Hollywood Road

Chapter 13 The Real Shootout

PS. Here is today's update, and by the way, I will get tickets for the "Starting Point" 515 Fan Festival. Everyone has 8 tickets, and the voting will also send starting coins. I beg everyone for your support and appreciation!

Probably because it was late, there were not many people in the restaurant. Except for the table where the two black people were sitting, there were four or five customers in the corner, and the waiters were all standing near the counter. Looking at the glass curtain wall of the restaurant, the situation in the restaurant is clearly visible, which is enough to ensure the shooting effect.

At the same time as calling 911, Murphy turned on the recording function that comes with the phone, and there are always things to be prepared for.

"This is the 911 alarm station!"

A woman's voice sounded in the receiver, "What's the matter with you?"

"Hello, I want to report something." Murphy stared at the two black men through the glass curtain wall, "the location of the two criminals who committed the robbery and death on Bill Road in the Santa Monica Valley last night. ."

The person on the other side of the phone immediately asked, "Where are you."

"I'm following them." Murphy had already made up his draft. "They just stopped at the intersection of Ronald Avenue and Seventh Street in Beverly Hills, and now they're in a shop called 'Mores'. Chain pizza place, I can see them ordering food in there."

"Okay!" the other party confirmed, "It's the 'Mortz' pizza chain at the intersection of Ronald Avenue and Seventh Street in Beverly Hills, right?"

"Yes, it is here!"

Seeing the waiter serving food to the two black people in the restaurant, Murphy paused for a moment and continued, "I can confirm that these are the two criminals who committed the murder last night, they are them!"

"Can you briefly describe their characteristics?"

Hearing this, the corners of Murphy's mouth twitched slightly, "Of course! One black man is wearing a striped coat and the other black man is wearing a beige tunic. They are both bald and about thirty years old. Now there are only these two black people in the store."

"gentlemen……"

Perhaps because of the bounty, the other party asked again, "What's your name? How can I contact you?"

"Murphy, Murphy Stanton." Murphy replied immediately, "This is my phone."

He deliberately added, "I see they seem to be carrying guns!"

"You said they had weapons?"

Having said this, Murphy has no plans to continue, "Sorry, I have to hang up, I think they have noticed me."

This was of course an excuse. He hung up the phone and put away his mobile phone. Murphy took the camcorder from the co-pilot. After turning it on skillfully, the camera aimed at the two black people in the restaurant through the rolled down window glass.

He looked over there attentively, wanting to concentrate on filming the good show he directed with high quality and quantity.

The case happened in the wealthy area of ​​Santa Monica, which is also the famous Beverly Hills. Murphy believes that the police will never turn a blind eye to the information he provided, and will definitely send personnel to rush over as soon as possible.

Will the two criminals be caught without a fight?

Judging from the scene last night, this possibility is almost zero. How could two black people with such ruthless hearts not resist the arrest of the police?

Although no two blacks were seen with guns at all, Murphy guessed that the chances of a gunfight breaking out were very high.

Come to think of it, this is a very real gunfight between police and gangsters. In Michael Mann's "The Wire", the shootout was praised for its classical realism, but compared to what might happen next, that scene can What does it count?

It is really rare to have the opportunity to shoot a super hot shootout before entering Hollywood.

More importantly, once he filmed a shootout between police and gangsters, what kind of big price can a news video sell for?

There were fewer and fewer vehicles on the road, and the surrounding area gradually became quiet. The occasional night wind blew into the car, bringing a hint of coolness to Murphy. There were already many beads of sweat on his forehead.

Although the scene was going according to his ideas, he still felt nervous when the climax was approaching.

Time seemed to stand still. Murphy held his breath and looked at the two black people through the camera footage. They were still eating and should not leave in a short time.

A police car quietly turned into this road, drove from the opposite side of Murphy, and was about to reach the location of the pizza shop, and stopped on the side of the road. The two patrolmen got out of the car one after another and walked towards the main entrance of the restaurant.

"It's finally here!"

Murphy murmured in his heart, and the camera was replaced with a wide-angle lens, and when the two patrol officers reached the door of the restaurant, they were also included in the picture.

The two patrolmen pushed the door and walked into the restaurant. They didn't seem to see the two black people, but walked straight to the counter, as if they were just ordinary customers who came to buy supper.

But their appearance obviously aroused the vigilance of the two black people. Murphy could see clearly through the picture captured by the camera. Both black people put their hands inside their clothes. The fatter one took out something and put it in the under the dining table.

The parking location was carefully chosen by Murphy. From this angle, he could just see the scene under the dining table. Murphy immediately switched to a close-up shot. What appeared on the small screen of the camcorder was a dark M9 pistol. The position of the muzzle pointed to the two patrolmen.

Controlling the camera, Murphy is constantly switching between wide-angle and close-up, like a director and cameraman at work, meticulously capturing all the wonderful images.

So far, the venue, the filming background, and the pros and cons of the pros and cons are all in place, and Murphy is just waiting for the final shootout to start.

However, the two black people were more restrained, and they were not sure why the police were here. After all, the other party might really just come to buy pizza and have supper.

Another police car came from the opposite side and stopped near the previous police car, and the two policemen also got out of the car and walked towards the restaurant.

The speed of the two patrol officers was very slow. When they walked over, they took out their pistols and checked them. Although they finally put them back into the holsters around their waists, they were obviously ready to use the firearms.

Murphy's camera temporarily left the restaurant, aimed at the two patrol officers, and followed them back into the restaurant together.

Although the two policemen also walked towards the counter, it seemed that they were just here for supper, but the expressions of the two black men changed. In the scene where Murphy switched to a close-up shot, the murmuring between them could be clearly seen. After saying something, the fatter black man stood up first.

"OH, God!"

Murphy could see clearly that as the fatter black man stood up, the hand holding the M9 pistol was raised and aimed at a later patrolman.

The police's reaction speed was also very fast. When the black man stood up, he also touched the holster on his waist.

"Bang! Bang..."

The gunshots sounded, and a policeman splattered with blood and fell to the ground on his back. The two black men shot one after another, aiming at the policeman. The remaining policemen also took out their firearms to fight back.

The fatter black man became the second person to be shot. The bullet seemed to hit him in the head. He was hit by a large-caliber pistol at such a close distance. A large cloud of blood mist exploded from the back of his head and sprayed directly onto the glass curtain wall behind. On the top, it was dyed a big piece of red.

It was only then that the other customers in the restaurant, who were already frightened, let out a piercing scream.

Perhaps living in a country like the United States where guns are rife, all of them have received a certain education before. After being frightened, those customers did not run around, but hugged their heads and got under the dining table one by one, thus avoiding accidental injuries.

Although God was shouting in his mouth, Murphy's hand was always steady, and he photographed them one by one.

The gunfight in the restaurant is more real and brutal than anything seen in a movie.

In just a few seconds, the second policeman was shot, and the blood that flowed out after he fell to the ground looked so dazzling and dazzling that it could attract everyone's attention.

The remaining black people were quite fierce. After shooting down the second policeman, he turned his head and fired a shot at the glass curtain wall behind him. The glass fell to the ground like shattered ice cubes, and he dashed forward. There, jumped directly from the restaurant to the parking alley, opened the door of the black sedan and got in.

The two policemen were still shooting, and unlike in the movie, it was really difficult for the police to shoot people inside the vehicle that had already started at high speed.

The black car drove out of the alley and turned onto the road where the Ford car was parked. Murphy saw another police car coming to support and chased the black murderer directly. After he took the last wide-angle shot of the restaurant, he moved at the fastest speed. Install the portable camera on the co-pilot's bracket, point the lens to the front to shoot, and quickly start the car to follow.

In the front, the black man was driving in a panic; in the middle, a police car was clinging to it; in the back, Murphy followed closely, and the camera was still shooting.

The speed of the car was getting faster and faster, and it was approaching seventy miles per hour in a blink of an eye, but neither the criminal nor the police, nor Murphy himself, meant to slow down.

In an instant, the black car at the front reached an intersection, but it encountered a red light. The black man would definitely not stop, and rushed into the intersection without any deceleration.

This is Beverly Hills, where people come and go. It is one of the most prosperous areas in Los Angeles. Even in the middle of the night, there are many vehicles coming and going.

In the movie, crossing the red light at the intersection of this kind of traffic flow is always a near miss, but the reality is not a movie after all.

The black car rushed into the intersection, and was just halfway through when it was hit by a Chevrolet off-road vehicle that was driving fast from the right and could not stop the car.

A harsh metal collision sounded, and the black car was hit by an off-road vehicle that weighed far more than itself. It could no longer maintain its balance and rolled out sideways.

This is an intersection, and there are other vehicles passing through. The rolling black sedan immediately caused a series of collisions. All kinds of vehicles were like bumper cars in the park, and they collided into a pot of porridge.

Murphy stepped on the brakes, and his Ford sedan was parked outside the intersection. When he saw the situation inside, he immediately took the camera that was still shooting on the co-pilot and replaced it with manual shooting.

Not only that, Murphy jumped out of the car and immediately rushed to the scene of the accident to find a suitable angle to film the rare car accident.

At this moment, the black car that was the center of the accident, the deformed door was kicked open from the inside, and a man covered in blood swayed out, supporting the ground with his empty hands, as if he wanted to. To stand up.

It was not only Murphy who got out of the car, but also the policemen who were chasing the police car. Seeing the black man covered in blood trying to get up, the two policemen who were slowly approaching immediately pulled the trigger...

[515 is coming soon, I hope to continue to hit the 515 red envelope list, and by May 15th, the red envelope rain can give back to readers and publicity works. A piece is also love, it must be better! 】

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