Devil's Bible

Nemus quickly grasped the various rules and then engaged in a clash and friction with his own thoughts.

The reason he was able to achieve such historical feats was because his soul came from the outside world.

In this situation, some of the knowledge he gained in his previous life can be used in this world in a way that conforms to the rules yet innovates from them, thus contributing to the formation of historical achievements.

At this moment, Nemus also felt that the quagmire they were anchored to by cause and effect was gradually loosening.

Such anchoring certainly cannot be permanent. If it were so easy to anchor the possibilities of the world, then there wouldn't be so few powerful deities to date.

The success of this anchoring was largely due to the mysterious connection between the Sun God, the Sun Saint, Nemus, and the Sun Saint.

The connection is unstable and may disappear at any time.

In this situation, it is imperative to quickly establish a record of historical achievements and build a pathway.

As long as they can leave this place, they will surely win.

When they go out, these powerful individuals who have been starving for so long will be at least one or two levels stronger once they receive energy replenishment from the outside world.

Even now, it's difficult for them to unite against the Sun Saint.

Once they get out and replenish their energy, the question will no longer be about fighting the Sun Saint, but about whether the Sun Saint can escape.

For example, if Thirteen were to recuperate in the outside world for a period of time, his strength might not necessarily be inferior to that of the Sun Saint.

The Sun Saints possess the highest numerical limit in the material plane. The long period of time they have allowed their values ​​to be not much worse than those of the mythical species, and they do not have the same limitations as the mythical species.

However, as a former deity, Thirteen's divine battle realm surpasses that of the Sun Saint.

There is a fundamental difference between gods and non-gods in some matters.

Even if other individuals comprehend the realm of divine battle, they can only barely advance through cognition.

However, gods are different. In addition to their own cognition, the number of their own divine attributes is also a complete rule.

A deity is fully capable of using the power of divinity to directly control a rule as its foundation.

As long as it does not cause disruption to the rules, the gods are fully permitted to use this rule as a medium to observe the operation of other rules or to interfere with other rules.

It's like a race car. Gods are born with top-notch race cars, but as individuals, even if they join the race, they can only choose to make their own skateboard with planks and wheels.

The difference is quite obvious.

Even though Thirteen is no longer a god and no longer has his own top-tier racing car, he has spent many years with the car and has an extremely thorough understanding of its structure and performance.

Now you can make a decent car by hand, which is much better than using Nemes.

Nems's thoughts kept wandering, and during this process, Thirteen and the others shared their own combat details and experiences with Nems without reservation.

An idea popped into Nemus's mind at that moment.

To achieve something of historical significance, we need to create something new, and it must be derived from the foundation of the world we live in now.

What's left of this world?
The earth, the wind, and the intense sense of the end times, along with a sliver of hope and faith that people still hold onto in their struggle for survival.

These elements are re-interwoven to create something new, thereby achieving historical significance.

Nemes' first achievement in history was the creation of the image of the Garuda, adding a new bird species to the world.

The second achievement, the number of history, was the reconstruction of a 'multi-type small-world ecosystem' in the form of a fictional space. The number of history was formed by the ingenuity and innovation of many people working together.

The third time... the third time is also a fictional space, the Humanity Realm·Fairy Tale World plane, only this time the historical record of achievements has not yet been formed.

Based on these experiences, what we want to achieve now is—

Movement: An Unfinished Elegy! In his previous life, Nemus had seen the worldview of a fantasy world.

The whole world is a symphony composed by the creator god.

The Creator God and His apostles played a melody together.

This piece was then transformed into a new world.

At the time, this setting made Nems feel the wonder of the worldview.

And now, this principle seems to be applicable to creating new things as well.

At that moment, Nemes seemed to transform into a musician and conductor.

Meanwhile, his subordinates Thirteen, Da Luo, Ou Cuo, and others were the performers.

Even the enemy, the Sun Saint, became an unexpected addition.

The battle between the two seemed to have become a symphony performance, with countless notes converging and reverberating at this moment.

"Earth, as an element, possesses properties such as stability, load-bearing capacity, and materiality; it is the foundation of everything."

"Wind, also an element, possesses characteristics such as flow, information, and freedom; it is the direction of everything."

"The earth is the carrier of the music, and the wind is the sound of the music."

"The end is the end of a movement, representing the destruction of the world."

"And the struggle for survival of all people and all things at this moment, their beliefs, their actions are the musical score of the movement."

"At the end of the world, let everything in the world be transformed into a musical movement!"

"Even if the world is destroyed, the music may still leave some traces for the whole world."

"And these traces may one day evolve into a new world!"

The movement begins with an unfinished elegy.

The entire End of the World trembled instantly.

As a remnant of the world's possibilities, to be able to compose a final elegy at the end is already a kind of fortune.

As the music begins, the possibilities of the entire world, in the end, exhaust all their strength to gather that final achievement that will define history.

This number will fall upon that movement, the unfinished elegy.

This symphony is also their vessel for traversing the crystalline subsystems and heading towards other possibilities.

The emergence of this hope immediately attracted the attention of all the survivors.

With the appearance of the music, Nems didn't even need to construct a virtual world.

All people need to do is immerse themselves in the music.

And because this movement was led by Nemes and they co-wrote it as performers, their inclusion does not diminish their presence; on the contrary, it fits them perfectly.

With their combined efforts, the entire unfinished elegy exudes a power of hope.

Under Nemes's creation, the existence of music gained worldwide recognition, and a large number of historical achievements were condensed.

Not one or two portions as before, but a full twelve portions!
This is also a possibility for the world, a final lament! (End of Chapter)