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There are too many classics to write about in the old version of "A Chinese Ghost Story": Ning Caichen's "infatuation" with Nie Xiaoqian was brought from the play by "brother" Leslie Cheung from the play and brought to the audience. A weak scholar with a weak body and kind heart

, for the sake of the female ghost lover and the big monster fighting, this fusion of femininity and masculinity makes the old version of Ning Caichen full of incomparable charm.

The affectionate look of the two protagonists when expressing their feelings is intimidating. The resentful eyes convey everything without too much words, making the audience understand it. This form of emotional expression is exactly Bi Xia’s favorite way.

The last reason why Bi Xia chose the old version of "A Chinese Ghost Story" is that the old version has a very broad sentiment. The emotional relationships of the new version are all vulgar and nonsensical idol dramas, let alone any higher-level sentiment.

It can be said that through the role of Yan Chixia, the desolate hero, the old version brings out the feelings of the world that Pu Songling did not have in the original work of "Strange Stories from a Chinese Studio" and the values ​​of avoiding the world without getting tired of the world. Yan Chixia said in the film

"I hid in a ghost place just to avoid the grudges in the world", and said, "Ghosts are like humans, and they use each other for the sake of their interests... The human world is too complex and difficult to distinguish right from wrong. When being with ghosts and spirits, they are clearly distinguished from black and white.

Clearly." It is obvious that this is a life perception that the director expressed through the mouths of the ancients that transcends the times and is common to both ancient and modern times. If a person abandons his conscience and does evil, it is actually not essentially different from the ghosts who harm others, and people harm them

People often wear a cloak of hypocrisy and find some high-sounding excuses, which is even more abominable than ghosts. If justice is not clear and evil is in power, then there is no difference between the world and the ghosts.

There are lines like "The country is about to perish and demons are rampant" in "A Chinese Ghost Story 2". It is not difficult to see the consistent feelings of the world in this series. However, although Yan Chixia is away from the world, the right and wrong in her heart are still clear. To her grandma, she is like this.

The evil demons and heretics who harm people will inevitably be punished quickly, which also implies that the chivalrous heart is a ray of light for maintaining justice in dark and chaotic times. Perhaps because such feelings have emotional resonance that transcends the times, people will feel empathy when they see it.

All kinds of feelings.

Bi Xia always believes that as a filmmaker, he should have thoughts and a sense of social responsibility. The wider the audience of the movie, the more he should have his own social role he should play. Whether in memory or reality, those who are talked about by people.

As a classic movie, each movie has its own theme and can resonate with the audience.

Bi Xia is not just immersed in his own world when making movies. He pursues feelings while taking into account commercial effects. "A Chinese Ghost Story" belongs to the oriental magical fantasy theme, and Oriental magical fantasy movies have a good market in China or Asia.

In my memory, the old version of "A Chinese Ghost Story" received more than 20 million Hong Kong dollars in Hong Kong at that time. In 2008, a "Painted Skin" also received 230 million yuan in box office, becoming an influential Oriental Magic Movie.

The two movies are several levels different in plot and connotation. In Bi Xia's eyes, "Painted Skin" is a little better than the new version of "Ghost Story of the Chinese Girl". But it is not much better. The reason why the box office results are so different is because of the fact that

The old version of "A Chinese Ghost Story" is the first, but the new version only disappointed the audience. If it were not for the old version of "A Chinese Ghost Story" that had already been deeply rooted in people's hearts, I believe the new version would not be much worse than "Painted Skin". Not to mention "

Painted Skin 2", both the plot and the rhythm are very brainless and slow, and the box office is still good.

In addition to the box office proof of Oriental Magic Movies in memory. In reality, Bi Xia's "Legend of Sword and Fairy" also belongs to Oriental Fantasy, but it belongs to a TV series. A director had previously filmed the TV series "Strange Stories from a Chinese Studio", which also had good ratings at that time.

From these aspects, Bi Xia believes that the Oriental Fantasy Magic Series is actually a subject that can be deeply explored. He believes that even after more than 20 years of "A Chinese Ghost Story", from memory to reality, will still be a classic movie.

This was written all day long, and Bi Xia didn't notice it when Hu Yu and Huang Xiaoyong came in. When he raised his head, he found that there were still neat fast food on the table outside. However, it was already cold. Although he felt like he had been sitting for a long time.

It made her back feel a little uncomfortable, but Bi Xia was very satisfied.

On this day, he just probably wrote down the accident of "A Chinese Ghost Story", and there are many details that need to be carefully crafted. This movie is not like "The Savage Girl". Both the scene and the content are much larger, nor is it like "The Savage Girl".

It only takes two people to support a movie. It undoubtedly involves more aspects and more sophisticated Bixia's skills.

"Mu Tou, take a break, you've written all day long." When Zhang Jing pushed the door and came in, Bi Xia was revising the manuscript.

"Sister Jing, are you here?" Bi Xia felt an unforgettable excitement when she saw Zhang Jing coming in. Perhaps it was affected by the dream yesterday. On the face of the female grimace that made Bi Xia tremble in her heart yesterday, Bi Xia saw Zhang Jing's

Face, when he saw Zhang Jing at this moment, he actually felt like he was a different life. Looking at Zhang Jing, he recalled the affectionate gaze of the female ghost again in his eyes.

"What are you writing? I'm stupid, right?" Zhang Jing said as she suddenly lowered her head, and Bi Xia found that her ears were a little red. Zhang Jing has always occupied a strong position when facing Bi Xia, but today

When she saw Bi Xia's dark eyes, the deep and boundless but full of surprise, aftertaste, obsessed..., she suddenly felt a sense of panic. The little deer bumped into her heart, which actually made her feel shy of a girl with 28.

Jing quickly changed the topic.

"Oh, I'm just writing a new script." Bi Xia calmed down and handed the script on the desktop to Zhang Jing.

Zhang Jing took a few deep breaths secretly and finally calmed down. She took the script and did not open it immediately, but asked, "Are you ready to start a new drama?"

"Well, I've been resting for a lot of time and I'm just inspiring." Bi Xia's excitement and confidence on her face were beyond words when she talked about the movie.

After hearing this, Zhang Jing paused for a while before saying very seriously: "Mu Tou, have you ever thought about yourself in the future?"

Bi Xia was puzzled when she heard Zhang Jing's words, but she still said, "I'm not having Sister Jing, please worry about me, why do I think so much?"

Although Zhang Jing was suspected of flattering Bi Xia's words, she was still very happy. She said angrily: "The little brat is getting more and more awesome." Then she changed the subject and said: "Mu Tou, you are now well-known in the film industry.

Needless to say, your script is also showing off your strengths, so you don’t have any ideas? You should know that although Huayi will not limit you, it is definitely not a platform for you to display your directorial abilities."