I, Hiroshi Nohara, the star of Japanese cinema

Chapter 187 A roundabout way to achieve national salvation! Using foreigners to help with propaganda! The explosive public opinion!

“Deputy Director Asumi, I have a bold idea for the release of ‘Hachiko: A Dog’.” Hiroshi Nohara’s voice was calm yet powerful, carrying an undeniable confidence.

Upon hearing this, Asuka leaned forward slightly, his shrewd eyes gleaming with anticipation: "Oh? Hiroshi-kun, what's your plan? Tell me quickly."

“My plan is as follows.” Hiroshi Nohara stretched out his finger and gently drew a line in the air, as if he were drawing a grand blueprint: “First, we will establish the Hachiko statue, which was temporarily erected for the filming of the movie, as a permanent building at Shibuya Station, making it a landmark statue of Shibuya Station and even the whole of Tokyo, standing there forever.”

Upon hearing this, Mingri Hai raised an eyebrow slightly.

Setting up a permanent statue is not a difficult task, after all, Hachiko's story is deeply moving, and with the government's support, it is entirely feasible.

“Of course, that’s no problem, Hiroshi-kun.” Asumi nodded, a smile of approval on his face. “Hachiko’s story certainly deserves to be remembered. But… this doesn’t seem quite enough to be called a ‘bold’ idea, does it?”

Hiroshi Nohara simply smiled, his clear eyes remaining completely calm.

“Of course, that’s not all.” Hiroshi Nohara spoke softly, his tone carrying just the right amount of mystery: “This is only the first step. The second step, and the most crucial one, is to use foreign media and foreign experts to praise the Akita breed, to praise them as an extremely intelligent and highly intelligent breed, a dog with noble character.”

"what?!"

Asumi's eyes widened instantly, and the cheerful smile on her face froze, replaced by an incredulous astonishment and... shock!
Praising Akita dogs through foreign media and experts?!
He stared blankly at Hiroshi Nohara, his mind a complete mess.

Erecting a statue is simple.

But to have foreign media and experts praise the Akita Inu... isn't that just a classic case of "worshiping foreign things and fawning on foreigners"?!
Tomorrow, Hai Xin will feel a mix of emotions.

Although he was reluctant to admit it, he was very clear that Japan, despite its incredibly developed economy and claim to be the world's second-largest economy, still harbored a subtle sense of inferiority in terms of culture and national psychology compared to the United States and Europe.

This inferiority complex, intertwined with the inherent arrogance of the Japanese, forms a peculiar national psychology—both arrogant and insecure.

They crave global recognition, yet habitually place higher regard for foreign opinions than for their own country's.

"Hiroshi-kun...you...you mean, we're going to use this...this 'worshiping foreign things' mentality to promote Akita dogs?" Asumi's voice trembled, her tone filled with confusion and...a hint of resistance.

He looked at Hiroshi Nohara's calm face and felt a mix of emotions.

He knew that Hiroshi Nohara was extremely intelligent, but at this moment, he felt somewhat uncomfortable with this strategy of exploiting the "weaknesses" of the people.

Hiroshi Nohara simply smiled calmly, his clear eyes remaining completely undisturbed.

He knew about Mingri Hai's concerns and also knew that this strategy was indeed somewhat "dishonorable".

“Deputy Director Asumi, you’re right.” Hiroshi Nohara spoke softly, his tone calm and composed: “I do intend to take advantage of the ‘arrogance and inferiority’ mentality of the Japanese people.”

“But…” He paused, his gaze falling on Mingrihai, a deep and confident light flashing in his eyes: “This is not simply exploitation, but rather a kind of… a kind of ‘taking advantage of the situation,’ a kind of ‘indirect approach to achieving one’s goals.’”

"Taking advantage of the situation? Taking a roundabout approach to achieve our goals?" Upon hearing this, Ming Rihai frowned, his face filled with confusion.

He looked at Hiroshi Nohara's young and confident face, feeling a sense of bewilderment. He felt that Hiroshi Nohara's words seemed to conceal a deeper meaning.

“Yes, we should take advantage of the situation and use a roundabout approach to achieve our goals.” Hiroshi Nohara nodded, his tone becoming more serious: “Deputy Director Asumi, you and I both know that the concept of ‘loyalty’ is ingrained in the bones of us Japanese people. But as times change, this ‘loyalty’ has gradually been polluted by worldly affairs, becoming less pure, and even somewhat numb.”

"The story of Hachiko, a loyal dog, conveys the purest, most selfless, and most heart-touching loyalty. But what do you think the effect would be if we directly used our own media and experts to promote the loyalty of Akita dogs and educate the public to learn from dogs' loyalty?"

Hiroshi Nohara countered with a question, his gaze calmly fixed on Asumi.

Upon hearing this, Ming Rihai's face showed a thoughtful expression. He knew that if they really did that, it would probably arouse public resentment, and some people might even jump out to accuse them of "insulting the people."

"So, Hiroshi-kun, you mean..." Asumi's voice trembled slightly, as if he had already guessed Hiroshi Nohara's intentions.

“Yes.” Hiroshi Nohara nodded, his tone calm and firm: “Precisely because we have confronted this ‘inherent weakness,’ and precisely because we know the people’s ‘disdain’ for our own propaganda, we must do the opposite.”

He paused, his gaze sweeping over Asuka, his eyes shining brightly: "Through the praise from foreign experts and media, we can instill the idea that Akita dogs are more intelligent and loyal into the public's mind. When the public sees that even foreigners acknowledge the loyalty of Akita dogs and the story of Hachiko, they will let go of their resistance and truly accept this education on 'loyalty'."

“Gradually, as this concept takes root in people’s hearts, and as the people begin to take pride in the loyalty of Akita dogs, won’t we quietly eliminate that inferior tendency of ‘worshipping foreign things’? In the end, won’t we cultivate a moral view of loyalty and kinship among the people?”

Hiroshi Nohara's words struck Asumi's heart like a thunderclap!
Asumi stood there blankly, staring at Hiroshi Nohara's young and confident face, his mind replaying Hiroshi Nohara's words.

He sensed something was wrong, but upon closer reflection, he realized that what Hiroshi Nohara said made a lot of sense.

By exploiting the inherent weaknesses of the people, the ultimate goal is to cultivate loyalty and a strong sense of family ties among them.

This...this is simply the work of a politician!
Moreover, and most importantly, this also aligns with the "political mission" that Governor Koike had previously assigned them—to ensure that the work could guide the national character and embody the spirit of Japan.

“Hiroshi-kun…you…you are a monster!” Asumi muttered to himself, his face filled with disbelief.

He never imagined that a filmmaker could elevate the promotion of a film to such a political level, or analyze the national psychology so thoroughly.

He looked at Hiroshi Nohara, his eyes filled with admiration and expectation: "Alright! Hiroshi-kun! I agree to your plan! And I will fully support you!"

He slammed his hand on the table, his tone becoming impassioned: "It's just overseas publicity! I, Ming Rihai, have some media friends overseas! I'll contact them right now and get them to fully cooperate with your publicity plan!"

He paused, then looked at Hiroshi Nohara, his eyes filled with determination: "How about this, given TV Tokyo's high regard for your talent and the enormous potential of the film 'Hachiko Monogatari,' our production department can support you with 100 million yen for overseas promotion!"

"One hundred million yen?!" Hiroshi Nohara exclaimed in astonishment.

Although he had some expectations for overseas publicity, he never imagined that Asumi would approve such a huge sum of 100 million yen for him!

This is no small sum! It's enough to create a huge publicity storm for "Hachiko: A Dog's Tale" overseas!

He stood up abruptly and bowed deeply to Asumi, his sincere gratitude coming from the bottom of his heart: "Thank you so much, Deputy Director Asumi! I, Hiroshi Nohara, will remember your great support!"

Asuka simply raised her hand and waved, her cheerful face beaming with a proud smile.

“Hiroshi-kun, you don’t need to thank me.” Asumi spoke softly, her tone full of emotion: “You deserve this. Your current fame, your talent, and your works are all more than worthy of this investment!”

He paused, then looked at Hiroshi Nohara, his eyes filled with expectation: "Do you know that you're a big shot at our TV Tokyo now? Your name is the talk of the board of directors, all those old guys talk about it with great enthusiasm!"

"Your three special programs, 'Super Transformation,' 'Tales of the Unusual,' and 'Yamishibai,' are now the greatest treasures of TV Tokyo! They have not only brought huge viewership ratings, but also enormous social impact!"

"Especially the movie 'Seven Samurai,' it not only brought you enormous wealth, but also brought us TV Tokyo a huge dividend of 3 billion yen! This is an achievement that TV Tokyo has never had in the past ten years!"

As he spoke, a smug smile appeared on his face: "So, Hiroshi-kun, you're now our TV Tokyo's 'god of wealth'! Investing 100 million yen in overseas promotion for you is nothing! As long as you continue to bring more miracles and more wealth to TV Tokyo, we'll invest even more in you!"

Hiroshi Nohara was filled with emotion as he listened to Asumi's words.

Asumi is right.

His current status at TV Tokyo has indeed reached an unprecedented level.

His name, his works, and his talent have made him an undeniable presence on TV Tokyo and in the entire Japanese cultural scene.

However, in the face of this tremendous achievement, Hiroshi Nohara also felt a slight, almost imperceptible, regret.

He recalled the life of "Hiroshi Nohara" from his previous life, and his yearning for freedom and pursuit of independent creation.

He knew that if he were in China in his previous life, with his current achievements, he could have established his own film and television company, independently producing movies, TV series, variety shows, and even building his own comic book empire, becoming a true "cultural giant".

But this is neon.

Japan is a country that doesn't encourage job hopping, and even less so, it doesn't encourage starting your own company.

Here, the company is similar to a vassal state or daimyo in the Warring States period, while the employees are similar to retainers or subjects.

If you choose to switch jobs or start your own company, you will be seen as a "traitor," despised by society, and even ruthlessly suppressed by powerful conglomerates and corporations.

This suppression is comprehensive, extending from the social level to the political level; it is a true "blockade."

Small factories, small workshops, or small companies like Misae's Mirai Manga Company and her older brother Nohara Saji's agricultural company—these small-scale operations might be able to barely survive.

But once they get involved in those truly profitable areas, such as big-budget films, TV series, and variety shows, they'll see what a real "chaebol" or "conglomerate" is. Their terrifying control is enough to leave anyone who tries to challenge them with nothing but dust.

This is also why Hiroshi Nohara has never left TV Tokyo.

He knew perfectly well that if he chose to go independent now, he would face a united attack from the entire Japanese cultural industry.

His films might not even pass censorship.

The TV dramas he produces might not even be able to find a broadcasting channel on television.

His comics might not even be available to publishers.

The kind of suppression from the entire society and the entire country is enough to completely ruin any genius.

Therefore, he had no choice but to lie low and rely on others.

They were dependent on the behemoth that is TV Tokyo, on Director Nobuhiko Sakata, on His Excellency Hideaki Fujiwara, and even on Governor Koike.

What he needs to do is become the most important and indispensable piece on this huge chessboard.

He wanted to make TV Tokyo a "war machine" for Hiroshi Nohara to realize his cultural ambitions.

He wants to take Japanese culture to the world and make it influential.

And he, Hiroshi Nohara, will gradually ascend to the pinnacle of culture in this process, becoming a person who can truly influence the times and change the world.

By the time.

Instead, he will become a feudal lord, a daimyo... and the one who will hold the reins of the Japanese cultural world!

He will rise to a high position!

Hiroshi Nohara let out a long breath, a breath that carried a hint of emotion, a hint of helplessness, and also a hint of boundless anticipation for the future.

He snapped out of his reverie, turned his gaze back to Asuka, and a faint smile appeared on his face.

“Deputy Director Asumi, you’re right.” Hiroshi Nohara spoke softly, his tone calm yet firm: “These are things I should do. I will continue to work hard and live up to your and TV Tokyo’s expectations.”

Upon hearing this, Asuka's face broke into a satisfied smile.

He knew that Hiroshi Nohara had fully understood his intentions.

“Very well, Hiroshi.” Asumi nodded, glanced at the time on his watch, and a faint look of fatigue appeared on his face: “In that case, let’s start discussing the release date of ‘Hachiko Monogatari’.”

Upon hearing this, Hiroshi Nohara smiled with satisfaction.

He knew that this was his real purpose for coming today.

“Deputy Director Asumi, I already have a preliminary plan in mind regarding the release date of ‘Hachiko Monogatari’,” Hiroshi Nohara said softly, his tone calm yet firm. “I hope that this film can be presented to everyone at the most appropriate time.”

He paused, his gaze sweeping over Asumi, a confident glint in his eyes: "I suggest we start the screening at the end of April or the beginning of May. That would be perfect timing, coinciding with Japan's Golden Week!"

"Golden Week?!" Asuka stroked her chin thoughtfully.

Golden Week!
That's the longest consecutive holiday of the year in Japan!

The holiday consists of four statutory holidays: Showa Day, Constitution Memorial Day, Greenery Day, and Children's Day (Boys' Day).

During this period, people across the country, whether students or office workers, will enjoy a long holiday.

During this period, cinema box office revenue will also experience a huge surge!

It's an important holiday that no movie would miss.

Hiroshi Nohara is actually planning to release "Hachiko Monogatari" during this Golden Week holiday?!
This is simply... insane!
"Hiroshi-kun, are you... are you sure?" Asumi's voice carried a hint of excitement: "The competition during Golden Week is incredibly fierce! Countless Hollywood blockbusters and countless domestic films will choose to be released during this Golden Week! Can our 'Hachiko Monogatari' withstand the pressure?"

He knew that while the Golden Week holiday had huge box office potential, the competition was also extremely fierce.

If you're not careful, you'll be swept away by the tide of box office success.

“Deputy Director Asahi, you’re overthinking it.” Hiroshi Nohara just smiled calmly, his clear eyes showing no ripples: “The fact that I dared to choose Golden Week means that I have absolute confidence in ‘Hachiko: A Dog’.”

He paused, then looked at Asumi, his eyes gleaming with confidence: "Moreover, I believe that during this Golden Week, there simply isn't a single film that can rival 'Hachiko Monogatari'!"

His words were resounding and powerful, each syllable brimming with strength.

As he looked at Hiroshi Nohara's young and confident face, all his worries and doubts vanished in that instant.

He knew that Hiroshi Nohara was right.

This young man has never let them down.

"Alright! Hiroshi-kun!" Asumi slammed his hand on the table, his tone becoming impassioned. "Since you're so confident, then I'll fully support you! Golden Week! We'll release 'Hachiko: A Dog's Tale' during Golden Week!"

He paused, his gaze sweeping over Hiroshi Nohara, his eyes filled with anticipation: "I want to see what kind of miracle you can bring us this time!"

Hiroshi Nohara simply smiled and nodded: "Deputy Director Asumi, I will not let you down."

……

Soon, as arranged by TV Tokyo, a new statue was quietly erected at Shibuya Station in Tokyo.

It was a statue of an old man and an adorable Akita dog.

The statue is cast in bronze and has weathered many storms, giving it an antique luster, yet it also exudes an indescribable warmth.

It stands quietly in a corner of the station, as if silently telling a long-ago and touching story.

Initially, the statue only attracted the curiosity of some passersby.

"Huh? When was this statue erected?" A commuter carrying a briefcase stopped and looked at it with a puzzled expression.

"It seems like this is a recent addition, right? I've never seen it before." His female colleague leaned over, her eyes filled with curiosity. "An old man and a dog? What's the story behind this?" "Judging from the dog's appearance, it should be an Akita Inu, right? It's quite endearing and cute." A young female student scratched her head. "But why would they put a statue like this on Shibuya Station?"

"You didn't know?" A slightly older housewife next to her said with a knowing smile, "I heard from my neighbor that this was erected by Hiroshi Nohara, the manager of TV Tokyo, specifically for his new movie, 'Hachiko Monogatari.' I heard the movie is about the story of this Akita Inu and its owner!"

"Hiroshi Nohara?!" The schoolgirl's eyes lit up instantly. "Is that Nohara, the director of 'Yamishibai,' 'Tales of the Unusual,' and 'Super Transformation'? He's actually going to make a movie about dogs?!"

“Yes, that’s him!” The housewife nodded, her tone filled with admiration for Hiroshi Nohara: “I heard that this movie is about an Akita dog that, after its owner passed away, waits for its owner to return at the station every day, rain or shine. Oh my, just hearing about it makes me want to cry.”

"Wow! That sounds so touching!" the schoolgirl exclaimed excitedly. "I definitely have to see the movie that Nohara-sama made! I'm such a fan!"

"Yeah, Nohara-sama is a genius!" Another middle-aged man passing by stopped and joined the discussion: "My two kids watch 'Super Transformation' on TV every day! And 'Tales of the Unusual' is chilling and unforgettable in every episode! His movies are always good!"

"But using a dog to illustrate loyalty, isn't that a rather unusual idea?" the female colleague said with some doubt. "Don't we have many stories of samurai loyalty in Japan? Why use a dog?"

“You just don’t understand.” The middle-aged man shook his head, a meaningful smile appearing on his face: “Chief Nohara is no ordinary person. He never takes the conventional approach when making movies. He must have his reasons.”

“Yes,” the housewife chimed in. “I heard from my neighbor that Minister Nohara once said in an interview that human loyalty is always mixed with too many interests and too much calculation. But a dog’s loyalty is pure and selfless. He wanted to use the purity of dogs to awaken the loyalty that has long been forgotten deep in our hearts.”

"Wow! That profound?!" The schoolgirl's eyes widened even more, her face filled with surprise and admiration. "Captain Nohara is truly a genius! Even making a movie about dogs can be elevated to a philosophical level!"

"So, you young people should learn more from Minister Nohara!" the middle-aged man said earnestly. "He's not only talented, but also has vision and insight! He's the one who can truly represent our Japanese culture and go global!"

In an instant, discussions about the Hachiko statue, Hiroshi Nohara, and "Hachiko: A Dog's Tale" rose and fell in front of Shibuya Station, spreading like a tide among the crowd.

Soon, many newspapers and entertainment sections in Tokyo began to heavily promote the movie "Hachiko Monogatari" and Hiroshi Nohara's innovative cross-genre film, as the TV Tokyo's commission arrived.

The Tokyo Daily's entertainment section headline reads: [Hiroshi Nohara creates another miracle! "Hachiko: A Dog's Tale": An epic of loyalty that transcends life and death!]

Following the grand and sweeping deconstruction of era and class in *Seven Samurai*, director Hiroshi Nohara once again stunned the industry with a heartwarming film, *Hachiko: A Dog's Tale*. The film boldly uses an Akita dog as the central narrative vehicle, profoundly exploring the philosophical themes of 'loyalty' and 'humanity' through the story of a dog's ten-year wait for its owner. Film critic Kazuya Kurokawa praised it, saying, 'Hiroshi Nohara's lens always penetrates the superficial and reaches the soul. He uses the simplest emotions to strike at the deep longing for pure connection within the hearts of modern urban dwellers. This is not only an epic of animals, but also an allegory of humanity.' The film is expected to be released during the Golden Week holiday and is poised to create another box office frenzy."

The cultural commentary section of the *Neon Business Daily*: [From Samurai Spirit to Dog Loyalty: The Path of Hiroshi Nohara in Constructing a Cultural Symbol]

"Minister Hiroshi Nohara, this young man hailed as a 'cultural monster,' has once again demonstrated his astonishing cultural insight. In traditional thought, the loyalty of samurai is seen as a symbol of the Japanese spirit, yet *Hachiko: A Dog's Tale* projects this concept onto an Akita Inu. Cultural scholar Dr. Kengo Sato points out: 'This seemingly unconventional approach is actually extremely clever. In modern society, human loyalty is complicated by conflicting interests, while the unconditional loyalty of dogs awakens people's yearning for pure emotion. Hiroshi Nohara is using a 'roundabout' method to reshape the public's perception of traditional virtues. His precise grasp of the national psychology is truly remarkable.'"

Weekly Bunshun Special Report: [Hachiko Monogatari: A Movie That Can Make Even the Hardest Heart Cry!]

"The film censorship committee unanimously approved it, with many members shedding tears in the screening room. One senior member even suggested awarding *Hachi: A Dog's Tale* the best film of the year. We have every reason to believe that this film will be the most tear-jerking and socially impactful work of the year. Renowned emotional expert Mayu Watanabe commented: 'Director Hiroshi Nohara has once again proven his extraordinary control over emotional narratives. The bond between Hachi and the professor in the film will spark profound reflection across society on family, friendship, love, and even the relationship between humanity and nature. It will be the warmest ray of light in this indifferent era.'"

Tokyo Daily News, entertainment section headline:

"Hachiko: A Dog's Tale" is set for release during the Golden Week holiday! Hiroshi Nohara writes another heartwarming masterpiece; can this emotional epic replicate the box office success of "Seven Samurai"?
[Reported by this newspaper] Following the phenomenal success of "Seven Samurai," which grossed 6 billion yen and is expected to reach 8 billion yen, Hiroshi Nohara, the 23-year-old production manager of TV Tokyo, is bringing his latest masterpiece, "Hachiko Monogatari," to the market, scheduled for release during Golden Week! The film will tell a story of unwavering loyalty between an Akita dog and its human, transcending life and death, and has garnered significant attention both within and outside the industry.

Renowned film critic Kenta Tanaka: "Hiroshi Nohara's talent needs no further explanation. The grand narrative and profound meaning of *Seven Samurai* have already elevated him to the pinnacle of Japanese cinema. Now, his choice of a heartwarming subject like *Hachi: A Dog's Tale* may seem bold, but it actually demonstrates his mastery of cinematic art. He dares to confront the deep-seated yearning for loyalty and family in the hearts of the people, using the purest emotions to touch the softest souls. I predict that this will be a tearjerker masterpiece worthy of being recorded in history, and its box office appeal may even surpass *Seven Samurai*, becoming a phenomenal cultural event!"

Ichiro Sato, a sociology professor at the University of Neon: "In this era of material abundance but spiritual poverty, the connections between people are becoming increasingly distant. Hiroshi Nohara's 'Super Transformation' successfully awakened the public's longing for family warmth and interpersonal interaction. 'Hachiko Monogatari' elevates this emotion even further. Through the ten-year wait of an Akita dog, it redefines the meaning of 'loyalty' and guides the public to reflect on the emotional deficiencies in modern society. This is not just a movie, but a profound baptism of the national spirit."

Hideichi Nakamura, senior editor of Eiga Junpo: "Hiroshi Nohara is a genius whose comprehension defies conventional wisdom. His works always manage to spark widespread discussion across society with their unique perspectives and precise entry points. From the urban legends of 'Yamishibai' to the mind-bending suspense of 'Tales of the Unusual,' and the epic scale of 'Seven Samurai,' each of his attempts has subverted our imaginations. Now, he is crossing over again to challenge a heartwarming theme, and its profound meaning is far more complex than it appears on the surface. I look forward to seeing how he uses the story of a dog to deconstruct human nature, elevate emotions, and create new cultural symbols!"

Yomiuri Shimbun Entertainment Supplement:
Hiroshi Nohara, a cross-disciplinary genius, uses "dogs" to tell a story of loyalty, leading a new trend in Japanese culture.

[Special Correspondent Report] Just when everyone thought Hiroshi Nohara would continue to delve into samurai themes, he unexpectedly announced plans for a new film, "Hachiko Monogatari." This heartwarming film, starring an Akita dog, initially sparked some controversy, but with Nohara's profound interpretation of the concept of "loyalty" and the active promotion by the authorities, it has now become one of the most anticipated films in Japan.

Industry Observation:

"Hiroshi Nohara's innovation lies in his ability to extract the most profound philosophical insights from the most ordinary things," said an industry insider who wished to remain anonymous. "He elevates the loyalty of a dog to a level that guides national character, which is an artistic breakthrough in itself. More importantly, he successfully and cleverly integrates the government's cultural propaganda intentions into his film creation, achieving a win-win situation of commercial value and social benefits. This ability is unique in the Japanese film industry, and even in the entire Asian film industry."

Asahi Shimbun Culture Section:

A new landmark at Shibuya Station: the Hachiko statue has been unveiled, foreshadowing that "Hachiko: The Tale of a Loyal Dog" will become a symbol of an era.

[Cultural Commentary] Recently, a statue depicting an old man and an Akita dog was quietly erected in front of Shibuya Station in Tokyo. This is not only a new landmark in Shibuya, but also strong evidence of the pre-release buzz surrounding Hiroshi Nohara's new film, *Hachiko: A Dog's Tale*. The film has not only received personal attention from Tokyo Governor Ryuichi Koike, but is also highly anticipated by the publicity department, which aims to promote the Japanese spirit of loyalty through Hachiko's story. It is foreseeable that *Hachiko: A Dog's Tale* will be more than just a film; it will become a cultural icon of an era, with far-reaching influence.

In no time, newspapers, magazines, and television programs throughout Japan began to be drawn to the names Hiroshi Nohara and "Hachiko Monogatari".

Public opinion began to hype the issue, with various topics emerging, ranging from the film's artistic merit and social significance to Hiroshi Nohara's talent and the loyalty of Akita dogs.

Soon, thanks to the arrangements made by TV Tokyo, a steady stream of onlookers gathered around the Hachiko statue at Shibuya Station, with discussions rising and falling.

"Oh my, is this the statue? It's really exquisite, especially the Akita Inu. It's not fierce at all, it even has a... gentle and cute feel to it." A young white-collar worker wearing a well-fitting suit and carrying a briefcase stopped and looked at it curiously.

His colleague next to him also came over, covering his mouth and chuckling: "Look, how cute this dog is! It's chubby and its eyes are so bright."

"Yes, but how exactly does this story unfold? Dogs and loyalty? And an old man who's already passed away? I don't understand." The young white-collar worker scratched his head, a puzzled look on his face.

An elderly commuter, with gray hair and dressed in a traditional kimono, also stopped in front of the statue. Looking at it, a knowing glint flashed in his eyes: "This must be the statue from 'Hachiko: A Dog's Tale,' right? I heard that Director Nohara is going to make a movie about Akita dogs, about an old man and a dog. The dog's owner passed away, and the dog kept waiting. That's loyalty and affection that transcends humans. Just thinking about it makes me tear up."

"Is that so?" The young white-collar worker's eyes lit up instantly, his face filled with surprise.

My colleague exclaimed, "Wow! If it's a movie about waiting, it'll definitely be a heartwarming one. But since it's directed by Hiroshi Nohara, then there's no problem! He's my idol! I watch every episode of his 'Super Transformation Show,' it's both hilarious and touching!"

“Yes.” The older commuter nodded, a hint of emotion in his voice: “I read in the newspaper that this movie is about an Akita dog that waits for its owner to return at Shibuya Station every day, rain or shine, after the owner has passed away. It’s heartbreaking to hear.”

"Oh my god, just hearing about it makes me so moved!" My colleague's eyes were already glistening with tears. "Chief Nohara is the best at making these kinds of heart-wrenching stories! Several episodes of his 'Tales of the Unusual' scared me to tears, but there are also many episodes that moved me to tears."

"Yes, Nohara is a genius! I've watched 'Seven Samurai' three times, and I see something new in it every time!" The young office worker exclaimed. "I never expected him to make this kind of heartwarming movie. I'm really looking forward to it!"

A female college student waiting for her bus, carrying a backpack, overheard their conversation and couldn't help but join in: "Are you talking about Hiroshi Nohara's 'Hachiko Monogatari'? I've heard about it for ages! Everyone at school is talking about it like crazy! Everyone says this movie is definitely going to be the biggest tearjerker of the year!"

The male classmate next to her chimed in, "Yeah! Hiroshi Nohara is an idol for our generation! His manga 'Yu Yu Hakusho' is so exciting and thrilling! 'Doraemon' is so cute and adorable, it's a childhood memory! 'Midnight Diner' is so heartwarming and healing, it always makes me hungry!"

"He's simply an all-around genius!" the female college student exclaimed excitedly. "Movies, TV series, variety shows, comics—he's proficient in everything, and every work he creates generates a huge social impact!"

“Yes, even the governor himself praised his work!” the older commuter added, his face full of pride. “I heard that the government’s propaganda department has high hopes for this ‘Hachiko: A Dog’ series, hoping it can guide the national character and embody the spirit of Japan.”

"Wow! Really?!" The young white-collar worker and her female colleague were stunned. They had never imagined that a movie could be elevated to such a political level.

“Of course it’s true.” The older commuter nodded. “So, this statue must have been erected to promote the movie. Nohara-cho, he really is…so decisive!”

……

Suddenly, many people across Japan were drawn to Hiroshi Nohara's "Hachiko Monogatari".

Public opinion started to stir up the issue.

From Kyushu in the south to Hokkaido in the north, whether in bustling city streets or quiet rural towns, people are increasingly discussing the same topic during their leisure time—Hachiko Monogatari, a dog by Hiroshi Nohara.

"Have you heard? Hiroshi Nohara's new movie is about a dog! And even foreigners are praising that Akita Inu!"

"Yes! I knew it a long time ago! My daughter keeps pestering me to take her to see it! She says the Akita Inu is super cute! But it's only going to be released during Golden Week. It makes me sad to see my daughter looking forward to it."

"I think Hiroshi Nohara is a genius! He always manages to make movies that make people feel warm inside and a little tearful."

"I heard even the governor praised him! This movie is sure to be a huge hit! Besides, even Americans praise that Akita Inu named Hachiko!"

"Yeah! I need to book my tickets in advance! Otherwise, I definitely won't be able to get good seats! I'm curious to see what's so special about the Akita Inu that even American freaks praise!"

"Look at what those experts in the newspapers are saying! They all say this movie will surpass 'Seven Samurai'!"

"Really?! That's amazing! Seven Samurai has already grossed over seven billion, and it's still heading towards eight billion, or even ten billion!"

"Hiroshi Nohara, he's simply the pride of Japan! His movies, TV dramas, and manga are all amazing! Now even Americans are captivated by his talent! He's truly incredible!"

"I even think that he is the one who can truly represent our Japanese culture, go global, and conquer the United States!"

Public opinion spread rapidly, like wildfire.

Television, radio, newspapers, magazines, and even casual conversations on the street were filled with anticipation for "Hachiko: A Dog's Tale".

People eagerly anticipate this film, hoping to be moved and inspired once again by Hiroshi Nohara's work. They look forward to spending their Golden Week holiday in the cinema with their families, experiencing that pure love and loyalty.

Hiroshi Nohara's name once again resonated throughout Japan, becoming a household name and a highly regarded cultural icon.

His works, his talent, and his influence are expanding and evolving at an unprecedented pace.

And this is just the beginning.

……

Another month passed, and it was early April. The cherry blossoms in Tokyo were finally in full bloom, and the air was filled with a faint fragrance.

In a small conference room at the Tokyo TV production department, Hiroshi Nohara, Asumi, and Toshihide Takada sat around a round table.

"Hiroshi-kun, Managing Director Takada, you guys are really... amazing!" Asumi broke the silence first, his face beaming with a cheerful smile and his tone filled with barely suppressed excitement: "The hype surrounding 'Hachiko Monogatari' has been soaring during this period! Now almost the entire Japanese nation is talking about this movie and Akita dogs!"

He paused, his tone becoming even more mysterious: "And what's most unexpected is that news from abroad says many American newspapers and television stations are now broadcasting about Akita dogs. They're all reporting on how intelligent and loyal Akitas are, which has astonished many Japanese people!"

Takada Toshihide nodded, a hint of smugness appearing on his usually gloomy face: "Yes, Asuka-kun is right. With the help of TV Tokyo, especially the American media, the topic of Akita dogs being a superior breed has begun to spread throughout the Japanese media."

He picked up his teacup, took a small sip, and said with confidence, "Now, many experts and television stations are also echoing this sentiment, saying that Akitas are a superior breed, intelligent and loyal. The scale of this publicity is unprecedented! The public's confidence has been boosted!"

Hiroshi Nohara had a faint smile on his face.

“That’s how it should be.” Hiroshi Nohara spoke softly, his tone calm yet firm: “Using the affirmation of foreign media to enhance the public’s sense of identity with their own culture is the most effective way to ‘save the country indirectly.’ Moreover, I’ve also learned that the public is now starting to show real interest in Akita dogs and in my film, ‘Hachiko: A Dog’s Tale.’”

He paused, his gaze sweeping over Asumi and Takada Toshihide, his eyes filled with anticipation: "Everything depends on the Golden Week holiday at the end of April or the beginning of May, when the movie will be officially released."

Asumi and Takada Toshihide nodded, their faces beaming with anticipation for the future. They knew that Hiroshi Nohara's plan was already halfway to success.

However, just as they were still discussing, the meeting room door was gently pushed open.

Director Nobuhiko Sakata strode in with composed steps. He wore a dark kimono, perfectly tailored and impeccably tailored, and his brows exuded an air of quiet authority.

The three of them quickly stood up and bowed deeply to Nobuhiko Sakata.

"Director Sakata!"

"Hmm." Nobuhiko Sakata simply responded, his gaze sweeping over the three of them, a barely perceptible scrutiny flashing in his shrewd eyes.

He slowly walked to the head seat and sat down. Then, he looked at Asumi and Takada Toshihide. The stern expression on his face, which was usually one of authority, became somewhat... solemn.

"Who orchestrated this publicity campaign for 'Hachiko: A Dog'?" Nobuhiko Sakata's voice was calm and powerful, yet carried an undeniable air of authority: "They even know how to mobilize foreign media to fuel the fire? This kind of publicity strategy is not something an ordinary person could come up with."

Upon hearing this, both Asumi and Takada Toshihide wore embarrassed expressions. They exchanged a glance, neither knowing what to say.

After all, the plan was proposed by Hiroshi Nohara; they were only responsible for its execution.

Moreover, while Director Sakata's words sounded like a question, there was a subtle, almost imperceptible, probing under his tone.

Hiroshi Nohara simply smiled calmly, his composure and confidence making him stand out at that moment.

He knew this was the time for him to demonstrate his "responsibility".

"Director Sakata, it was my arrangement," Hiroshi Nohara said softly, his tone calm and firm, without the slightest hint of shirking responsibility.

Upon hearing this, Nobuhiko Sakata's stern expression instantly melted away, replaced by a genuine appreciation and...admiration.

He looked at Hiroshi Nohara, his shrewd eyes sparkling with a light as bright as the stars.

"Wow! What a 'publicity genius'!" Nobuhiko Sakata couldn't help but slap the table in admiration, his tone full of undisguised praise: "This kind of publicity strategy is really interesting! As expected of you, Hiroshi-kun! You always manage to surprise us!"

He paused, then his tone became even more impassioned: "Moreover, let me tell you, right now the discussion in Tokyo is about Akita dogs and your 'Hachiko: A Dog's Tale,' and it's generating a huge buzz in society! Even the governor himself called me to praise your excellent publicity!"

Hiroshi Nohara, Asumi, and Toshihide Takada all smiled with satisfaction upon hearing this.

The huge response means the publicity was very good, right?

Seeing the three of them so happy, Nobuhiko Sakata also smiled broadly.

He knew that Hiroshi Nohara's plan was already halfway to success.

“Oh, right, Hiroshi-kun.” Nobuhiko Sakata suddenly remembered something. He looked at Hiroshi Nohara and said with a hint of mystery in his voice, “Governor Koike is very satisfied with your publicity this time. He even said that he wants to work with you and the filming crew of ‘Hachiko Monogatari’ to carry out commercial and political publicity activities in a while.”

"what?!"

Asumi and Takada Toshihide's eyes widened instantly, their faces filled with disbelief and shock!
They stared blankly at Nobuhiko Sakata, their minds a complete mess.

Governor Koike is even planning to bring Hiroshi into her election campaign?!

This...this is an unprecedented honor!

This is not only an affirmation of Hiroshi Nohara's personal abilities, but also a huge recognition of his political influence!

This means that Hiroshi Nohara has gradually moved from being a simple cultural creator to the center of the political stage!

A faint smile appeared on Hiroshi Nohara's face.

He knew that the opportunity he had been waiting for had finally arrived.

In Japanese elections, getting involved can not only help the candidates gain a lot of votes, but also provide you with many publicity opportunities.

This includes "Hachiko Monogatari," which was already generating buzz even before its release.

Now, if we can join forces with Governor Koike, we can take advantage of this opportunity.

The publicity efforts will definitely increase dramatically.

After all, it's a movie that even the Governor of Tokyo likes, and he likes Akita dogs, so how could it not arouse everyone's curiosity?
Hiroshi Nohara currently has no intention of getting involved in politics.

But he's incredibly audacious to use political propaganda to promote his films!
(End of this chapter)