Daily entertainment uses love to generate electricity

Seeing that Takuki Takuki agreed very simply, he showed a satisfied look on his face. He smiled and nodded and replied, "Of course, I want to write songs for that singer. How can I not see you? Later, I will contact SONY and arrange the meeting time based on your itinerary."

"Then I'll trouble you." Takuki Takagi thanked him like a stream.

"Okay, since Takagi Sang has agreed to be the general manager of the music part of our drama, can we continue to discuss the plot next?" Matsumoto Yukishiro, who was standing beside him, clapped his hands and said to everyone.

"Of course it's okay." Shizuo Shizuguchi responded and looked at Takuki Taku: "San Takagi, please stay here too. The production of the soundtrack should be combined with the plot, not to mention that Takagi himself is also a very outstanding author and screenwriter."

"Sanu Shizuo is too good." Takuki knew that Shizuo Shizuo was referring to the "AD" he copied, and quickly waved his hand with a smile, "But I really need to know some plot in terms of the soundtrack, so I will stay with shamelessness."

"Haha, Takagi Sang, you need to be polite, just sit there." Shizuo Shizuguchi said, pointing to a separate sofa next to Yukishiro Matsumoto.

Takuki thanked him and walked over there and sat down. After Takuki sat down, everyone started the previously interrupted discussion again.

Speaking of which, Takuki Takagi, the drama that Shizuo Shizuo wants to produce, also watched in his previous life. That is the comedy "Miracle Restaurant" that will be broadcast next spring.

In his memory, although the plot of this drama takes place in a French restaurant that is on the verge of bankruptcy, it is not an exaggeration to call it a simple indoor sitcom.

However, the plump plot, the director's superb shooting skills and the perfect performance of the actors still made the drama gain a lot of ratings. It even won seven awards including the Best Work and Best Actor at the Japanese Drama Academy, which had just been held for a few sessions, and it made a lot of money.

Therefore, he was of course very happy to be able to participate in the production of the soundtrack, theme song and interlude of such a TV series. This is one of the reasons why Matsumoto Yukishiro agreed without thinking too much when he agreed.

"I think the plot about Harada in this drama should be more full. After all, it is a restaurant taken over by an accountant. Of course, the change during this period must be explained more clearly." While Taku Takagi was trying to recall the memories of this TV series in his mind, Keita Kono, as the director of the TV series, expressed his views on the script.

As the screenwriter of the series, Mitani Yuki naturally knows the script the most. He said solemnly: "But in this way, he may deviate from the main line of building a legendary restaurant by the legendary waiter."

"I also think that Mitani's script has basically no major problems. It's better to modify it slightly in the details. It's not suitable to add any major plots." Kitagawa Yuriko also spoke at this time. She did not participate in the writing of the script this time, but was just temporarily recruited by Mitani Yuki to help the staff.

Takuki was also curious about the script that had not been finalized at this moment. He turned his head slightly to look at the script in the hand of Yukishiro Matsumoto. After Matsumoto found out, he smiled slightly, bent down and handed him a script that was useless on the table.

Takuki nodded slightly as a greeting. He flipped through the script in front of him and found that it might be because it was a while since the TV series was officially filmed. Although the main actors in the play have almost found all of them, the current script is still somewhat different from the actual plot in Takuki's memory.

He didn't know if his sudden joining would make the plot different from his previous life. If the drama lost its original glory because of this, it would be a result that he was very reluctant to see.

Thinking of this, he raised his head and looked around. Seeing that everyone's discussion of the plot had entered a white-hot stage, he thought for a while and said, "That... After reading Migusan's script, I also had some immature suggestions. I wonder if I can tell you?"

"Of course it's no problem. I have read Takagi Sang's book "White Night Walk" many times. With your ability to handle the plot, the suggestions given should be very valuable." Mitani Yukiki saw that Takagi Takumi was talking, and the originally serious expression on his face immediately eased a lot. Takagi Takumi was also a screenwriter and published books, so he naturally looked more intimate in his eyes as a screenwriter.

"Ahem, that's it... I think Santani can add some scenes in the plot that reflect the friendship or cohesion of the people in the restaurant, so as to highlight the special quality of the 'friend restaurant'. For example, the plot of layoffs written by Santani can add a clip where chef Shizuka resigns and coerces the boss from expelling his assistant Tayyama and dishwasher Sasaki."

"For example, when Shizuka was invited by the top French restaurant owner to work in a restaurant in Paris, she could set up an interview session and let other people in the restaurant try to set obstacles for her, thus reflecting the mentality of the public not wanting the chef to leave."

"Well... Takagi Sang is indeed a person who can write several bestsellers. These two suggestions are indeed very valuable and I will remember them carefully." Mitani Yuki nodded and praised.

"In addition... I think it's a bit like setting up the character of Masako Sanjo played by Kyokasan Suzuki as a third party..." Seeing that his suggestion was affirmed by Yuki Mitani, Takumi Takagi expressed his thoughts when he watched this TV series in his previous life.

After all, Kyoka Suzuki is also a great beauty. Playing such a not-so-likable character is indeed a waste of talent in Taku Takagi's opinion.

But who knew that after he finished speaking, not only Yuki Mitani, but others even Yukishiro Matsumoto looked at him with strange eyes.

"That...what am I saying wrong?" Takuro asked with a smile, pushing out a smile.

In the end, Yuki Mitani gave Takutao a step: "Ahem, mainly because we all think that Sanjo's character is very good. Maybe Takagi Sang hasn't read the script many times. You should be able to appreciate the charm of Sanjo's character by reading it a few times."

"That's right, then I will definitely read the script several times later, otherwise it will be bad if the music goes wrong." Takuro Takagi said quickly.

He also realized at this time that Japanese society was different from the motherland he lived in his previous life, and his values ​​were also different. Some settings that he seemed unacceptable to were common in Japanese TV series, which was a bit negligent.