I'm almost a Muggle

He is Koreya Yukata's friend, and he has a poor loser like Shinichiro Ueda, but in fact he is not short of normal directors.

But this normality is not that normal in the Neon movie market.

Looking at the annual box office rankings of Neon Movies, most of the ones that rank at the forefront are two-dimensional movies.

"Detective Conan", "Doraemon", etc.

Live-action movies are weak and the cost is not low, but the box office results are all the bad, causing directors of Neon generation to change their careers.

Most of Koreedo Yukata's friends are normal directors who are unwilling to change their careers or fail to change their careers.

They soon discovered that Du Qixi was not a fool.

I won’t be brothers and brothers just because you flatter me.

The soundtrack is comfortable with him, and it is purely a coincidence. And Shinichiro Ueda did go to watch the movie and really liked the soundtrack in the movie.

"Shan Hai 1" is a big production with a cost of 400 million, which is almost 6.4 billion yen.

This movie is different from a general big production.

Many big-scale movies give money to actors, and the actors' pay accounts for 50% or 60%, and the more exaggerated ones can even reach 80%.

The 400 million yuan of "Shan Hai 1" is only less than 20% of the cost of actors.

Anxi's price is not high, and it is five million after tax.

Huang Da'an even made it clear that he could star in a zero-pay role - it was so beautiful that our boss said that free things are the most expensive, so Du Qixi finally gave him an 8 million yuan after tax, almost breaking Huang Da'an's lowest pay record in recent years.

So, where are the remaining 80% spent?

All spent on the blade.

In order to make the soundtrack well, Du Qixi found several master-level figures in the Chinese music scene to write classics together.

Compared with picture photography, the soundtrack is his most proud part.

However, after "Shan Hai 1" was released, the whole world was filled with blowing special effects, blowing costumes and props, blowing pictures and photography...

Anyway, it's all kinds of blowing up.

There are only a few words about his most proud soundtrack, and the soundtrack of this movie soundtrack sounds really comfortable.

The more you listen, the more you taste.

In order to listen to this soundtrack, I watched the movie three times and secretly recorded some classic clips on my mobile phone.

Qunar high and seldom.

Shinichiro Ueda completely scratched his itch.

There is a saying that there is a huge gap between China and Neon in terms of music.

If faults are the culprits that lead to the gap, then the traditional habit of focusing on words and lightening music from ancient times to the present is also to blame.

Music is just an auxiliary skill, and the ancestors did not put the music at a height.

The racial talent of the Han people lies in their writing.

The poems and songs of ancient times were all masterpieces, and we rarely hear the tunes of ancient times.

The "Qin King Breaking the Formation Song", which requires a grand scene, has the existing music score in Neon, which is a gift from the emperor to Neon envoys during the Tang Dynasty.

It is undeniable that the Tang Dynasty culture has a profound impact on the neon nation.

So what we hear now is that the larger Japanese ethnic orchestral music always feels like the prosperous dynasty of China.

For example, the trilogy of "The Silk Road on the Sea" by Shen Sizhe, "The God of the Sea", "Gala", and "Wartings of Tea" are very obvious.

The inheritance of tradition and exploration of new production techniques and styles of Japanese music has reached a level that is as good as being obsessed with.

In a large amount of gentle music, we can hear a refreshing five-tone arrangement.

Neon's late-stage level is also at the top.

It’s not because of how good their equipment is, but because they have pursuits.

Ordinary Chinese directors will not spend their energy on this at all. It would be better to invite Jay Chou to come and sing a song for money and trouble.

Du Qixi is a person who likes bragging.

He felt that he should do something different from others.

So, he searched for the best composers in the Chinese music scene and spent tens of millions to tinker with two months before he got the beautiful soundtrack of "Shan Hai 1".

Especially the soundtrack that ancient Qishi practitioners worked together to isolate the two worlds, which was tragic and exciting, and was not inferior to the masterpiece, and Du Qixi used it to ringtones on his mobile phone.

So, Shinichiro Ueda got the investment.

Let’s take a look at how flatter the other people are.

Good special effects?

Isn't this nonsense?

The team with the best visual effects of Meowen Vision is carried out and repeatedly carved at any cost.

The picture is good and the photography is good, and this is all the same replays.

Is it good that everyone can see?

There is also the one who said that the female lead is really beautiful, why are you smiling so slutty?

What are you thinking about?

Low!

Not to mention that I never touch an actor, even if I touch you, I will never touch An Qian.

Among a group of various directors, Du Qixi quickly targeted a target - Masato Harada.

Masato Harada is not one of those who are flattering.

This is a real old friend of Koreedo Yukata.

Masato Harada, who is 68 years old, was popular in the 1990s and was named one of the top ten directors of the films and one of the top ten directors of the Blue Ribbon.

At the Neon Film Academy Awards, he was nominated for Best Director five times and best screenwriter three times.

The year Lin Dong traveled through time, he also won the jury special award at the 35th Montreal International Film Festival.

The reason why Yukazu Koreedo invited him over is not simply because he has a movie that needs investment.

He wanted to see this young director who has been popular in China in recent years, but he couldn't help but feel a little disappointed after seeing it.

At the age of twenties, there is no trace of youth.

I can't tell what's so good about my words and deeds.

It is hard for you to imagine how such a young man made so many movies with good reputation and great popularity.

In the opinion of Masahiro Harada, the movie "Shan Hai 1" does not have much profound intention.

The structure and plot are not very good either.

The director's technique is distinctive, but not as impressive as it is.

But the young people from Neon applauded.

There were even bastards who started to squirt, saying why we Neon didn’t have such a director and why there was no such big production.

Have you directors all eaten shit?

This is actually impossible.

The most perfect film industrialization in the world is undoubtedly Hollywood. In terms of big-scale films, no country can compete with Miguo head-on, whether it is simply competing with production standards, global marketing capabilities, or other links in the film industry.

Therefore, based on their own characteristics is the strategy chosen by countries when facing the Hollywood shock.

Neon has done a very successful job in this regard.

Looking at Neon's box office list, Hollywood "blockbusters" can certainly be sold well, but movies such as Neon's featured animation and TV drama versions are also sold at all.

I have done a very good job in the field I am good at. Why take huge risks to create "blockbusters" and fight against Hollywood head-on?

Neon is not China. Neon does not have such a large film market and cannot withstand this kind of money-burning scale.

"My new movie is planned to cooperate with Takuya Kimura." Masato Harada came to his senses and answered Du Qixi's question.

"Oh, it's such ape dung. When I was in No. 8 Middle School, I was called Takuya Nishige." Du Qixi