The sickly little one was adopted by a wealthy foreigner and became a favorite.

But Helena's decision left him no room for doubt.

So Bob could only run over and try to dissuade the director, urging him to stop immediately.

But the director was staring intently at the screen, his eyes unblinking, seemingly oblivious to Bob's presence.

He waved his hand dismissively at Bob, then continued to stare at the monitor.

In the scene, even when acting alongside several main actors, the little guy answered fluently without showing any fear.

Moreover, it can be said that the cubs have a natural, innate quality.

It was as if he wasn't acting, but rather that the character was himself.

The director didn't call a pause, so the story continued.

Soon it will be a scene of characters fighting.

Just as the director was about to call "cut," the little guy had already memorized the character's signature moves.

He executed a backflip with remarkable flexibility, followed by a triple somersault from a flat bottom, showcasing both his technique and the character's graceful and elegant style.

The main actors in front of them were all dumbfounded.

"Wow...Chinese Kung Fu...?"

"Unbelievable! There's no wire in front of me, is there? How can this kid do a backflip?"

The director waited until he had captured all the surprised expressions on the lead actors' faces before calling "cut".

"Very good." The director seemed to have forgotten his previous disdain for the little guy. Now, his expression towards the little guy was full of appreciation and the joy of seeing a genius.

"You studied acting? And did you learn those skills from a young age?"

Wu Tu pursed her lips, her eyes still red, and didn't answer him. She clearly hadn't yet shaken off the role.

The little guy is the kind of person who can easily immerse himself in an role; the director could tell at a glance.

This kind of role is easy to play and has a lot of explosive power, but it takes a lot of energy.

Many actors develop schizophrenia or depression because they get too immersed in their roles.

In short, those involved in the arts are at high risk when it comes to mental health issues.

Moreover, the director could sense that the child, at such a young age, was incredibly sensitive and experienced, indicating that he was a very perceptive child.

He misjudged the situation before.

Fortunately, the black tusk persevered.

Otherwise, if they had missed out on him, the director really wouldn't have known if the character would ever have been made on screen.

However, the director hadn't been able to find out anything yet, nor had he been able to ascertain whether the little guy would continue to follow him on set.

Just then, Helena Rubinstein arrived at the film set.

Everyone thought Helena had nothing better to do than come over to supervise the work.

Because Helena is a queen who acts entirely on a whim and whose word is law.

She has the power to make the whole world fawn over her.

Moreover, although she claimed to be supervising the work, she was actually just bored and wanted to give orders to the group of people present.

Today we ask them to film some funny behind-the-scenes footage, and tomorrow we ask them to switch roles.

The director, who is usually extremely serious and strict about rules, became as quiet as a chicken after Helena appeared.

Because he couldn't do anything about Helena either; Helena was his big boss who supported him.

When everyone saw Helena, they immediately went into a state of high alert, but Helena's car stopped at the door in a very arrogant manner.

She was dressed in an exquisite dress, swaying as she passed by everyone, and came to the cub.

The moment the little guy saw Helena Rubinstein, his already slightly red eyes instantly filled with tears.

Helena touched his cheek:

"My baby, why are you crying again? You always say you're not a crybaby?"

The black tusk pursed its beak, making it resemble a duck's bill.

He tried hard to stop himself from crying, but after seeing his parents, the little guy just couldn't pretend to be mature.

"I'm such a crybaby... Waaaaah, I want Helena to kiss me..."

Helena realized she had teased the little guy too much again.

She instinctively looked around nervously, only to realize that Winston wasn't with her.

Then she breathed a sigh of relief and picked up Wu Tu:

"Who said that? You're not exactly a crybaby. You need to cry at least three times a day... uh, five times a day to be considered a crybaby."

Helena tried to raise the bar.

"And the baby isn't a crybaby, the baby is an adorable little devil."

As Helena spoke, she also had to wipe the little guy's dusty face clean with her other hand:

"Who did this makeup? My baby's angelic face is completely covered up."

Helena questioned, but no one came for a long time.

She looked up and realized that everyone was staring at her and Wutu in disbelief.

Helena sneered, "What? Surprised? Don't you know the little one is my bloodline?"

They knew about the news, but they didn't connect it to the black rabbit...

This is so unexpected; the Winston family actually has a black-haired, black-eyed cub.

To be honest, this scene was really surprising, but due to Helena's terrifying aura, everyone else subconsciously lowered their heads when Helena asked the question.

The black worm also discovered it.

Compared to Winston and Richard's leadership styles, Helena Rubinstein seems more like a female tyrant.

Wu Tu looked up at Helena, who was the object of envy and hatred, and did not think that Helena was a bad person.

Like her father, she was family to the little one. Although Helena would play with the cub from time to time, the cub could tolerate it.

Because Helena wouldn't make jokes that would frighten, anger, or terrify the cubs.

Her intentions were always for the benefit of the cubs.

Sometimes, those jokes that are meant to be playful can become deadly weapons.

But Helena's mindset was simply that she enjoyed teasing cute little people.

The little guy has experienced both of these sensations and knows how different they are.

The little guy is certain that Helena loves him too.

Because he could sense it, he dared to cry freely in front of Helena.

Helena clicked her tongue when she saw the little one was still crying, then turned to look at the director:

"What's wrong with my child? He's been crying since we got to the film set. Has he been bullied?"

Helena's tone sounded exactly like that of a parent nitpicking.

The director inwardly cried out in alarm, but quickly shook his head: "No, actually the little guy performed very well, better than expected. He was just too immersed in the role."

Helena glanced at the little one, and for the first time, a look of heartache appeared on her face.

She was about to leave with the baby in her arms, but the director reached out and stopped Helena from leaving.

He just wanted to ask one question:

"Isn't it just a rumor that all Chinese people know kung fu?"

Wu Tu turned her head, her eyes red, and explained in a soft voice:

"No, I originally trained in dance and figure skating, which is why I can do backflips."

The director was taken aback, realizing that he had completely misunderstood Wutu.

Such a perfect casting! The little guy seems to have been born for this role!

That evening, during an interview, the director couldn't help but recount the incident in an incredibly enthusiastic tone.

At the time, all the fans who had played the spin-off games couldn't help but ask:

"Didn't the director say before that it would be difficult to find a suitable actor for this role? How come they found one so quickly? Could it be due to financial manipulation?! No way!"

"I also think that children of this age simply cannot portray that otherworldly yet worldly spirit. Even adult actors would need a long time to figure out such a role."