanging up on another investment bank call.

Cai Yinong said with great emotion, "These investment banks used to look down on people. When I consulted them before, they said that a company like Tangren could only be listed on the Hong Kong Stock Exchange at most. But now they have all changed their tune and are optimistic about Tangren's performance on the A-share market."

Zhou Yang simply smiled and reminded him, "But in the A-share market, there is a 36-month lock-up period, which is three times that of the Hong Kong stock market."

"I'm not one of those people who're in a rush to go public and cash out, so why should I care about this?"

"But the other shareholders don't think so, Mr. Cai, you'd better handle this well."

"Hmph, those old fogies, forget it, just mentioning them is a downer. Mr. Zhou, why don't you just buy all their shares too?"

Upon hearing this suggestion, Zhou Yang shook his head, "I don't have any spare funds at the moment."

This is the truth.

no way.

All three special effects companies are big spenders.

Most importantly, ByteDance is preparing for its Series C funding round, and to avoid diluting its shares, it needs to spend a significant amount of money.

Zhou Yang has a large amount of liquid funds at his disposal, all of which are being prepared for this.

Cai Yinong was somewhat disappointed.

But there's nothing we can do about it.

You can't expect everything to go your way.

The two then began discussing the script for "Qingninglu".

Zhou Yang pointed out a few places and suggested adding certain plot elements there, which immediately made the story, which had been somewhat stiff due to the adaptation, flow smoothly.

In addition, there are also things related to the male lead.

Even if this character is just an accessory to the female lead.

But since I'm going to be acting in it, the plot definitely has to be exciting.

Is anyone questioning this?

Do you understand what it means that the author has the final right of interpretation?

This is the end.

Zhou Yang finally found her first joy in the entertainment industry.

of course.

Everything is based on the premise of telling the whole story well.

.........

In the following days.

Zhou Yang began to study the film and television industry from a macro-historical perspective, wanting to see how it got to where it is today.

finally.

He roughly divided the domestic film and television industry into three eras.

First, there was the era before the 90s, when the government mainly invested in and controlled the economy.

Later, foreign capital was gradually introduced, mostly from Hong Kong and Singapore at first, with a small amount from Japan and South Korea, and later some private capital was added.

Take coal mine owners, for example.

As for now, it marks the beginning of a brand new era.

Here's a brief overview.

The works of the first era possessed a stance, aesthetics, philosophy, and thought.

The actors are not only beautiful, but also very well-mannered.

Film and television works can use these characters to clearly explain the core message of the story.

It can be said that almost every work balances artistry and accessibility.

However, due to the excessively long production cycle, the output is very low and cannot meet the ever-increasing market demand.

The second era still focuses on storyline, and the competition is mainly about the quality of the production team.

However, the work's artistic merit was greatly diminished, while its entertainment value increased unprecedentedly.

This period was also the golden age for celebrities to rise to prominence.

Gradually, the influence of film and television works was replaced by these rising stars.

In most projects, the production team and celebrities have transformed from a hierarchical relationship into one of competition, vying for control of the entire project.

The production team naturally wanted the whole story to be better.

Celebrities only care about the boost this project brings to their own image.

We have now entered the third era.

Industry insiders refer to this as the "traffic era," driven by a combination of factors, including industrial upgrading and the entry of major capital players.

It's just this kind of structure.

The more Zhou Yang looked at it, the more familiar it seemed.

A government in name only.

Warlords supported by various forces.

Some are driven by self-interest.

Some were driven by political demands.

Some people want both.

Each warlord also had his own ulterior motives.

Tsk.

It's too messy.

For a moment, it was impossible to distinguish between friend and foe.

Because right now it's a complete mess where everyone is intertwined with each other.

Or perhaps they are all enemies, with no comrades at all.

and many more.

Zhou Yang suddenly realized something.

The most difficult aspect of cultural revival is the momentum created by a certain group over the years.

This trend tells all kinds of investors that making period dramas is profitable, and if you want to make money, don't try to be special.

This moment.

Zhou Yang already knew what he had to do.

He had to use facts to show all the capital that promoting Han culture was more profitable than making period dramas.

Only by reaching this consensus within the industry can we distinguish friend from foe in the cultural arena and identify those who can be won over.

……