Japanese Entertainment in the Sunshine

The first time Iwase Ken traveled through time and space was probably after giving a speech at the wedding. At that time, when he saw Rei Yoshida in a wedding dress, he felt a sense of reluctance in his heart, which impressed the fairy, and finally triggered the miracle of traveling through time and space.

But in the last episode, when he returned from the past time and space for the last time, it was before he gave a speech at the wedding.

"You have traveled through time several times, but it has only changed for a few hours. During these few hours, it is very difficult for people to change their minds and the way they think about things, let alone change a relationship."

When faced with the goblin, Ken Iwase was relieved. Thanks to the ability given to him by the goblin, he went back to the past to make up for many things he regretted. Although he didn't know whether it was correct or not, and although he had no chance, he was determined to do it.

It's time to take the final step and express your feelings.

After so many time travels, in fact, not only things in the past have changed, but also Ken Iwase himself has changed.

After re-examining himself and his relationship with Rei Yoshida, he was no longer as unwilling as when he first met the goblin.

So, facing Takeru Iwase after such a huge change, the fairy gave him one last miracle.

That's why he returned to speak before the wedding. This was the best time.

...

"The important thing is not lamenting the past and the present, but the will to change the present for the future."

Just like the various golden sentences in the previous episodes of this drama, in the last episode, through the mouth of the goblin, the screenwriter once again expressed the core values ​​of this drama to the audience.

So Ken Iwase stood in front of the microphone to speak at the wedding again.

This is a long shot shot to the end...

"When I was in elementary school, my dream was to be a lovely bride, a bride who gets into trouble immediately if something doesn't go her way, a gift who is good at washing uniforms, a gift who is always by my side..."

Hayato Minakami emotionally and sincerely tells the story of his character and his childhood sweetheart, with sadness and reluctance that are beyond words.

But this is the end.

"Because I was always thinking of things I could say at any time, but in the end I never said them out."

Who has no regrets in life? No matter in the past life or in this life, Mizuno Hayato has thought about "what if" and "what if" countless times in the past.

It's not just about feelings. Recalling those unwilling pasts at that time, Mizuna Hayato integrated that feeling into his lines and performance.

From now on, you must seize the day, live in the present, and never let yourself regret. He integrated his own feelings and those of Ken Iwase into his lines:

"I like to give gifts."

...

During the performance of Hayato Minazawa, Masami Nagasawa had tears in her eyes as her emotions progressed.

She tied her hair up and put on a silver hairpin. A piece of slanted bangs fell from the left side, highlighting the incomparable beauty of Nagasawa Masami's face. She pursed her lips because she was holding back tears, and she looked like she was about to cry.

It made her look even more pitiable.

"I like to give gifts."

Then after these lines, a teardrop suddenly fell from that beautiful face.

The ancients liked to use "pear blossoms with rain" to describe the appearance of women crying. Just like those two ancient poems: "The jade face is lonely and full of tears, and a branch of pear blossoms brings rain in spring."

Beautiful poems describe beautiful women.

Nagasawa Masami, who was already bright-eyed and white-toothed, became even more beautiful after this period of love.

This tearful scene made me feel pity for her. It may become her most beautiful scene in "The Proposal".

...

When acting, compared to pure outburst scenes, what is more difficult is the repressed scenes of holding back emotions and not wanting to express your feelings.

Or to be more detailed, the simple thing is to "explode and explode" regardless of the scene; the difficult thing is to let the audience enter the actor's emotions step by step according to the scene.

Everyone can pull out a vein and yell, but not everyone can do the scene of hiding feelings in the heart, hiding in the eyes, suppressing oneself, and then naturally revealing them. And often, such scenes are not

He is often described as having "exploding acting skills", but he is more able to impress the audience.

For example, it is like the classic scene of Liu milk tea and roast duck in his previous life.

No matter how many years have passed, when people see Rene Liu with a big belly, stuffing roast duck into the bottom of her mouth without any lines, and tears naturally falling with her emotions,

There will always be a knot in my heart.

This is a top-notch crying scene with natural emotions.

As laymen, the audience often needs to find a breakthrough when they can most intuitively evaluate the performance of the people on the stage. And this breakthrough is what crying scenes are to actors, what high notes are to singers...etc.

Therefore, crying scenes may not be the only criterion for classifying actors' acting skills, but it must be an important criterion.

Previously, Hayato Minakami has already contributed a crying scene to this drama. Although it is certainly not as good as those classic crying scenes in film history, for him, it was the best he could do at the time. He

What we have to do now is to surpass ourselves before. It is meaningful to make progress every time.

"I still like Li to this day. But she is getting married to Mr. Tada today. Although she is unwilling to do so, she is still getting married..."

After a long line of dialogue, Mizunakura Hayato has laid the groundwork for the previous emotions in a gradual rhythm.

He turned around and faced the groom who had a complicated expression and the bride who was in tears.

He said in a more choked tone: "Li, congratulations on your marriage. Please be happy."

Then tears finally fell from his face: "If you are not happy, if you are not happy, I will never forgive you."

Then, he bowed deeply to everyone.

Then, under the complicated eyes of the bride and the applause of everyone present, she left the wedding scene.

...

"Okay, perfect!" the director shouted.

"Papa papa ~!" The applause from the entire scene was even louder than just now.

"Wuhu!!!" Mizuna Hayato ran into the arena with his hands raised.

Like a victorious boxer circling the ring, he high-fived the actors and staff one by one.

"Pfft." Seeing this scene, Nagasawa Masami, who had not fully recovered from her emotions, was instantly relieved and burst into laughter.

"Really, how could anyone change his face so quickly?" Masami Nagasawa wiped her tears angrily.

"But this is where Mizunami-kun is so good." Naoto Fujiki next to him said with an envious tone.

This ability to quickly enter and exit emotions is the envy of almost every actor.

"Is it that powerful~" Masami Nagasawa's eyebrows were curved, but she didn't seem to be questioning.