I Will Eventually Become a Partner of Justice

I will eventually become a partner of justice Chapter 65

"It's a simple trap for people to know at a glance." Hisau Maiya concluded.

"Even if it's a trap, we have to get rid of it. If that guy is allowed to continue messing around, the disaster caused is by no means comparable to a Holy Grail War." Kiritsugu said.

Kiritsugu did not go alone, but used [hint] to encourage the police to leave the team, preparing for them to finish the finishing work.

Although I don't know what the master of Caster is planning, but the opponent did teach him a trick.

This kind of power of using the world is a power that he has been neglecting before.

Kiritsugu is a humble and studious person, since the opponent taught him this trick, if he doesn't reciprocate, it would be really rude.

With [Search] not blocked, Kiritsugu quickly found Ryunosuke Uyu who was left in the abandoned factory by Shirou.

Without saying anything, Kiritsugu walked fifty steps away, and directly fired a "origin bullet" into Ryunosuke Uyuki's abdomen.

After the origin, this is Kiritsugu's formal attire, and it is also the most vivid portrayal of his origin and name.

Kiritsugu's magic attributes are dual attributes of "fire" and "earth". In detail, it is a compound attribute of "cutting" and "combining". That is the soul form he was born with, which is the truth of "origin".

Therefore, his father Noriken Emiya named him "Kiritsugu".

Cutting, Heir—the title of "Destruction and Regeneration" is slightly different. Because Kiritsugu's origin does not mean "repair".

For example, if a line is cut and then combined, the thickness of the nodes will change. That is to say, the act of "cutting and inheriting" will cause an irreversible "deterioration" of the object.

When making his own dress, Kiritsugu made the most of his extremely unique "origin". Both his left and right first and second ribs were removed from his flanks. Grind the ribs taken out into powder, then use soul engineering to condense them, and seal them into sixty-six bullets as bullet cores.

And this is the origin bomb.

This bullet will materialize Kiritsugu's "origin" to the "hit" object. If it hits the body of a living being, there is neither wound nor bleeding, but the part where the bullet is shot becomes like a necrotic old wound.

The surface appears to be healed, but the nerves and capillaries are not properly regenerated and lose their original function.

Moreover, this bullet with the function of concept arming poses an even more serious threat to magicians with pseudo-nerve magic circuits.

The impact of the "origin" in the bullet will be seriously fed back to the magic circuit of the caster, making the magic loop of the caster "short-circuited", causing its magic power to run wild and completely destroy the loop. Not only can it cause damage, but it can also make it unable to use magic anymore.

The lethality depends on how many magic circuits the target activates at the moment it hits the target. Because what destroys the caster's body is the caster's own magic power.

Therefore, it can also be said that as long as the bullet is shot into the magician's body, those inhuman magicians who activate the magic circuit can be easily and completely destroyed.

Before coming to Fuyuki City, Kiritsugu had consumed thirty-seven of the sixty-six bullets. But there is not a single waste in it. Thirty-seven magicians have been completely destroyed using bullets made from parts of his body.

It can be said to be the best portrayal of Kiritsugu's magician killer.

However, although the origin bullet has extraordinary lethality to magicians who use magic power, it is an ordinary bullet with no lethality to ordinary people. Because "cut" shoots through the body, and "si" repairs the wound, it is not an exaggeration to say that it belongs to the magician's special attack dress.

However, it is absolutely impossible for the Origin Bullet to be ineffective in this Holy Grail War.

The reason is simple. The magic power of the servant comes from the master. From the moment the servant is summoned, the master's magic power has been continuously provided, and it is naturally under the special attack of the origin bullet.

Therefore, when this origin bullet hits Caster's master, the master is bound to be attacked by the magic power provided to the servant.

And the magical aura of this Caster's master is almost so strong that it can be said that the magic power is released, so the special attack of the origin bomb on him will be particularly powerful, and it may even directly explode the human body.

Kiritsugu had already seen the ending, but to his surprise, the Master Caster, who could be said to be extroverted with a strong magical aura, actually stood up again, without a trace of the magic circuit being blasted!

"This—, what's going on?"

Kiritsugu couldn't help being taken aback.

...

...

ps: py a book~!

"I was kidnapped as a mercenary"

In the certain Lia barracks, Lin Ge put down the hot AK in his hand and lay down on the bed.

"It's really hard to get a summer job. It would be great if I could have a tougher brother tomorrow."

Lin Ge thought wearily in his heart, and then fell asleep.

When he woke up, he found that this was not the familiar ceiling, and he was in a narrow room.

The room looked like a grocery store, with some items scattered here and there.

"How dare you even kidnap mercenaries? It's interesting."

Lin Ge decided to wait for the other party to show up and let him taste the fist that crushed AK with one hand.

However, after waiting for a long time, he did not see anyone entering the room.

Until he found a line of words floating on the back of his hand.

"Welcome to Lockdown Amusement Park."

Chapter 47 Generosity [Second Update]

Although Yusheng Ryunosuke doesn't like bloody and violent movies, he can also understand the necessity of that kind of entertainment.

For him, it's not just horror movies. There are also war films, disaster films, and even pure adventure films and serials. These fictional entertainment shows never tire of depicting the death of human beings.

This may be because the audience can peer at these fictional deaths from a safe perspective, which minimizes the horror.

Human beings are proud of their wisdom, but are full of fear of the unknown. But no matter how terrifying the object is, as long as you have experienced it and understood it, you can use this rational understanding to conquer terror.

It's just that death is something that you can't experience when you are alive anyway. It is also impossible to truly understand. As a result, human beings who have nothing to do can only rely on observing the death of others to try to understand the nature of death and simulate the experience.

As expected of a civilized society, human life is respected, so death can only be experienced by fictitious content.

However, in the kind of works that record wars and chaos that will cause people around you to be blown up at any time due to bomb attacks at any time during meals, no one should be willing to watch horror movies.

In the same way, fictional entertainment has a role to play in all of life's misfortunes, whether physical pain or mental stress. If it takes a lot of risk to experience those things for yourself, then rely on observing other people to gain understanding, overcome fear, and eliminate that uneasiness. Therefore, the movie screen and the TV screen are full of lamentations, sighs and tears of anguish.

Therefore, audiences always feel that death is not a big deal. If they become the protagonists in these works, it will not be a problem to overcome death and difficulties.

Like these people, Ryunosuke used to be full of fear of death. Those stale deaths that perfectly reproduce the horrible corpses and splashing pink blood foam with realistic acting skills, if watching these can conquer the fear of death spiritually, then Ryunosuke should also become a lover of horror movies Bar.

But for Ryunosuke, he seems to have a keen ability to distinguish the truth of death beyond ordinary people.

To him, these imaginary horrors seemed a little ridiculous. Whether it's the plot or the picture, there are pediatric things everywhere. From these things, the so-called essence of death cannot be experienced at all.

He is a painless person, but he has a keen ability to distinguish the truth of death beyond ordinary people.

This may also be a lot thanks to his alcoholic father who was overwhelmed by reality.

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