Daily entertainment uses love to generate electricity

In this year's fns song festival, Takuro Takagi's office actually has other artists in addition to him. Although he has not seen her because he deliberately avoided her in the past few days, Takuro Takagi knew that since they would come here to participate in the rehearsal, it would be inevitable that things would happen together.

Sure enough, just as Taku Takagi was waiting for his stylist in the lounge, the door was gently pushed open and a beautiful figure walked in.

"Takagi, how are you doing lately?"

"Well, it's pretty good. Sister Akina, I'm so embarrassed. I'm a little busy lately, so..." After seeing the person coming in from the mirror, Takuki turned his head and said to Akina Nakamori with some apology. After all, she was also her nominal producer, but in addition to supervising the studio twice two days before the recording started, she was more like a hand-off manager than the company's senior nominal producer, President Nakato.

"Takagi Jun is very busy recently. I have heard from Kita-kun, so it doesn't matter. I'm still a little confident in my recording ability." Akina Nakamori sat on the chair next to Takuro Takagi with a smile. "Congratulations to Takagi Jun for its single sales exceeding two million." She said.

"Thank you, Sister Akina." Takuki lowered his head and said simply, without saying anything. Because although he did not look at Akina Nakamori, he could still feel her hot eyes at her.

Seeing that Taku Takagi did not speak again, he was silent for a while, Akina Nakamori said, "Takagi, can I ask you a question?"

"Of course, please tell me Sister Akina." The atmosphere was a little wrong, and Takuki naturally wanted to find some topics.

"Then I'll ask, how has Takagi Kwan's relationship developed with Sakai Sang recently?"

"Ah? It's okay." Although he didn't expect Akina Nakamori to ask this question directly, Takuki still answered honestly.

"Then I don't have a chance if I say that."

Takuki didn't know how he should answer this sentence at all, so he could only look at the mirror in front of him with his mouth closed.

The atmosphere was a little awkward for a moment. Takuki was surprised to find that at some point, he and Akina Nakamori had reached such a point where he had nothing to say after just two conversations.

Although she often didn't talk to her when she was with Sakai Izumizu before, Takuro Takagi could feel that her heart was slowly approaching, which was a warm feeling. But this time, Takuro Takagi didn't know what she was thinking about when she was with Akina Nakamori.

He felt a little sad. Did he stab her in the heart again?

After a long period of silence, the brilliance in Akina Nakamori's eyes gradually became dim. She stood up and sorted out her skirt very elegantly because she was sitting slightly wrinkled. She looked at Takuro Takagi and said, "Takagi, I'm leaving."

"Yes." Taku Takagi nodded mechanically.

Without saying anything more, Akina Nakamori just gave a small salute and turned around and walked towards the door of the lounge.

Looking at Akina Nakamori's somewhat lonely back, Takuki suddenly wanted to call her, but he opened his mouth until she brought her to the door, but the words "Sister Akina" never said it. He knew that since he was not her, why should he give her hope? Doing this is not only a disrespect for her, but also an insult to the relationship between himself and Izumi Sakai.

Thinking of Sakai Insumi, Taku Taku felt better, and his depressed mood just now soothed. He picked up his phone and pressed a few numbers before realizing that it was just morning and his sister should still be recording. It was a bit inappropriate to disturb him now. After thinking about it, he still put the phone back in his pocket. At worst, he could go to find his sister after the rehearsal.

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The rehearsal of the fns ballad festival is actually not very difficult. After all, it is not like the Chinese Spring Festival Gala, like the sketches, crosstalk, singing and dancing, acrobatics, and it is easier to just sing and talk.

Taku Takagi's program ranks first, so the song to sing is naturally the "No Named Poem" which sold 2 million copies.

With his talent to sing live, after completing his own part perfectly, Takuki Takagi sat at the dining table below the stage and watched the next rehearsal with Tsushige Uesugi, an artist who had just completed the rehearsal. This guy's band Wands will sing the song "Who in the World" with Miho Nakayama tomorrow.

"Uesugi, what do you think of Teresa Deng's song?" Seeing Ouyang Feifei, who was also from China, passionately singing her song "Loveover", Takuki thought of another Chinese singer who also made a living in Japan.

"Hey? To be honest, because it is not the same style, I have never heard of Theresa San's songs very much, but I know that her singing skills are very good. Although the sales of records in Japan are not very good, the industry still has a high evaluation. And she seems to be a very popular female singer in her own country, right?"

"Well, she is indeed very popular in China." Taku Takagi nodded.

Not only is it popular, Teresa Deng, also known as Teresa Deng, can be regarded as the most famous female singer in China in the 1980s and 1990s. In that era, almost all families in China would have a tape of Teresa Deng. Even in her previous life, she was familiar with Teresa Deng's songs due to her parents' influence.

Moreover, not only in China, but also in Japan, Teresa Teng's songs are also widely praised. Even though it is indeed as what Uesugi said, her record sales are not ideal, but her many winning championships in the Japanese Cable Awards and the Japanese Cable Broadcast Awards, and her only non-Japanese identity is selected as the "Song that touched all Japan" for "Sound of Japan" (that is, the original Japanese version of "I Only Care about You") is enough to show her status in the Japanese music industry.

He knew that in his previous life, Sakai Izumizu and Oda Tetsuro also wrote a song called "Spend this Life with You" for Ms. Teresa Teng in 1993. Unfortunately, two years after singing this song, Teresa Teng died in Thailand due to sudden asthma. Similarly, Sakai Izumizu in his previous life would also die in 2007, two years after covering this song, and this song became a realistic version of the magic song.

It seems that I should find a way to change Teresa Teng's fate, not only for my childhood feelings, but also for the purpose of preventing this illusory unnatural factor that may affect my sister.

If Teresa Teng lives well, then the identity of this magic song "Spend this Life with You" will not be true, right?