Daily entertainment uses love to generate electricity

"Whenever you wake up in the morning, your removed body will be by your side...I wish forever, close your eyes and describe you in your heart, even if the world abandons me..."

After singing the song, Takuki walked to Sakai Izumizu and smiled and said, "How is it, sister? It's still a good song, right?"

"Well, both the melody and the lyrics are indeed excellent works." Sakai Izumizu took off her monitor headphones and turned to look at Takuki and continued, "But is Takagi sure you want to use this song as the A-side song of the new single?"

"Yes, do you think there is something wrong with me?" The smile on Taku Takagi's face became even more intense.

"No, I just think this style seems to be a little different from the A-side songs of Takagi's previous singles." Sakai Izumizu shook her head with a smile, but she was still a little worried in her tone.

As a professional singer, she could naturally hear that the song Takumi Takagi just sang was not the rock style that was always praised by being. But this is not the first time Takumi Takagi used it, and she was not surprised.

What really made her a little worried was that Taku Takumi, a song with such a style before, was usually only placed in the single's c/w song, but this time she suddenly used it to make A-side songs. She didn't dare to make a conclusion whether such a change would affect the single's sales.

"Sister is afraid that fans will be disappointed if I use such a song to make A-side songs, right? Actually, I don't have to worry so much." Takuki, who knew what Sakai Izumizu was thinking, comforted her with a relaxed look on her face.

He found a chair and sat next to Himemi Sakai: "If a pure rock group like the b'z where my teacher is, fans will definitely not buy it if they suddenly release such a single. But I have been using such a song since the first single, and fans should have adapted it, so even if a single with such a song this time will not have much impact on sales."

"But why did Takagi suddenly think of a single with this kind of music at this time?" Sakai Izumizu was still a little confused.

"Well... how do you say it?" Taku Takagi lowered his head and pondered for a while before continuing: "The current rock style is indeed very popular, but how do you say it? I feel that it will gradually decline in a short while. To prepare for the future, I will first release such a single to try the market acceptance."

"Don't Takagi-kun want to become a trend-leading singer like Kuda Sang, right?"

"I don't dare to go with Kuda Sangbi, but I do have some ideas in my heart." Takuro Takagi scratched his head with a wry smile.

"The courage is commendable." Sakai Izumizu frowned Takagi Taku's nose, "But isn't Takagi Kwan afraid that the market will not accept it at all?"

"Hehe, didn't my sister say that this song is really good? Since my sister has commented so, I believe the market's reaction should not be too bad." Takuki said, giving Sakai Izumizu a confident look.

Speaking of the reason why Tetsuya Komuro and his electronic dance music were out of date in the past life, in addition to Komuro himself, another kind of popular music style that completely overshadows the limelight of electronic dance music is also a very important factor. This music style is derived from the rhythm and blues of black music - rnb.

The song Taku Taku just sang was the second time in Japan's 1998-year-old rnb popularity. The leading male rnb figure, SONY's "No. 1" Kazuna Hirai's representative work "Hitsuma" is "Teen をとじて".

As the theme song of the movie "Call of Love in the Center of the World", this song still sold more than one million in 2004 when the physical music record market was gradually declining, becoming the single sales champion of that year.

Although Takuki does not have the sharp voice of Hirai Kazumi, his slightly thick voice has a different charm when singing this song, which does not sound much worse than the original singer in his previous life.

As for the C/W song of this single, Takuki also chose an rnb-style song. This song is even later than the A-side "Hitaka Hirai" when it was released in his previous life. It is a C/W song included in his fourth single by Shota Kiyomizu, known as the successor of Hirai Ken, in his fourth single.

Of course, even though these two songs are indeed very good songs, when the rock trend is currently in popularity, Takumi Takagi can be said to be very bold in choosing two such songs with typical Japanese rnb styles to release as new singles.

Of course, if Takuki didn't have the powerful backer of Koi, he wouldn't dare to take such a risk.

Now, what he hopes most is that this single can be sold with a good result. When he launches Ayumi Hamasaki, the big killer weapon, the Japanese rnb craze will probably come earlier.

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In the next few days of January, Taku Takagi put in quite a lot of effort for the single he had high hopes for. Not only did he spend the best recordings, he spent every day in the recording studio, but he was even present during the mixing.

As for Sakai Izumizu, who is also busy with her new single, although her new single has entered the intense publicity stage of being ready for release, she has seen that Taku Takagi really attaches great importance to this single, so she tried her best to take time to the recording studio to help him.

This situation lasted for almost 20 days, and Takuro Takagi's new single was basically over the studio part.

During this period, Okamoto Maya's debut single was officially released in mid-January. With the escort of Takuki Takagi and the strong promotion of Polikain, Okamoto Maya's debut single "TOMORROW" won the week's credibility list with its super high sales of 320,000 copies.

As for Takuki, who is the boss and producer of Okamoto Maya, has attracted more widespread attention from the music industry because he once again won a newcomer to the credibility list.

However, Takumi Takagi himself has no real feeling about becoming the object of discussion in the music circle. Now he is sitting by the window of a coffee shop in Minatoi with his sister who has finally escaped from a bunch of learning books, chatting leisurely.

"By the way, Sister Quanshui's birthday is coming soon. Have you ever thought about what gift to give?"

Takagi Tomoko, who doesn't like drinking coffee, asked in a vague way, biting the straw in the juice in her mouth.

"Of course I've thought about it." Taku Takagi replied while pouring his partner into the coffee cup in front of him.

"Is that so? Is that right? Can you tell me what it is?" Takagi Tomoko immediately became interested when she heard that Taku Takagi had prepared a birthday gift for Sakai Izumizu while she was so busy.

"Little girl is curious about what she does." Hearing her sister's inquiry, Taku Takagi knocked her head with a spoon and laughed and cried, "Let's think about how to study quickly."