Daily entertainment uses love to generate electricity

"Oh? What kind of gift is it?" When Shunji Iwai's face changed his expression and asked curiously.

"It's a script." Takumi Takagi said the truth.

"The script? Does it look like "AD"? Let me show it." Shunji Iwai's interest was aroused.

"Ahem, that's it..." Taku Takagi blinked, "Our staff have been waiting for a long time, so let's talk about it after the PV meeting first."

"Uh..." Shunji Iwai rolled his eyes when he was choked by Taku Takagi's words, but he couldn't refute it. He had to suppress the curiosity in his heart and spread his hands and said, "Okay, then we'll have a meeting first."

The two came to the crowd of the photography team to sit down. When everyone saw that the PV's main and director had arrived, they ended the chat and waited for the official start of the meeting.

It was said to be a meeting, but in fact, the final decision of this PV shooting is basically in the hands of Shunji Iwai. This is the prerequisite that Takagi asked Shunji Iwai to come and help him.

You should know that Shunji Iwai is different from the past, and Takuro Takagi has a good relationship with him. If someone else was replaced, it would be difficult for this new director who has become famous for "Love Letter" to condescend to reshoot the PV.

Moreover, even Takuki Taku had promised many unequal treaties, so he finally invited this Buddha. If it weren't for the current single being his first single in 1995, he wouldn't have invested so much.

"Our shooting venue has been selected. In addition to the studio, we also borrowed a classroom from a nearby school." Shunji Iwai talked happily. Others around him, including Takuki Takagi, just listened carefully and did not express any other opinions.

It’s not that I feel that it’s inappropriate to refute Shunji Iwai’s face, but the big director is a big director after all. For the song “Memory of Tomorrow”, Shunji Iwai has already formulated a shooting plan with a compact plot and meticulous process.

This time, the PV once again uses the plot PV shooting method.

The plot will start with school, where boys and girls will watch the sunset together and express their vision for the future, while Takuki will appear in the lower right corner of the camera as a bystander while singing a song.

Then when the camera changes, it comes to a city full of tall buildings, and the two will become busy social people who make a living. Whenever they encounter setbacks, the camera will flash the scene of the two supporting each other when they were students. The switching of the camera represents the change in their mood, and also represents the two supporting each other and rushing towards their ideal path.

The PV will not ultimately describe whether the two have realized their ideals, but the rising sun in the last round of the camera also indicates a bright future.

I have to say that after listening to Shunji Iwai tell the whole story of the PV, Takuki also nodded frequently.

He is indeed a new director known for his own writing and directing. This screenwriter and his control over the scene are really first-class. It seems that he has brought the script of "Honey and Four-Leaf Crocodile" right.

"It's probably that. Do you have any other suggestions?" After telling his thoughts on PV shooting in one breath, Shunji Iwai looked at the people in the photography team and asked.

Everyone looked at each other and shook their heads. One of them said, "San Iwai has already talked about all the key points of PV shooting. We have no doubts about the plot and shooting process you wrote."

"Where is Takagi Sang?" Shunji Iwai looked at Takumi Takagi next to him again.

Takuki smiled and said, "I don't have one, but time is tight. I'll pick someone from my own firm for the candidate for the male and female protagonists."

"This is up to you, as long as the candidate meets the setting of the entire plot, otherwise an uncle student will be very out of the way." Shunji Iwai waved his hand indifferently.

"Of course, although my firm is not big, it's really not that I can't even choose the two PV protagonists." Taku Takagi said with a smile.

He had already had a lot of conspiracy in his mind. Since Jee Yaren has come to his own business, it is natural that he doesn't need to be in vain. In addition, Miho Guanno, who has not announced any of the past two days, these two future couples can make up a pair of PV male and female protagonists.

Speaking of which, these two people really match the song "Memory of Tomorrow". I don't know if they will really support each other to realize their dreams after this collaboration. Takuro Takagi thought about this, and he couldn't wait to see the scene of the first meeting between the two.

"Ahem, then what, since you have no other opinions, we are going to officially start shooting tomorrow." Shunji Iwai said, and began to arrange everyone's work.

About five minutes later, everyone took the order and left. Shunji Iwai looked at Takuki and said, "Now, can Takagi let me read the script?"

The expression on his face seemed impatient, obviously Takumi Takagi's snatched him very much.

"No problem." Takuki Takagi laughed laughing, before taking out the script of "Honey and Four-Leaf Crocodile" from his bag. "You also want to hear your opinions on this script."

"Okay, let's see." Shunji Iwai said, taking the script from Taku Takagi with anticipation, but he frowned after only two or three pages of his forehead: "Is this a TV drama script for Takagi?"

"That's right." Taku Takagi nodded, "But I know that you only shoot movies, so this script is for you to ask if you can change it into a movie."

"Adapted into a movie..." Shunji Iwai muttered, looking down at the script again. After a while, he put the script on the table and breathed a sigh of relief: "How to say, Takagi's script is really good in terms of setting, but most of the plots are not suitable for use in movies."

"What do you mean?" Taku Takagi asked hesitantly.

"I mean if this script wants to be made into a movie, it is best to just use the character setting and relationship in this script, and then the story will be original." Shunji Iwai said seriously.

Sure enough, as expected before, Takuki thought to himself.

In his previous life, he noticed this when he watched the movie version of "Honey and Four-Leaf Crocodile". The plot of the entire movie is basically original, except for the character relationship and character design. He originally thought that this producer's bad idea, but he didn't expect that he got the same answer to Shunji Iwai.

"Then... Iwai Jun thinks the relationship between the characters in this script is worth using?" Takuro Takagi asked nervously.

"Of course, what should I say? Is it worthy of being a work you wrote by Takagi Jun?" Shunji Iwai said: "If I were adapted and filmed, I think the response of this film should not be too bad. As for your current script, it should be a good choice if it is directly filmed into a TV series."

"That's how it is." Taku Takagi's expression relaxed a lot. He picked up the script and stuffed it back into Shunji Iwai. "Then please help Iwai kun adapt it into a movie."