This celebrity is overly enthusiastic!

Chapter 131 Ode to the Goose
Having ambition is never a negative word in the entertainment industry.

The entertainment industry is a typical pyramid structure; the higher you climb, the harder it becomes.

There are only so many good resources available, so why give them to you of all people?

Without unique advantages, establishing close relationships with those who control resources and channels becomes a common way to climb the ladder.

Chen Yuan did not go to Liu Tao's room that night.

Don't misunderstand, he's not some kind of gentleman.
Just for safety reasons, Liu Tao got into Brother Zhang's car, which took a roundabout route to his hotel room.

Liu Tao is a rare person in the industry who possesses the "feminine charm". Her eyes are large and bright, and the slightly upturned corners of her eyes add just the right amount of gentleness and charm.

The facial features are well-proportioned and harmonious, with standard proportions for the three courts and five eyes, and just the right amount of blank space on the face.
Overall, she doesn't have the strikingly beautiful look of Binbin; in fact, she even has a slightly rustic air. However, she exudes a generous and elegant, non-aggressive, and comfortable aura.

Her excellent bone structure made her look like she was 30 when she was 20, and she still looked like she was 30 when she was 40. She aged remarkably well.

In addition to her well-known marital experience and the many classic roles she has played as a virtuous wife, she has been voted by many netizens as the 'most suitable actress to play Teacher Bai'.

However, Liu Tao hasn't yet "paid off her husband's debts" or acted in any outstanding dramas.
Principal Chen Yuanhua, who is tall, always felt somewhat uncomfortable when discussing educational issues with Teacher Liu!

Sigh, it's true that people like a celebrity not only for her appearance, but also for the unique charm that comes from her past experiences.

Finding educational issues uninteresting, Chen Yuan and Liu Tao focused on discussing acting techniques, such as the differences between the method acting and the experiential acting styles commonly used by actors.

The method school treats acting as a tool; when a certain emotion needs to be portrayed, it simply draws the corresponding emotion from its toolbox, using the accumulated 'emotional memories'.

The advantage is that it can quickly evoke strong and genuine emotions, making the performance full of tension and explosiveness. Actors can train their emotional responses like they train muscles.

The downside is that when there isn't enough experience, the performance can look awkward and unnatural.

Liu Tao is not formally trained in acting; she follows a typical methodological approach.

Initially, based on his past experience, Liu Tao planned to use methodological theories to communicate with Chen Yuan.

They demonstrated a very proactive attitude, which is commendable.

However, although Chen Yuan himself is a pure method actor, when directing others to act, he prefers to have them use the experiential method to rehearse with him.

The main problem is that his circumstances don't allow others to use tricks or schemes to fool or flatter him!
The method acting approach requires actors not to "perform" emotions, but to act as the character and genuinely complete the character's tasks in a specific situation. Emotions are a natural byproduct of performing the task.

For example, when it comes to rolling one's eyes, the "method" approach involves actively rolling the eyes upwards to expose the whites of the eyes.
The experiential school argues that in real physiological processes, continuous physical activity and rapid breathing can lead to temporary oxygen deprivation, causing blood vessels in the eyes to constrict and making the whites of the eyes more easily exposed.

The advantage of this performance method is that the performance is extremely natural and believable, without any trace of acting.

Because the actors are truly "experiencing" the situation, they are able to strongly resonate with the audience.

Teacher Liu's poem about geese started with a full tone and excited emotions, which is a method acting style that can be seen at a glance.

However, under Chen Yuan's insightful and easy-to-understand acting guidance, Teacher Liu also showed exceptional talent and quickly grasped the essence of the method acting style.

The poem about geese, used to showcase acting skills, may not be as emotionally charged as before, but it is still genuine and without any pretense.

However, method acting also has its drawbacks. Using method acting for a long time is extremely taxing on actors, especially when portraying extreme emotions, which can easily lead to actors being physically and mentally exhausted but unable to break out of character.

For Liu, an actor unfamiliar with the method acting style, this must have been the first time he had become so immersed in the role that he found it difficult to break character, and his voice even became a little hoarse!
Teacher Liu really worked hard, and Chen Yuan didn't let her sweat so much for nothing by helping her adjust the aesthetics of her teeth.

If I just do five more treatments, or even three if I try harder, I won't need to get porcelain veneers, which will prevent me from eating cold or acidic foods.

[System: Congratulations, host, for obtaining a Grade C reward: [Light Vehicle Driving Proficiency]]

Damn it, the S-level mission reward was downgraded to C-level after the system bug was fixed. It feels like we lost a fortune.

Despite his inner grumbling, Chen Yuan was still quite satisfied with the reward.

He can drive, and he used to drive often, but he only ever used cars as a means of transportation and never cared about the pleasure of driving.

Since I've accumulated some wealth and hired Zhang Ge, a reliable retired reconnaissance soldier, I've been driving less and less. Now my driving skills have deteriorated to the point that I probably can't even reverse into a parking space on my first try.

However, with the newly acquired [Light Vehicle Driving Proficiency] skill, Chen Yuan suddenly found that his hands and feet felt incredibly hot, and he really wanted to go for a spin in the middle of the night!

In the movie "The Edge Walker", Chen Yuan plans to incorporate a lot of car chase scenes from "Fast & Furious", a skill that is particularly useful for his filming.

While he still uses professional stunt drivers to perform some of the most difficult stunts, he can do the more ordinary and slightly exciting scenes himself, and we can also film more scenes that directly showcase his skills.

Racing at night is too dangerous. If you want to experience the thrill of driving, you can do it right in your hotel room!
After leaving the CCTV building, Cui Yong walked into the underground parking lot and approached his car. Just as he was about to open the door, he noticed a black plastic bag tied to the door handle.

(Xiao Cui's remarks are too pointed and he is easily sanctioned; this is something that can only be understood implicitly, not explicitly.)
Not knowing whose prank it was, Cui Yong tentatively touched the bag and found that it contained a book or a stack of papers.

What he saw when he opened the bag startled him – it was the script for Feng Xiaogang's new film, "Cellphone"!

Shouldn't this kind of thing be kept highly confidential by the production team?
If the script is leaked before the movie is even finished filming, how can the audience be drawn to the cinema if they know the story's direction in advance?

There was also a piece of paper tucked inside the script, with a line printed on it, telling me to call the number on it if I had any ideas after reading the script.

What's the situation?
Cui Yong was completely confused and was wondering whether he should call Feng Kuzi to confirm the matter.

Out of curiosity, and to verify whether it was a prank, he sat in the car, opened the script, and began to read it using his speed-reading and information-processing skills honed over years as a presenter.

It's probably true. The script contains a lot of information from last year when Feng Xiaogang and Liu Zhenyun consulted him about the details of his work at CCTV. Basically, it was just slightly modified before being used.

Cui Yong felt somewhat gratified that he could help his friend, but the more he read on, the more uneasy he felt.

Why does Yan Shouyi, the host of the program "One Says One," seem more and more like himself the more he looks at the real-life figures behind the characters?

How could he have cheated on his wife and gotten divorced?

Why was I threatened by a female editor named May?
Why did Yan Shouyi arrange for a female host to take over his job in order to smooth things over?
Cui Yong was drenched in sweat, and his hands, gripping the script tightly, were twitching violently!
Last year, he had to leave "Tell It Like It Is" due to severe depression, and the female host He Jing took over the show.

If the movie "Cellphone" is actually made according to the script, then Cui Yong is not Yan Shouyi, but also Yan Shouyi!
Who is it? Who wants to harm me?!
(End of this chapter)