Hiding in the sand, splitting into many places, starting with Arkham

"Not bad, quite easy."

An hour later, Shimizu walked out of the forest with exactly fifteen kilograms of materials, arriving at the edge of the oasis.

The lynx bones and whitewood accounted for a considerable weight, the former weighing 3.4 kilograms and the latter 9.8 kilograms, with the remainder being other materials such as plant sap for adhesive.

Training Ground Number One encompasses the entire Emerald Oasis of Wind, as well as a large area of the Gobi Desert surrounding it, and features large training squares built upon it, including several public training facilities such as wooden dummies for body techniques and target boards for kunai throwing.

Remember the first website domain name 𝕥 𝕨 𝕜 𝕒 𝕟 . 𝕔 𝕠 𝕞

In the open space in front of these facilities, eighty of the most basic processing tables have been set up.

"You have two hours to create a finished product that will satisfy us. In two hours, you will be divided into groups to compete, demonstrating your puppet creations and your control abilities."

At this moment, the panel also began to change.

【Puppet Name】: ??

【Overall Parameters】:

Height: ??

Weight: ??

Material: Whitewood, enhanced bone material…

Energy: None

Operating Method: Chakra Threads

【Puppet Rating】: ?

【Overall Evaluation】: A puppet in the process of being made…

All the materials are freely listed in the box on the left side of the panel. When processing these materials according to the process, Shimizu only needs to move his mind to directly and freely simulate the assembly.

It can be said that when processing the materials, he already knew what the finished product would look like.

【Puppet Name】: Unnamed

【Overall Parameters】:

Height: 60 cm

Weight: 14.20 kg

Material: Whitewood, enhanced bone material…

Energy: None

Operating Method: Chakra Threads

【Puppet Rating】: D

【Overall Evaluation】: A temporarily manufactured small agile puppet with a simple structure, possessing the combat power of a ninja academy student, with many flaws.

After Shimizu finished the initial processing of the materials, he closed his eyes in place and began to make changes in the panel.

The center of gravity is too high, which affects stability, but if the center of gravity is too low, it may affect the puppet's flexibility, so the best choice is to lengthen the tail to enhance balance.

Replace the leg joints with ball bearing designs to further enhance joint flexibility.

Optimize the mechanical structure design, modify the connection between the chakra hub and the chakra threads…

In an instant, the flaws in this puppet were quickly modified by Shimizu, and he also gave it a name.

【Puppet Name】: Tom

【Overall Parameters】:

Height: 60 cm

Weight: 14.26 kg

Material: Whitewood, enhanced bone material…

Energy: None

Operating Method: Chakra Threads

【Puppet Rating】: C-

【Overall Evaluation】: A small bionic puppet with excellent agility, possessing the combat power of a newly promoted genin, with a few design flaws.

Tsk!

As expected of me, easily creating a puppet with the combat power of a genin!

Of course, these materials are also very important.

The materials that Shimizu can choose will of course not be bad materials. Even if there is not enough time for fine processing, the current basic processed materials are better than the materials used by the fat guy that Shimizu previously modified from the teaching puppet.

Unfortunately, the quantity is too small, with a limit of fifteen kilograms set, otherwise Shimizu would really like to try whether he can make a B-level puppet.

While Shimizu was brainstorming, it looked very different to others.

The other puppeteers were either still processing materials, or picking up paper and pens to draw design drawings, only Shimizu was motionless, staying in place with his eyes closed.

Scorpion glanced at Shimizu, then indifferently withdrew his gaze and continued to draw the design drawings.

He also tried simulating directly in his mind without drawing design drawings, and then starting to manufacture puppets.

Because drawing design drawings is a somewhat cumbersome process.

But in fact, the consequence of not doing so is that errors occur frequently in subsequent manufacturing.

Even if there are no mistakes, you still have to draw design drawings, because often the initial modifications are completed on the design drawings, and then check for omissions after the puppet is manufactured.

No mistake, first release, first content, one look!

This person may be trying to make a splash, or he may be at a loss, or he may have real skills, but that has nothing to do with them.

The other puppeteers also ignored Shimizu, at most taking a few curious glances before refocusing their minds and continuing to make puppets.

"This child…"

Sajo of the Sand frowned, looking at Shimizu with a somewhat displeased expression.

What kind of puppeteer does that?

Even he, a top-notch puppeteer in the Sand Village who can rank in the top ten, doesn't dare to not draw design drawings when manufacturing puppets!

Ishito, standing beside Sajo of the Sand, had a puzzled look on his face, but more than that, he was surprised and uncertain.

Could it be that he misjudged?

Or is this child indeed an unprecedented puppet manufacturing genius?

Under the gaze of the two jonin, Shimizu opened his eyes.

Design completed, start working!

Perform the next step of fine processing on the roughly processed puppet, and begin to build the puppet's main skeleton. The movements are smooth and flowing, without thinking, each movement is like it was designed in advance, giving people a sense of fluency as if looking at a reference answer sheet.

But everyone knows that this is impossible.

Sajo of the Sand's expression was full of surprise.

With his vision as an elite jonin-level puppeteer, how could he not see Shimizu's design?

Although the puppet is not yet fully formed, it can be seen that this puppet is designed to be relatively complete.

The speed of copying a test paper according to the answer is much faster than doing it yourself.

Sajo of the Sand gave two hours, Shimizu spent half an hour processing the materials, then closed his eyes for a while, and the subsequent puppet manufacturing only took twenty minutes.

In less than an hour, Shimizu had completed the puppet manufacturing.

And among the others, those who are faster have only just started.

Except for that red-haired boy.

Scorpion's production progress has already exceeded half.