"Iori-nee, may I take a look at the project proposals related to idol agencies that are posted here?"

“Those are all outdated proposals. You can look at them if you want, but young man, do you want to become an idol? It’s just a pity that our 21Rain agency is all-female.”

Sakai Iori seems determined not to miss any opportunity to tease Kiyono Hai.

"I was just curious and wanted to take a look."

Kiyono Hai isn't interested in becoming an idol for the time being, but she's very interested in promoting Sakai Iori to debut as an idol.

Okay, making Sakai Iori an idol was just a joke. While she has the looks to be an idol, she's a little... a bit too old.

Kiyono Hai's real purpose is... to see if he can help Sakai Iori get a promotion, a raise, and maybe even help her reach the pinnacle of her life.

Let me state upfront that Kiyono Ash did this not out of gratitude.

It was simply so that when Sakai Iori's next fruit of faith 'grows', it will grow even more.

The amount of faith power generated in each person is based on the total amount generated by that person as a whole.

It can also be understood as the sum of a person's achievements in their lifetime, such as career, social life, literature, science, art, and so on.

So if Kiyono Hai helps Sakai Iori take another step forward on her career path as an idol producer, or even reach the top.

The amount of faith power that Kiyono Hai can harvest from Sakai Iori next time might not be a mere four hundred points; it could grow to thousands or even tens of thousands.

Moreover, Sakai Iori's heart has now been completely captured by Shanor, and as long as she stays with Kiyono Hai, there is no possibility that her feelings will fade over time.

Therefore, if Kiyono Hai wants to harvest the power of faith from Sakai Iori, he may only need to roll around in bed with the sexually frustrated Sakai Iori online and then get intimate with this lonely older sister offline.

Sakai Iori would give Kiyono Gray a lot of gold coins.

So, is the first step in reviving Sakai Iori's career to save the struggling 21Rain idol agency?

The reason why 21Rain's popularity is currently low is because the idol anime they are currently performing in... based on the experiences of the 21Rain members is just too much of a stereotype.

During this time, Kiyono also looked up 21Rain's animation content and found that the quality of both the stage performances and the songs in each member's individual episodes were all excellent.

At first glance, you can tell that Kiyono Ash is a "show" that cost a lot of money.

While the dances and songs are certainly captivating, the plot is rather bland. This is why, even after ten episodes, the audience response to the anime remains lukewarm.

21Rain's animation needs a breakout moment, a breakout moment big enough to generate buzz and discussion!

Based on the plot of the previous ten episodes of 21Rain, Kiyono Hai came up with a very interesting plot twist for the eleventh episode.

Thinking of this, Kiyono Hai casually asked Sakai Iori a question.

"Iori-nee, if I said... I have a way to save 21Rain's current low popularity, what would you give me as a reward?"

"Hmm? Save our agency's sluggish popularity? That's incredible! Let me think..."

As Sakai Iori spoke, she took a can of beer from the refrigerator and, as if struck by inspiration, pointed at Kiyono Hai and said...

"If you really manage to do that, how about you just pick one of our girls and leave?"

"Pfft...cough cough." Kiyono Hai was genuinely taken aback by Sakai Iori's flippant reply.

"Just kidding, just kidding. Don't be fooled by how cute our agency's idols are in anime."

"Their personalities in real life are quite terrifying, and saving 21Rain's current low popularity is not an easy task."

Sakai Iori seemed to be trying to dissuade Kiyono Hai from overthinking things. After taking a swig of beer, she looked at the yard outside where the rain was starting to fall and murmured something.

"And to be honest, the only girl in this family... is me, a 30-year-old single woman who still can't get married."

"You just don't like men in the real world, do you?" Kiyono Hai thought to himself, speechless, before replying to Sakai Iori in a serious tone.

“Iori-nee, I’m serious. The eleventh episode of the anime ‘21Rain’ hasn’t even started airing yet, right? I’ve come up with a plot development that will definitely make the eleventh episode a hot topic on the discussion charts the day it airs.”

I'll give you another 400 yuan as a reward for Chapter 16, write more!

Just like how 'AINPC interactive technology' is used in the gaming industry to cover up the real existence of the 'performance' ritual.

In the world of anime and film, there is also a magical device called a 'stage setup' used to conceal the 'performance' rituals performed by deities.

The stage setup seemed a bit outrageous to Kiyono Hiyori even from the description.

In short, this thing is a device for 'physical projection'.

With the help of the stage setup, the photographer can directly project scenes from movies and animations, as well as special effects, into reality using nanorobots as a medium.

In short, with the support of such outrageous stage setups, performing in both anime and film becomes an extremely simple and immersive experience for the actors.

Of course, these are all explanations for ordinary people that Qingye Hui found online.

If such a convenient stage device really existed, the output of both movies and animations should theoretically increase by dozens of times, right?

Unfortunately, no, because the "performance" ceremony itself is a very precious resource.

If a deity wants to hold a "performance" ceremony on its own, it must first meet the required social class. The larger the scale of the "performance" ceremony, the higher the social class support required.

Secondly, the amount of faith power required is estimated to be an astronomical price that even Qingye Hui wouldn't dare to imagine.

The other conditions required on top of this are beyond what Kiyono Gray can currently understand.

Therefore, the mandatory conscription that the "performance" system conducts every now and then is a true lifeline for new deities like Kiyono Ash.

However, if Kiyono Ash wants to go further, he still needs to find a way to participate in the "performance" rituals of other powerful deities.

So now Kiyono Hai actually wants to use Sakai Iori's connection to get to know the girls working under 21Rain agency, or rather, the goddesses.

Don't get me wrong, Kiyono Hai just wanted to get more opportunities to participate in the "performance" ceremony, he didn't have any other ulterior motives.

"Young man, let's not talk about what plot developments you've imagined, but viewers of idol anime like this are very sensitive."

Sakai Iori sat down opposite Kiyono Hai with the can of beer in her hand, and began to lecture Kiyono Hai in the tone of an experienced elder.

"The plot development must be youthful and positive. The idol characters in it can only endure the slightest grievance. The most important thing is to pay attention to the scenes between the idol characters and the opposite-sex characters."

"In order not to offend the audience in this regard, we didn't even have a single male character in the entire series, and even the passersby were all women."

"So kid, you absolutely mustn't pull off some kind of romance between our agency's idol and some random guy."

“Doing this might generate buzz, but it’ll be the kind of buzz that gets you attacked online… The next day, we’ll be the first to be criticized by all the idol’s fans on the discussion list.”

Kiyono listened as Sakai Iori patiently and earnestly lectured him on various important considerations regarding idol management.

It seems she has learned many similar lessons during her years as a producer.

"Although the plot I envisioned is indeed related to romance, the romance I write will definitely not cause controversy among the audience," Kiyono Hai said.

"Young man, don't you understand yet? Idols dating is a cardinal sin! In our agency, we have a famous saying: entering this industry is no different from becoming a monk!"

"Let alone dating men! In real life, you have to be careful not to get too close to men in public!"

Sakai Iori said this to Kiyono Hai almost in a warning tone.

At the same time, she was also telling Kiyono Hai, "Don't underestimate our girls! They've been prepared from the start to never date in their lives!" and other such bold statements.

"My storyline isn't about having them fall in love with male characters," Kiyono Hai said.

"How can I not date male characters...?"

Sakai Iori suddenly paused halfway through her sentence, and Kiyono Hai reached out and asked Sakai Iori a question.

"Iori-nee, can I borrow your notebook for a moment? It would be more intuitive if I just wrote out the script for episode eleven for you."

"Sure, but don't think that just because you're cute you'll make me use your amateurish story script!"

Sakai Iori handed the laptop to Kiyono Hai, thinking that once Kiyono Hai finished writing his story script, she would criticize it so harshly that she could persuade him to give up.

But just ten minutes later, Iori Sakai was captivated by the story script she had written!

Furthermore, she understood what Kiyono Hai meant by 'adding some romance to an idol anime, but not about having the characters date male characters.'

Since idols can't date men after their debut, why can't idols date each other?

The script for episode eleven, written by Kiyono Hai, is the explosive development of the idol anime series "21Rain," where the second female lead suddenly confesses her love to the first female lead!

From the perspective of Sakai Iori as the producer, this kind of plot should be considered a random, poorly written development that ruins the characters' personalities.

However, Kiyono Hai's writing is just too good.

The first ten episodes of "21Rain" were intended to portray the female lead and the second female lead as a couple.

So, in Kiyono Hai's writing, the second female lead's jealousy and subsequent confession because the first female lead and another female character in the group are too close is surprisingly normal.

The most striking thing is what Kiyono Hai wrote for the second female lead... the lines he said during his confession were just too impactful and shocking.

Even if Iori Sakai was just sitting next to her reading the text and simply imagining the scenes inside, she couldn't help but scream out loud!

She wanted to scream because she was so excited watching it; it was a more advanced form of maternal smile.

What's the second female lead's outrageous line like...?

"Nan Deng Jiang (the female lead) has a side of her that I didn't know about."

"I can't tell you this to me, but I can tell Rena-chan (the third female lead)?"

"Is Rena-chan more important than me?!"

"I don't want to hear it! Didn't you say you'd always be by my side?"

"I want to be your idol forever, Nanto-chan! So... Nanto-chan, will you also belong to me forever?"

There's also a scene where the second female lead suddenly tackles the first female lead to the sofa and uses her own legs to trap her beloved's right leg.

All I can say is... I'm so lucky. She watched the whole thing as Kiyono Hai finished writing all the scripts for episode eleven.

While watching, besides blushing and having a racing heart, she probably only had one thought in her mind.

Absolutely right! Absolutely right! Young man, you write well! Quick! I'll reward you with another 400 points of faith! Write more of this! I love reading this! You were born for this!

While excited, Sakai Iori also became curious...

"Young man, how did you come up with this idea..."

“Twisted?” Kiyono Hai gave Sakai Iori a rather suitable adjective.

"Yes! Yes! Such a twisted plot development?"

"I just watch a lot of idol-themed anime." This time, Kiyono Hai wasn't lying.

The famous scene that Kiyono Hai is currently writing is actually a famous scene from the idol anime series "Nijigasaki Idol Club".

Who would produce such an explosive scene in an idol anime?!

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