I, Hiroshi Nohara, the star of Japanese cinema

Chapter 179 The Arrival of the Akita Inu Hachitsune! The Active Integration of the Tokyo Faction!
As preparations for "Hachiko: A Dog's Tale" were in full swing, the phone in Hiroshi Nohara's office rang almost nonstop. Directors, screenwriters, producers, and even officials from the government's propaganda department lined up to speak with him.

He was like a precise gear, driving the entire massive project machine to run at high speed.

After a discussion about film promotion ended, Hiroshi Nohara picked up the phone and dialed a number he knew by heart.

"Hello, is this your brother?" His voice carried a hint of barely perceptible relaxation, a relaxation unique to family.

The caller ID, filled with Nohara Sashi's honest yet slightly excited voice, came through the phone: "Hiroshi, it's me. How are things going on your end? I heard your new movie, 'Hachiko Monogatari,' is about to start filming? Even the TV news is talking about it!"

“Yes, big brother.” Hiroshi Nohara replied with a light laugh, his tone carrying a hint of trust in his older brother: “I called you about this. I need an Akita Inu, the gentlest, the cutest, and with a little bit of… adorable goofiness in its eyes.”

Nohara Sashi was taken aback for a moment on the other end of the phone. He had thought his younger brother would make some profound artistic request, but it turned out to be "cute and silly".

"Cute and silly?" Nohara Sashi's voice was tinged with confusion and disbelief: "Hiroshi, are you sure you're not joking? The Akitas in our breeding base are all purebred and majestic, how could there be...cute and silly ones?"

“Big brother, you have to believe me.” Hiroshi Nohara’s voice became serious, his tone filled with undeniable certainty. “This is exactly the kind of quality this movie needs. It’s not about showing the Akita’s ferocity and alertness, but its loyalty and purity. That pure loyalty, in a way, is a kind of wise foolishness that is ‘cute and silly’.”

Nohara Sashi was silent for a moment on the other end of the phone, seemingly trying to digest his younger brother's "profound" theory.

"Alright, Hiroshi." In the end, he gave in, his tone filled with unconditional trust in his younger brother. "Since you put it that way, I'll go find one for you! I know the Akitas at our breeding center best. I promise I'll pick one that perfectly matches your requirements—the gentlest, the cutest, the most... adorably goofy Akita!"

"Then I'll leave it to you, brother." Hiroshi Nohara said with a smile. He knew that his brother would do his best to fulfill any promise he made.

"By the way, Hiroshi, Ikuna and I are also planning to come to Tokyo soon." Nohara Saji's voice was filled with anticipation. "We haven't really explored Tokyo properly yet. Perfect timing, I'll send your Akita over, and Ikuna and Ikuna can spend a few days in Tokyo together. It won't be a bother for you."

Upon hearing this, Hiroshi Nohara smiled sincerely and said, "Great idea, brother! Of course, I welcome you to Tokyo! I'll show you around and let you try all the delicious food in Tokyo!"

"No, no!" Nohara Saji quickly declined, his tone somewhat naive: "You go about your business, Ikuna and I will shop by ourselves. You're a very busy person now, we can't be of trouble to you."

"How could it be troublesome!" Hiroshi Nohara said with a light laugh. "Alright, it's settled then. When will you arrive? Get ready in advance."

Despite Hiroshi Nohara's insistence, Sashi Nohara eventually agreed.

As Hiroshi Nohara returned to his apartment in the evening, an unusually lively atmosphere greeted him.

In the living room, Misae was squatting on the floor, holding a fluffy Akita dog in her arms, her face beaming with a surprised and loving smile.

The Akita Inu looked to be about seven or eight months old, with golden fur and clear, innocent eyes. It was nestled obediently in Misae's arms, occasionally licking her hand.

On the sofa, Nohara Hiroshi and Ikuna were sitting with smiles on their faces. When they saw Nohara Hiroshi enter, they immediately stood up.

"Hiroshi, you're back!" Misae was the first to spot him, exclaiming with delight as she rushed over, hugging the Akita Inu.

"Hiroshi!" Nohara Sashi and Ikuna greeted him with smiles.

Looking at this heartwarming scene, all of Hiroshi Nohara's weariness vanished in that instant.

"Big brother, Sister-in-law Ikuna, when did you arrive?" Hiroshi Nohara asked with a smile. He reached out and stroked the Akita Inu in Misae's arms. Its soft fur and gentle touch warmed his heart. "Is this the Akita Inu that you helped me find? It's so... adorable!"

“Yes, Hiroshi!” Nohara Saji smiled憨厚ly, a hint of pride in his eyes. “This is the most docile, the smartest, and the most… adorably silly Akita I personally selected from the breeding center! Its name is ‘Yatsubo’!”

"Eight of Bamboo?" Hiroshi Nohara couldn't help but laugh out loud upon hearing this. The name did have a touch of the humor of mahjong.

“Yes, my brother said the name sounds nice, is easy to remember, and is auspicious!” Yu Cai said with a light laugh, her voice gentle and sweet, with a touch of just the right amount of shyness on her face.

Misae couldn't help but chuckle. She looked at Hiroshi Nohara with a teasing look in her eyes: "Hiroshi, the 'Eight of Bamboo' that your older brother picked out for you is quite the little glutton! It ate all the snacks I prepared as soon as it got home!"

Hiroshi Nohara looked at the well-behaved Akita dog in Misae's arms, then at his older brother and Ikuna, and felt a surge of warmth in his heart.

"Alright, big brother, Ikuna, you've had a long journey," Hiroshi Nohara said with a smile. "Let's go, let's go to Ginza first, find a good place, and have a nice meal to welcome you back!"

"No need, no need, Hiroshi!" Nohara Sashi quickly declined, "We can just eat something simple, there's no need to go to so much trouble."

"How could it be troublesome!" Hiroshi Nohara said with a light laugh. "It's a rare opportunity for you to come to Tokyo, so as your younger brother, I naturally want to treat you well! Come on, I've already made a reservation, and I'm just waiting for you!"

At Hiroshi Nohara's insistence, Satoshi Nohara and Ikuna finally agreed.

……

Ginza, a high-class restaurant renowned for its exquisite kaiseki cuisine.

Inside the private room, the air was filled with the faint aroma of sake and the fragrance of food.

Hiroshi Nohara, Misae, Saji Nohara, and Ikuna sat together, enjoying this rare moment of reunion.

"Brother, how's this sake? Do you like the taste?" Hiroshi Nohara asked with a smile, raising his sake cup.

"Delicious! Delicious!" Nohara Saji nodded repeatedly, his face flushed with a slight intoxication. He picked up his glass and downed it in one gulp, his hearty manner carrying a touch of rustic simplicity. "Hiroshi, you're really amazing now! I heard you've even met the Governor of Tokyo?"

Upon hearing this, Misae couldn't help but chuckle. She looked at Hiroshi Nohara with a hint of teasing in her eyes: "Of course! Our Hiroshi is a big shot now! Even the governor personally received him!"

Ikuna chimed in with a smile, "Yes, Hiroshi is the pride of the Nohara family now!"

Hiroshi Nohara simply smiled and shook his head, his nonchalant demeanor making him appear exceptionally composed in this setting.

"Alright, big brother, Ikuna, how many days are you planning to spend in Tokyo this time?" Hiroshi Nohara asked with a smile.

“We…” Nohara Saji glanced at Ikuna beside him, a shy smile appearing on his face, “We plan to spend three to five days in Tokyo and do some sightseeing. But, Hiroshi, you and Misae are both busy, so we don’t want to trouble you. We can do our own thing.”

“Yes, Hiroshi-nii,” Ikuna chimed in softly. “We know you and Misae-nee are both busy, so we can just wander around by ourselves.”

Hiroshi Nohara's heart skipped a beat upon hearing this. He knew that his older brother and Ikuna longed for some time alone together.

Looking at the shy yet expectant eyes of his older brother and Yu-na, he felt a surge of warmth in his heart.

"Alright, since you've put it that way, I won't force you," Hiroshi Nohara said with a smile, his tone carrying just the right amount of understanding and respect. "However, if you need any help, be sure to give me a call. I'm practically a local in Tokyo, so I can recommend you to any good food or fun activities!"

"Okay! Okay! Okay!" Nohara Sashi nodded repeatedly, his face beaming with a happy smile. "Then thank you, Hiroshi!"

Misae smiled and said, "Yes, big brother, Ikuna, you two can relax and have fun! Hiroshi may say he's busy, but he'll definitely be there as soon as you need him!"

The four of them smiled at each other, and a warm sense of family affection quietly flowed in the air.

That night, they talked a lot, from the Akita dog breeding base in their hometown to the bustling city of Tokyo, from Hiroshi Nohara's dream of making movies to the sweet life of Nohara Sashi and Ikuna.

Everything seemed so beautiful and full of hope.

When the dinner ended, Hiroshi Nohara and Misae drove Saji Nohara and Ikuna back to their booked hotel, it was already late at night.

At the hotel entrance, Nohara Saji once again expressed his gratitude to Nohara Hiroshi and Misae: "Hiroshi, Misae, thank you so much for today! We enjoyed the meal so much!"

"Yes, Hiroshi-nii, Misae-nee, thank you for your hospitality!" Ikuna said softly.

"Don't mention it!" Hiroshi Nohara said with a smile. "We're all family, no need to be so polite! You all get some rest and have fun tomorrow! Give me a call anytime if you need anything!"

"Okay!" Nohara Saji and Ikuna nodded with smiles.

Watching them walk hand in hand into the hotel, Hiroshi Nohara and Misae exchanged a smile.

"Hiroshi, my brother and Ikuna, they're so kind," Misae sighed softly, her voice filled with envy.

“Yes, they are all doing well.” Hiroshi Nohara responded softly, reaching out to gently put his arm around Misae’s shoulder, his gaze fixed on the brightly lit Tokyo night. “So, we must also work hard to show them that we can also live a happy life.”

Upon hearing this, Misae gently leaned on his shoulder, a happy smile spreading across her face.

She knew that the "happy life" Hiroshi Nohara was talking about was not just about material wealth, but also about spiritual fulfillment, a perfect blend of family, friendship, and love.

And she, Misae, will join hands with him to create this happiness that belongs to them.

……

Hiroshi Nohara sat in his office with all the artwork for "Hachiko: A Dog's Tale" and a detailed shooting outline spread out in front of him.

Every scene, every line of dialogue, and even every change in lighting and shadow in a scene appeared clearly in his mind, just like a movie scene.

The preparations are thorough enough that filming can begin at any time.

However, a real problem, like a dark cloud, quietly loomed over his mind.

He doesn't have his own filming team.

The success of "Seven Samurai" certainly shook the entire Japanese film industry, and even won over those "older generation" who had previously looked down on him.

However, the filming of that movie largely relied on director Eiji Kurosawa's team.

Eiji Kurosawa, the first-class director hailed as a giant of Japanese samurai films, naturally has a top-notch team.

But now, Hiroshi Nohara wants to make his own film, a movie that is entirely in his personal style, and he needs a team that is dedicated to him and can fully understand his intentions.

“This is going to be difficult…” Hiroshi Nohara stroked his chin.

But I still intend to adopt the existing approach.

So he picked up the phone and dialed Eiji Kurosawa's studio: "Hello, is this Director Kurosawa? This is Hiroshi Nohara."

Eiji Kurosawa's voice came from the other end of the phone: "Oh, it's Hiroshi-kun. What's up?"

"Well, Director Kurosawa, preparations for my new film, 'Hachiko Monogatari,' are complete. The script and storyboards are finished. I'd like to ask if your filming team has any free time lately?" Hiroshi Nohara asked directly, his tone a little embarrassed.

There was a few seconds of silence on the other end of the phone, followed by a helpless sigh from Eiji Kurosawa: "Hiroshi-kun... Your 'Hachiko Monogatari' is generating so much buzz, yet you haven't contacted the filming team yet? And unfortunately, my team has recently been borrowed by another director, so I'm afraid they won't be available for the time being."

"..." Hiroshi Nohara was also a little helpless: "I see, that's such a pity."

“However, Hiroshi-kun,” Kurosawa Eiji seemed to have thought of something, his tone carrying a hint of suggestion, “the coordination of the filming crew has always been handled by Asumi-kun, the deputy director of the production department. You can ask him; perhaps he can offer you some assistance.”

"Deputy Director Asumi?" Hiroshi Nohara's heart skipped a beat. "Thank you for your guidance, Director Kurosawa." After chatting with Eiji Kurosawa for a while, Hiroshi Nohara hung up the phone.

Without hesitation, he stood up and went straight to Deputy Director Ming Rihai's office.

He and Asumi are quite close now.

Even the secretary at the door didn't stop him; instead, she smiled and let him push the door open and go in.

"Nohara-kun." Asumi was quite enthusiastic towards this young man she liked very much. She quickly signed the documents and waved to him naturally, saying, "Sit down, just say what you need to say!" She pointed to the chair in front of her desk.

After taking his seat, Hiroshi Nohara got straight to the point: "Deputy Director Asumi, it's like this, my new movie 'Hachiko Monogatari' is ready, but we're currently facing some difficulties with the filming crew."

He briefly explained Eiji Kurosawa's situation.

After listening, Deputy Director Ming Rihai touched his chin. The cheerful smile on his face did not disappear; instead, it became even more mysterious.

A meaningful light gleamed in his eyes, as if he had foreseen everything.

“Oh? It’s a problem with the filming team…” he repeated softly, drawing out his words with a hint of amusement.

Looking at him like this, Hiroshi Nohara couldn't help but feel a little puzzled.

This deputy director seemed to know something.

"Minister Nohara, this is not a problem." Deputy Director Asumi finally spoke, his smile deepening, his tone full of confidence. "A mere filming crew, what's there to worry about?"

"Not a problem?" Hiroshi Nohara was slightly taken aback. He had thought that there would be at least some coordination and waiting, but he did not expect that Deputy Director Asumi would give the answer so easily.

Deputy Director Asumi nodded, his smile unchanged: "Yes, that's not a problem. Minister Nohara, you can return to your department now. A full filming crew will be reporting directly to your independent production department shortly."

Hiroshi Nohara was completely stunned.

He looked at Deputy Director Ming Rihai's confident demeanor, but his mind was filled with doubt.

This efficiency and decisiveness were beyond his expectations.

And isn't Deputy Director Ming Rihai a bit too mysterious?

"This..." Hiroshi Nohara wanted to say something, but he didn't know where to begin.

Deputy Director Asumi simply waved his hand, indicating that he didn't need to say anything more: "Go ahead, Chief Nohara. Time is precious, don't delay the filming of 'Hachiko: A Dog's Tale'." "..." Although Hiroshi Nohara was full of doubts, since Deputy Director Asumi had already put it this way, he could only choose to believe him.

After thanking him again, he got up and left the office, returning to his independent production department.

Throughout the journey, Hiroshi Nohara pondered the enigmatic smile of Deputy Director Asumi. He felt that there seemed to be some hidden meaning behind it.

When he returned to his department, there were already two people sitting in the office.

Hiroshi Nohara recognized them at a glance—Takashi Ashikaga and Kita Asano.

These two second-tier directors, who had once looked down on him and were even somewhat arrogant, were now sitting upright on the sofa, their faces devoid of their former pride, replaced by a slightly restrained respect.

When they saw Hiroshi Nohara push open the door and enter, they immediately stood up and bowed deeply to him.

"Minister Nohara, hello!" Ashikaga Takashi's voice was more respectful than ever before.

"Minister Nohara, we have come here on orders and are at your disposal!" Asano Kita hurriedly said, his usually amiable face now showing a hint of seriousness.

Looking at the two people in front of him, Hiroshi Nohara immediately understood.

He then understood the meaning behind Deputy Director Ming Rihai's mysterious smile. It turned out that his so-called "complete filming team" was actually these two former "old rivals"!
Takashi Ashikaga and Kita Asano are both senior directors at the TV Tokyo production department.

Takashi Ashikaga is known for his period films.

Kita Asano, on the other hand, excels at heartwarming and humanistic films.

Both men were once key aides to Executive Deputy Director-General Toshihide Takada, and were core members of the "Tokyo faction."

Hiroshi Nohara clearly remembered how disdainful these two people were of him when he first started to make a name for himself.

They thought that a young man in his early twenties like him couldn't possibly produce any good works.

However, the sudden emergence of Seven Samurai completely shattered their arrogance.

Three billion yen! Now it has exceeded four billion yen and is still growing at an astonishing rate, and may even reach the astronomical figure of five billion, or even six or seven billion yen!

This film, hailed as an "epic that transcends its time," is not only a box office miracle but also a pinnacle of art.

It allowed everyone to see Hiroshi Nohara's unfathomable talent and his potential to change the times.

Faced with such a terrifying achievement, the arrogance of Ashikaga Takashi and Asano Kita had long been worn away.

The way they look at Hiroshi Nohara now is not only with awe, but also with a deep sense of submission.

"Please have a seat, gentlemen." Hiroshi Nohara said with a faint smile, gesturing for the two to sit down.

Ashikaga Takashi and Asano Kita sat down respectfully once again.

"Minister Nohara, we are here on the instructions of Deputy Director Takada," Ashikaga Takaji explained, his tone carrying a complex emotion. "Deputy Director Takada said that we should put aside our differences, learn from you, and assist you in making 'Hachiko Monogatari' into a timeless classic."

Kita Asano quickly chimed in, "Yes, Minister Nohara. We were indeed short-sighted before and failed to recognize a true talent like you. The success of 'Seven Samurai' has made us realize our mistake. We are willing to follow you, serve you, and learn your film philosophy and production methods."

Hiroshi Nohara listened quietly.

He recalled what Director Nobuhiko Sakata had said before—to integrate the "Tokyo School" and the "Kanto School," and to make himself, a genius who excels in all four fields—anime, TV dramas, variety shows, and movies—the absolute pillar in the middle.

It now appears that Director Sakata's plan has already begun to be implemented.

As a former representative of the "Kanto faction," Deputy Director Asumi now enjoys the deep trust of Director Sakata.

As for Executive Deputy Director Takada Toshihide, the former leader of the "Tokyo faction," after being "reprimanded" by Director Sakata, he finally realized that with the imminent formation of the Greater Tokyo metropolitan area, the television station must also form a unified "Greater Tokyo TV" faction.

Hiroshi Nohara was the "glue" that brought this faction together, and he was also the future flag bearer of "Dai-Tokyo TV".

Hiroshi Nohara didn't care how much sincerity or scheming Ashikaga Takashi and Asano Takata truly harbored.

All he knew was that he needed a team that could carry out his will, and now, that team had been delivered to him.

“In that case, please take a look at this.” Hiroshi Nohara picked up a thick stack of drawings and an outline from his desk and handed them to Takashi Ashikaga and Takata Asano.

Takashi Ashikaga and Kita Asano quickly accepted the gift with both hands. They exchanged a glance, both seeing a hint of curiosity and anticipation in each other's eyes. They knew that Hiroshi Nohara's works never disappointed.

However, when they opened the outline, their expressions changed from curiosity to shock, and then to unbelievable awe!

This outline is not just a story synopsis, but a macro-level grasp of the entire film. From character arcs to emotional development, from pacing to thematic elevation, every aspect is analyzed thoroughly and clearly, as if the entire film has already been fully presented in his mind.

When they opened those drawings, they were completely stunned!
Those were no ordinary drawings; they were clearly meticulously crafted storyboards!
It not only lists the content of each shot, but also provides detailed annotations:
—The angles and positions of the figures are accurate to the centimeter.

—The use of close-up shots, when to zoom in and when to zoom out, and how to capture the most subtle emotions of the characters.

The use of light—whether it's the gentleness of the morning, the grandeur of dusk, or the desolation of the night—is described very clearly.

Even the details of costumes and props, from Hachiko's hair color to the style of Professor's glasses, were clearly specified.

As seasoned directors, Takashi Ashikaga and Kita Asano had worked with all sorts of scripts and storyboards. But they had never seen such detailed, professional, and even, one might say, "obsessive" pre-production preparation!
This is no longer a director writing a script, but a "god" with absolute control over the film, depicting the world in his heart!
Both men stared wide-eyed, their faces filled with shock, speechless for a moment. They had thought they knew enough about Hiroshi Nohara's talent, but now it seemed they had greatly underestimated him!

Hiroshi Nohara looked at the two of them in shock and a faint smile appeared on his lips.

He knew this was just the beginning.

What he wants to do is not just make a good film, "Hachiko Monogatari", but to show everyone his power to change Japanese cinema and even the entire Japanese culture through this film!
He wanted to make that Akita dog named "Hachiko" the first cornerstone for Hiroshi Nohara to reach the pinnacle of culture!
In this collaboration, he will also thoroughly integrate the production bureau's resources, bringing all the elites from the "Tokyo faction" and the "Kanto faction" under his command.

This is his true purpose.

Hiroshi Nohara's gaze swept over Takashi Ashikaga and Kita Asano, his eyes flashing with a deep and confident light.

"Gentlemen, do you still think this is just a simple story?" he asked softly, his voice not loud, but like a morning bell and evening drum, striking their hearts.

Ashikaga Takashi and Asano Kita abruptly raised their heads, their eyes filled with fervent respect.

"No! Minister Nohara!" Ashikaga Takashi exclaimed excitedly, his voice even trembling slightly. "This...this is a masterpiece worthy of being recorded in history! We...we are willing to serve you like dogs!"

Asano Kita nodded quickly, his chubby face now flushed red, tears welling in his eyes: "President Nohara, it is our honor to participate in such a great work! We will do our best to live up to your expectations!"

They are not movie novices at all.

Just by glancing at the outline and the artwork, I immediately understood the power of this film!
Moreover, the two of them only went through the plot in their minds once.

I already understood the profound meaning and moving emotions of this film, which is a groundbreaking film no less than "Seven Samurai"!

At that moment, the two exchanged a glance, and the slight dissatisfaction and resentment they felt towards Hiroshi Nohara for being too young instantly faded away.

Nohara Hiroshi nodded with satisfaction.

He knew that from this moment on, the divide between the "Tokyo faction" and the "Kanto faction" within the production bureau would be completely bridged in his hands.

And he, witnessed by everyone, will step by step ascend to that cultural pinnacle, becoming a person who can truly influence the times and change the world.

Preparations for "Hachiko: A Dog's Tale" have officially entered the fast lane.

Hiroshi Nohara brought Takashi Ashikaga and Kita Asano into his production team and appointed them as co-directors of the film. This decision caused quite a stir within the production team. After all, these two were veteran directors, and now they were to assist a young man in his twenties.

But when Takashi Ashikaga and Kita Asano showed Hiroshi Nohara's outrageously detailed script and storyboard to the other team members, all the doubts disappeared.

Instead, there was a deep sense of awe and respect.

"This...did Captain Nohara really do this all by himself?"

"It's simply a masterpiece! Every shot is full of life!"

"We just need to follow Chief Nohara's instructions, and this movie will surely become a classic!"

The team's morale was at an all-time high. Everyone was captivated by Hiroshi Nohara's talent; they felt as if an immortal legend was being born in their hands.

Hiroshi Nohara maintained his usual composure and calmness. He personally chaired every production meeting, providing meticulous guidance on every aspect.

With filming about to begin, the entire crew was filled with a tense yet excited atmosphere.

Hiroshi Nohara was on set personally, directing every shot and every detail. He poured his understanding of Hachiko's story and his insight into human emotions into every corner of the film.

He worked closely with Takashi Ashikaga and Kita Asano. The two veteran directors were also inspired by Hiroshi Nohara's almost obsessive pursuit of film. They humbly learned from him and actively cooperated. Under Hiroshi Nohara's guidance, their filmmaking skills were improved like never before.

On set, Hiroshi Nohara had a keen eye; he could spot at a glance which shot had a problem, which actor's emotions were off, and which set needed adjustment.

He can always provide the most accurate guidance at the first moment, which greatly improves the filming efficiency of the entire crew.

During a break in filming, Takashi Ashikaga couldn't help but exclaim, "Chief Nohara, your understanding of film is simply beyond the ordinary. In the past, when we made films, we relied more on experience and intuition. But you, you control every detail with an almost scientific precision."

Kita Asano nodded in deep agreement: "Yes, Captain Nohara. You are like a surgeon, meticulously crafting every shot to ensure that it perfectly conveys the emotions you want to express."

Hiroshi Nohara just smiled faintly; he knew that these were all advantages of his status as a "time traveler."

He possessed a wealth of experience and theories about classic films, which was unmatched by people of this era.

"Film is an art, but it is also a technology," Hiroshi Nohara said in a deep voice. "Only by perfectly combining art and technology can we create truly moving works."

His words greatly benefited Ashikaga Takashi and Asano Kita, and both of them became even more convinced of Hiroshi Nohara's abilities.

As filming progressed, the initial outline of the film gradually emerged.

Hachiko's encounter with the professor, their heartwarming daily life, Hachiko's waiting at the station, and their final farewell... every scene is filled with emotion, and every shot touches the heart.

The crew members were all deeply moved when they saw these clips. Many even had tears in their eyes while watching on the monitor.

They knew that this film would inevitably become a tearjerker masterpiece, a work that could move the world.

Hiroshi Nohara, following the success of "Hachiko Monogatari," will solidify his position in the Japanese film industry and become a true cultural giant with international influence.

He wants the spirit of "Hachiko" to transcend national borders and warm the hearts of people all over the world.

He wants to use his work to change the world and influence more people.

This is Hiroshi Nohara's ambition, and also his responsibility to this world as a "time traveler".

Filming is proceeding in a tense but orderly manner.

Hiroshi Nohara maintains a high-intensity work schedule every day, devoting almost all his time to film production.

Although Misae felt sorry for him, seeing his dedication and passion for his career, she could only silently support him. Every day, she would prepare a sumptuous dinner, waiting for him to come home, using delicious food and warmth to dispel his fatigue from the day.

During dinner, Misae looked at Hiroshi Nohara's slightly tired yet radiant face and couldn't help but ask, "Hiroshi, aren't you tired from being so busy every day?"

Hiroshi Nohara put down his chopsticks, reached out and held Misae's hand, and said with a smile, "Of course I'm tired. But seeing the movie gradually take shape and seeing those touching scenes being filmed makes all the hard work worthwhile."

He looked at Misae with tenderness in his eyes: "Besides, with you at home waiting for me and preparing delicious meals for me, my fatigue will disappear."

Upon hearing this, Misae's face immediately lit up with a happy smile. She nestled in Hiroshi Nohara's arms and whispered, "Hiroshi, I believe in you. You will succeed! Your movie will definitely move the whole world!"

Hiroshi Nohara hugged Misae tightly, knowing that this support from his family was his greatest motivation.

He wanted Misae to be proud of him, and he wanted everyone to see that he, Hiroshi Nohara, was not just a director who could make movies, but a cultural giant who could change the world!

Under Hiroshi Nohara's leadership, the filming of "Hachiko Monogatari" progressed exceptionally smoothly.

We strive for perfection in every scene and every shot.

He even personally participated in Hachiko's training, developing a deep bond with the intelligent Akita Inu, all in order to deliver the most authentic and moving performance in the film.

On the set of the filming at Shibuya Station, when Hiroshi Nohara saw the Akita dog waiting for its owner alone and persistently in the sunset, his eyes also welled up with tears.

He knew that what he was filming was not just a story, but a spirit, a loyalty that transcends life and death, and an eternal love.

(End of this chapter)