hollywood draw

As a great director whose reputation as a playboy in North America, Wayne received countless small notes whenever he attended formal occasions. In the first two years, he would look at it with great interest and carefully find out if there were any big stars he liked.

When things become a normal state, he loses the gossip. To put it bluntly, everyone is "collecting stamps" to each other. After thinking about this, he is not very interested in the "love number" he takes the initiative to hand over.

What's more, Hagrid Ryan, whom Tombe's teasing, looks sexy and sexy on the surface, but in fact he is ten years older than him. He was the first actress who worked with Tombe with Tombe. Who knows what happened to them? Wayne has no hobby of going the same path as his brother.

Having greeted everyone all the way, Wayne returned to the middle of the first row where the crew was located. At 8 p.m. ET, "The Flash" officially opened the mysterious curtain.

The opening of Warner Bros., which has remained unchanged for thousands of years, flashed on the big screen. The DC logo that fans are familiar with in the past two years appears, and then a routine line of letters: Wayne Greenberg's work.

There is no longing at all. The picture first is a close-up of James Franco's facial features. Then the camera slowly moved away. In the background of the street, the judicial technical investigator he played was squatting on the ground, checking the traces left at the scene.

Accompanied by Barry Allen's rapid analysis, a simple line and a street scene, Wayne used the most direct way to show the audience the background of the Flash's character.

Smart, motivated, likable, handsome, this is the first feeling that most people feel after seeing this scene. At least from the perspective of character image and settings, the audience will not feel disgusted.

A simple street-site investigation and scene flashed by. Barry Allen, who was young, became a child. The film also officially introduced Barry Allen's growth process from here.

Compared with Wayne's previous works, such as the timeline and a lot of preparation, this film is much simpler and has no mystery. It goes back to Barry Allen's childhood and tells all viewers the origin of that youth.

On the big screen, Barry Allen, in order to avoid bullying, was running all the time. Home was his best harbor. A happy family always made him forget the pain brought by his peers. Gentle and loving parents are also a candy for this child’s beautiful childhood.

However, when the camera turned, everything ended this night. Yellow and red lightning bolts that were not visible to the naked eye started fighting at Little Barry's home.

Before Little Barry could figure out what happened, he was sent to the street by one of the lightning bolts. When he ran to his home desperately and wanted to know what happened, he saw his mother's body. The only father left at the scene became a murderer arrested by the police.

The policemen who were escorting his father ignored what Little Barry said at all, and no one believed the words of a child. In the end, his father was put in prison as a murderer.

The story is very simple. Considering the audience's patience, this scene is displayed very quickly. Even the process of Little Barry being raised by his father's friend is also very quickly. Without the so-called prelude, it passes by.

The camera changed in an instant. Fourteen years later, Barry Allen had become a field investigation scientist, but he was always late at work for various reasons, while his adoptive father Joe West helped the child smooth things over and wipe his butt every time.

The film only lasted less than ten minutes here. The opening scene was perfectly connected on the big screen, and the clever and likable Barry Allen appeared. This scene also clearly told the audience how this excellent young man kept using his smart head and talent to help the police station solve one tricky trick after another.

"No wonder there are those rumors."

The story on the big screen continued, Steven Spielberg, who was sitting in the middle of the third row, smiled and shook his head, muttering in a low voice. "This movie is indeed not like a Greenber-style movie."

"uh-huh?"

The thin David Geffen heard the murmur and turned to look at his old friend and asked curiously: "At least I personally think that this movie is very good, right? There is no exquisitely designed prelude, no criminal suspense given at the beginning of the film, and no dark and depressing film rhythm. Isn't this a Greenber-style movie?"

Yes, whether it was media representatives, critics and thousands of movie fans, the first impression was this. The elements that Wayne had best at before his works were not seen in the opening scene of "The Flash".

If it weren't for sure that this film was made by Wayne, many people would never believe this fact. The fast-switching shots, compact but extremely simple story rhythm, and the sunny and handsome male protagonist with distinct personality, as if all these elements that have nothing to do with Wayne appeared at the beginning of the film.

"Hey, Steven."

Seeing that the audience around were watching the film with great care, David Geffen could lower his voice and approach his old friend and said, "I admit that Wayne's previous works were great, but it still has to be said that if you want to experience the greatness of those films, you must carefully consider and watch them.

This "Flash" didn't give me that feeling, making me feel very relaxed and I didn't have to think about it at all. Is this a hint of the next story? Isn't that good? For example, the special effects of the two lightning fight just now made me very happy!”

"You're right."

Steven Spielberg nodded, turned his gaze to the big screen again, and said in a voice that he couldn't hear clearly: "But, this style change is really amazing, too risky, not right!"

Suddenly, he turned around and watched the entire screening room carefully. Whether it was ordinary movie fans, media and guests, they all looked at the big screen with relish. There was no most common chat sound in the entire theater, not at all!

It was very obvious that it was not normal that it was not the first time he attended Wayne's premiere. Even the film "Batman: The Dark Knight" was not so quiet after the screening began.

Turning to the big screen, Allen Barry was visiting Star Laboratory with childhood sweetheart Iris. As soon as this palace of science appeared, even Steven Spielberg was shocked by the exquisite and grand special effects.

And this laboratory building full of science and technology is just the beginning. Wells, the leader of Star Laboratory, announced in front of everyone that he would change the future tonight!

At this moment, a thief snatched away Iris' bag. After Barry Allen chased him out, he was unexpectedly beaten up by the thief. In the end, he was rescued by the detective Eddie who suddenly appeared. Because of this thief, Barry Allen could only watch live TV in the office.

The camera began to switch frequently, and Barry Allen watched in the office, watching clues about his mother's death in recent years. His adoptive father Qiao and his partner were attacked on a farm. The camera suddenly changed again. The particle accelerator in Star Laboratory exploded, and the sky was flooded with red light...

The big explosion of the particle accelerator in Xingchen Laboratory spread to the entire city to the extent visible to the naked eye. Barry Allen, who also watched this scene, was suddenly hit by the light of the particle accelerator and the lightning in the sky at the same time!

Under the entire fast-paced shot, the lightning, the explosion of the particle accelerator, and other scenes were extremely shocked by the special effects rendering, attracting the attention of all the audience.

This story is familiar to countless viewers, just the birth of the Flash. What people didn't expect was that such amazing special effects could appear on the big screen. The background music in the cinema, coupled with the special effects rendered by Wayne at any cost, can be said to have achieved the ultimate that this era can accommodate.

You should know that more than 50% of the production funds of "The Flash" are invested in special effects. The modeling of Industrial Light and Magic plus the first large-scale computer rendering allows the audience to experience it for the first time. Even if it is simply for the perfect visual and auditory sensory stimulation, it is worth the feeling of ticket price when entering the cinema.

This is actually a common practice for commercial blockbusters twenty years later. The simple and concise stories, the fast-paced editing and splicing, and the shocking special effects soundtrack constitute the unique charm of commercial blockbusters.

The reason why film companies did this twenty years later was, on the one hand, because the special effects cost was already extremely low, and more importantly, because in that era, people had too many ways of entertainment to choose, and even sitting in front of a computer to watch a movie was not much worse than going to a cinema.

Fast-paced and stimulating the senses of movie fans through large scenes and special effects is the best reason to let them enter the theater, because when facing the computer at home, you can never enjoy the shocking audio-visual experience of the movie in its original flavor.

Barry Allen on the big screen has been pushed into the hospital for rescue because he was hit by particle accelerator and lightning, but the scene just now has caused all the audience to be in reminiscent.

Is the story complicated? It's not that simple, it only shows the birth process of the Flash, and it's not long, only less than five minutes. However, it was this special effect that achieved the ultimate in this era that attracted all the audience.

"If this movie appears half a year later, I will guess at the first time that it was "Titanic" that inspired him." Steven Spielberg breathed a sigh of relief and whispered to the old guy beside him.

David Geffen doesn't know much about the movie after all. After all, he has always played music, but the film has given him a great feeling since now. When he heard what the old guy said, he looked over in surprise and asked:

"What's the meaning?"

"The Flash" and "Titanic"? No matter how you look at these two, there is no connection between them.

"Wayne, who lost his discussion on film art, completely brought the commercial elements to another extreme, just like when he used a "The Joker Returns to the Soul" to make horror movies to the extreme!"

Smiling and shook his head, Steven Spielberg looked at the middle of the first row, revealing a deep admiration. "He saw through one thing and successfully did it, that is, in this extremely commercial circle, creativity and stories have always been the most valuable things!

Just like James Cameron's "Titanic" and Roland Emmeric's "Independence Day", it only uses a third-rate story to create a commercial miracle! The same is true for "The Flash". Such a story is not about any creativity, let alone artistic. But is the story important to this film? It's not at all.

But even this is a story that is so simple that the audience knows, he used another extreme method to stimulate everyone's emotions. Tsk tsk tsk tsk tsk tsk tsk tsk tsk tsk tsk tsk tsk tsk tsk tsk tsk tsk tsk tsk tsk tsk tsk tsk tsk tsk tsk tsk tsk tsk tsk tsk tsk tsk tsk tsk tsk tsk tsk tsk tsk tsk tsk tsk tsk tsk tsk tsk tsk tsk tsk tsk tsk tsk tsk tsk tsk tsk tsk tsk tsk tsk tsk tsk tsk tsk tsk tsk tsk tsk tsk tsk tsk tsk tsk tsk tsk tsk tsk tsk tsk tsk tsk tsk tsk tsk tsk tsk tsk tsk tsk tsk tsk tsk tsk tsk tsk tsk tsk tsk tsk tsk tsk tsk tsk tsk tsk tsk tsk tsk tsk tsk tsk tsk tsk tsk tsk tsk tsk tsk tsk tsk tsk tsk tsk tsk tsk tsk tsk tsk tsk tsk tsk tsk tsk tsk tsk tsk tsk tsk tsk tsk tsk tsk tsk tsk tsk tsk tsk tsk tsk tsk tsk tsk tsk tsk tsk tsk tsk tsk tsk