If I could find him something to do, he probably wouldn't keep bothering me like this.

His main job is writing light novels, so if we collaborate again...

There are many works with the theme of sister complex, with Yosuga no Sora being the top choice, but this work faced immense public pressure.

"The light novel and anime adaptation of 'Eromanga Sensei' will be done for now. We can proceed at a normal pace."

"If you have nothing better to do, would you like to collaborate with me on a new novel?"

"As before, I will provide the story outline, and you will write the complete novel."

"A sister complex theme?" Izumi Masamune's voice suddenly became somewhat excited.

"Yes."

"Do the male and female leads have anything to do with me?"

"The only connection is that they live in the same place as you."

"That's all? Are you sure I can write it well?"

"I believe in you. There are only four people in the world who can write this light novel well. The first is the male and female protagonists themselves, and the second is you and me."

"When does it begin?"

"I'll write the story outline and some interesting plot points tonight, and I'll come find you tomorrow morning."

"Anyway, I don't have anything to do, so how about I go to Musashino to find you guys tomorrow morning?"

"No, I'll come find you, and then we'll go together to visit the male and female protagonists' homes and try to get authorization."

"Another biography? Okay, I'll wait for you at home."

"it is good."

After ending the call, Masamune fell into deep thought.

The novel he had just thought of was "My Little Sister Can't Be This Cute," a light novel of the same type and author as "Eromanga Sensei," which Izumi Masamune should be able to write well.

The problem is that the male and female leads of this work will absolutely not agree to the authorization.

Because if their relationship were to be exposed, it would put immense pressure on their family, friends, and colleagues.

However, judging from Izumi Masamune's age, the story's events should have already passed, and the things in the story are already things that have happened to them.

In that case, we should just go and persuade their parents.

Everything in the story is just like reality, true and without any fabrication. Using this as a sales tactic, obtaining permission without showing them the outline shouldn't be a problem.

Moreover, even if all else fails, there's still Izumi Masamune as a stronghold.

If the Kousaka siblings wanted to cause trouble, the first person they would target would definitely be Izumi Masamune, not themselves.

Even if they do come knocking on your door in the future, you can use the phrase "Since you dare to do it, why are you afraid of what others will say?" to refute them.

Just like before, if neither set of parents were present, persuading Rin Tohsaka and the other parties involved would definitely not have been so simple.

Of course, the plot of the novel and the anime will definitely be modified to some extent.

Either change the process or change the outcome.

If this were moved here exactly as it was, the Kosaka siblings would probably be driven to suicide by public opinion.

However, public opinion can help them resolve this issue and find ways to prevent it from having any impact on them.

But there's really nothing we can do about our parents.

There's no way to erase what's been done. If Kosaka's parents find out what they've done, they might suffer anything from it, from short legs to unimaginable consequences. This is no joke.

"Masamune."

"What's wrong? You're so fair-skinned."

"Your smile looks a bit strange, like you're a bad guy."

"Is that so? Sorry, I just thought of something funny."

The process of obtaining authorization from the Kousaka family parents the next day was exactly as Masamune had expected.

I heard it's a biographical animation, completely consistent with real events, with no deviations. Both parents have no objections and even specifically requested that this be written into the contract.

As for the two involved parties, the Kosaka siblings, Masamune did not approach them, considering that they would certainly not agree, but only asked their parents to convey the message.

Chapter 212 I will dedicate my life to following in the footsteps of the two of you

In late August, after a year's hiatus, Mashiro's manga serialization in JUMP finally came to an end, with only two chapters remaining to be released.

That morning, while it was still summer vacation and the new semester had not yet started, Masamune accompanied Mashiro to the Shueisha.

"President Hayase, speaking of which, is this your first time visiting our editorial department?"

"Yes, Editor Hattori, I'm too busy with work, so Mashiro is basically in charge of the manga's serialization."

"Shiina-sensei's drawing skills have improved a lot compared to a year ago. Just the art style alone has brought in a large number of new readers."

Hattori Tetsuya made a few words of praise, then shifted his gaze to the file folder on the table:

"Is this the previous manga? Hmm... Could it be serialized under the same manga title? That would not only save a lot of trouble, but also retain our old readers."

"I've thought about that too, but the main character has changed after all."

"Yes, I'll take a look first."

Hattori Tetsuya opened the four-chapter manuscript in the file bag and carefully looked through it.

The manga is titled "On the Eve of Fate's Arrival," and it begins with introductions to several important Masters, followed by the crucial Heroic Spirit summoning segment.

The first episode ends with Kiritsugu Emiya summoning Artoria.

Seeing this, Hattori Tetsuya nodded repeatedly. Even though the previous introductions were rather dry and not very interesting, Saber on this last page was enough to dispel all his doubts.

As Shirou Emiya's Servant in the main story and one of the most important heroines, Artoria's background is well known to everyone.

In the prequel, Kiritsugu Emiya, who is suspected to be the protagonist, summons Artoria in the first episode, which can be seen as a kind of father-son inheritance, and the sense of immersion is immediately apparent.

As he continued flipping through the pages, when he saw Bluebeard appear, Hattori Tetsuya held his breath and looked up at Shiina Mashiro.

She managed to depict this terrifying and oppressive character, who clearly resembled a major villain, so vividly.

The fourth episode concludes with Lancer challenging all the Heroic Spirits to a duel, which Artoria accepts.

"Compared to the main story, the atmosphere of the prequel is obviously different. Even the dry explanatory sections in the first three chapters reveal a lot of information, which is very interesting."

"Moreover, the protagonist, Kiritsugu Emiya, does not have the passion of a young man; instead, he has the charisma of a villainous manga protagonist."

"It's going to work! This kind of work might be controversial in the early stages of serialization, but its popularity will definitely be higher than the main series later on."

"When will the serialization begin?" Mashiro asked softly.

"I'll talk to the editor-in-chief later and have a short meeting to discuss the serialization."

Hattori Tetsuya glanced back at the gate and whispered:

"Of course, this is just a formality."

"The editor-in-chief told me before that your two comics are the pillars of JUMP, and have been ranked number one in popularity for many years. As long as the prequel is of good quality, it can be used directly to replace the last chapter of the main story."

"In my opinion, the prequel is of significantly higher quality than the main story, and it will definitely be serialized smoothly. I can't say for sure that it will work, but I'm 90% confident."

In other words, the two comics are seamlessly connected, with the first chapter of the prequel leading directly to the last chapter of the main story.

“We have no objections, let’s handle it this way,” Masamune said with a smile.

"President Hayase, what are Musashino's thoughts on adapting this manga into an anime?"

"I've already prepared the scripts for several anime series that were scheduled to start production this October, but they'll have to be put on production next January. However, the game is currently in production and should bring some popularity to the manga."

"If that's the case, I'm 100% confident about the prequel's serialization."

After a brief chat, the three of them had just stepped out of the meeting room when a young man of similar age approached them.

"I've met Shiina-sensei online, but this is the first time I've met Hayase-sensei. Hmm... she's no wonder she's my rival."

Upon noticing a young man with bangs and an ordinary appearance looking him up and down, Masamune instinctively asked:

"Who is this…?"

"President Hayase, this is Mr. Niizuma Eiji. He somehow heard that you two would be coming today, so he waited for you in the scriptwriting department early this morning," Hattori Tetsu introduced with a smile.

"I really love your manga! The concept of Heroic Spirits is so interesting! Gender reversal of famous figures is common, but you're the first to portray King Arthur so brilliantly. Please give me your autograph!"

"You came to Shueisha early this morning just to get an autograph?" Masamune was speechless.

“That’s right! This is very important to me. If I could get your autographs and hang them on my wall, it would inspire me to keep moving forward. I’ve been waiting for this for a year.”

"It's just a small matter. You could have just come to Musashino to find us. You didn't have to wait from last year until now, did you?"

"No, I want to work at an animation production company based on my own abilities."

It's completely incomprehensible, but it seems to be a kind of romance that only the people involved can understand.

Masamune chuckled and then asked:

"Okay, where should I sign it?"

"I specially wore a white T-shirt today, please sign it directly on the shirt. Both teachers need it. Here is a pen."

"it is good."

This person is really well-prepared; it seems they've been waiting a long time for this autograph.

When Masamune picked up the pen, he paused unconsciously for a moment.

"We're using a pseudonym for collaboration. How should we sign it? With our real names?"

"Write the pen name at the top, and the real names of the two teachers at the bottom."

"it is good."

Masamune did not refuse, and as instructed, he and Mashiro simultaneously wrote their real names on Eiji Niizuma's clothes.

As for the pen name, it was written by Mashiro herself, following past practice.

"Thank you so much! I'll frame this T-shirt and hang it on my bedroom wall."

"Surely it doesn't have to come to this extent?" Masamune was somewhat speechless.

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