The only sun in Huayu

Chapter 47 I want to improve so much!
Han Sanping's words were much milder than Shen Shandeng's, and he didn't express much emotion.

But his position is different; he is now in charge of the marketization of the Chinese film industry.

To label filmmakers as being out of their minds is already a very strong statement.

Many reporters felt that Han Sanping had used the wrong words, but they were wrong.

Han Sanping didn't act recklessly.

He was already prepared!
At fifty-four, it's the perfect age to take risks!
"Last year, our film market, especially the period drama genre, was filled with a heavy chill. Three films directed by Zhang Yimou, Chen Kaige, and Feng Xiaogang, which brought together top domestic resources, all failed miserably in overseas markets, especially in Europe and America."

"This is a dangerous critical signal. It signals the end of the overseas market that has been the lifeline of the costume blockbuster model of Eastern spectacle + Western core, which started with Director Paperclip's 'Snake and Rat' and reached its climax with Director Zhang Yimou's 'Hero'."

"The crisis has already emerged. Where does the crisis come from? At its core, it lies in the fact that we are facing a highly mature and aggressive opponent: Hollywood."

"Their operating model, capital strength, and global distribution network are more mature than ours. They are happy to accept some exotic works in the early stages to cultivate a specific audience and establish market dependence. Once the time is right and they invest heavily in the expectation of output, they can easily tighten their purse strings."

"Faced with the covetous gaze of Hollywood, the fundamental way to prevent the collapse of the Chinese film industry lies in serving Chinese audiences. Our 1.3 billion compatriots are our most solid and reliable foundation!"

"The direction and positioning of Chinese films, and the primary goal of film creation, should be to meet the aesthetic needs, emotional needs, and cultural identity of local audiences."

Han Sanping's story is brief and will not be discussed further here.

If we continue, it will sound a bit like localism, which is not right.

"As the main person in charge of China Film Group, we must put our words into action. Crisis brings both danger and opportunity. We must upgrade period dramas, upgrade blockbusters, and upgrade the Chinese film industry as a whole."

The celebrities present all appeared to be deep in thought.

Of course I didn't understand.

Whether you understand it or not is not important; at this point, you should definitely show that you are thinking.

Shen Shandeng felt something was amiss.

Han Sanping's words sound so familiar!
Although he also copied some of Han Sanping's interviews, the old man shouldn't have copied them back. That's not good.

Entertainment reporters felt bored, but those who leaned towards film studies and social issues were all deeply shaken.

Fundamentals, direction, positioning, primary goals, and specific measures.
Han Sanping was definitely not acting recklessly; he had made preparations and was explaining his philosophy and ideas after taking over China Film Group.

Some reporters are already wondering why Han Sanping chose this occasion to talk about these things.

There must be a deeper meaning!
Han Sanping continued, following his prepared speech.

"Chinese films need to explore diversified genre development, support low-budget, realistic, and high-quality domestic films, and establish a healthier market structure and investment and financing system."

"China Film Group will also make appropriate forward-looking investments in the infrastructure of the film industry. The production of blockbusters is an infrastructure. We need to consider economic benefits, but we also need to consider social responsibility. Making appropriate forward-looking investments is beneficial to society."

Han Sanping used the infrastructure industry as a simple example.

Then, he returned to the topic of film: "The setback of the period blockbuster model is precisely the opportunity for Chinese films to return to their roots. In the period genre, our industry chain is already relatively mature. The next step should be to target Chinese history and embody the spirit of China."

Shen Shandeng wants to call the police!

Previously, you could say it was borrowing ideas; now it's absolutely plagiarism!

I almost couldn't hold it in!
Old comrade, would you like to be a broken record?

A reporter from the professional film media outlet "China Film News" examined the recording pen and took notes with a serious expression, revealing the veteran's progressive spirit.

It not only builds upon the previous blockbuster strategy, but also outlines a complete path for film development, and even touches on the path of cultural development.

This was no accident; it was a carefully planned test, a signal being sent.

Han Sanping said, "Today is May Fourth Youth Day. More than 80 years ago, young students carried out patriotic movements in various ways, giving birth to the great May Fourth Spirit. China Film Group attaches great importance to the growth of young directors."

"China Film Group cares about the growth of young directors. Director Shen Shandeng is a top student from Beijing Film Academy. He took the initiative to propose to me that he should be a pioneer and be willing to be a trailblazer for Chinese cinema!"

"energetic!"

A series of gasps of surprise rippled through the crowd, followed by thunderous applause.

Go first!

That indomitable spirit—that's what youth is all about!

Chinese people love this kind of plot so much!
No wonder he shouted "Cinema will save the country!" Shen Shandeng is truly worthy of the title!
Yang Mi's eyes are glazed over.

This is her man.

Moreover, in private, Shen Shandeng never mentioned that her husband was too low-key.

Is this what it means to achieve things through effortless means?

He poured his heart and soul into his career, yet was content with an ordinary life.

Yang Mi herself admitted that she couldn't do it; that level of spirit was too high.

Wu Jing's gaze burned with fervor, as if he felt the sun's radiance.

The vanguard is a type of soldier whose chances of survival are slim, or even nonexistent.

This is Director Shen for you! He's fearless. No wonder he dared to directly challenge John Woo!

Fan Bingbing and the others were also filled with awe.

A few months ago, they might have thought it was just polite talk, but after personally participating in the project, they know from their own experience that it is the truth.

The director went all out!

Han Sanping paused here, then looked at Shen Shandeng with an encouraging gaze.

Shen Shandeng pursed his lips and returned a firm look.

Little did they know that deep down they were already thinking, "Holy crap!"

Old Deng made public what was said in private!
A sneak attack? Okay? That's not good!
Don't talk about martial arts!

Without warning! A surprise attack!

Do those who bravely bravely charge into battle ever have a good ending?
Those who survived were honorable, but most died, and the success of one general was built on the bones of countless others.

Shen Shandeng, with his small arms and legs, just wanted to make movies discreetly and didn't want to be too high-profile!
Han Sanping continued, "I think that since young people are so energetic, I, as an average-aged person, should also join in."

Everyone was caught off guard by Han Sanping's joke and burst into laughter.

Shen Shandeng could only manage a forced smile.

Han Sanping concluded by saying, "The Eunuch is an attempt by China Film Group to focus on the upgrading strategy of the Chinese film industry, and to find a path for upgrading period blockbusters and blockbuster strategies."

sizzle!
Everyone was shocked!

Take a breath!
Public support!

The reporter was so happy she almost cried; there were so many exciting moments today. Compared to other film and television opening ceremonies, "The Eunuch" was far more spectacular.

Han Sanping's statement sets the bar too high for "The Eunuch" and ties his own future to Shen Shandeng.

Especially Han Sanping's secretary, Liao Yun, and the deputy manager of the production department, Wang, were extremely shocked.

This bet was a huge gamble!

Shen Shandeng then smiled.

At least they provided support.

If he doesn't get support, he'll definitely try to exploit Old Deng's gold coins later. No, he might not have many gold coins; he'll probably exploit resources instead. For now, he's planning to wait.

Han Sanping saw the shock of everyone present, but what could he do?
He is also desperate!

John Woo's "Red Cliff" started filming in the middle of last month, and Han Sanping completely gave up hope.

It's true that the wife wrote the script and then promoted Kurosawa Chiling, who has no acting skills at all, from Taiwan.

In every scenario, money was spent however it pleased, and management was chaotic.

It was chaotic before, with several delays, and things weren't much better after it was turned on.

Moreover, they would rather halt the production than consider actors from mainland China for the lead roles.

Is this for making a movie?

Shen Shandeng was right about everything!

John Woo's work is a bit better than the small studio model of the sixth installment, but not much better than the workshop model of the fifth installment; it's full of randomness.

Shen Shandeng's production team for "The Eunuch" had a rigorous plan, a scientific process, clear responsibilities, and strong pre-production preparation and cost control.

Compared to the "Red Cliff" crew, who is the internationally renowned director and who is the new director?

Han Sanping was really afraid that Shen Shandeng would run away.

Hurry up and link up; he's already been promoted anyway, so he's not afraid of any controversy.

Han Sanping isn't doing this for his own advancement, but for the industrial upgrading of Chinese cinema—he's giving it his all!
Having achieved his goal, Han Sanping said nothing more.

Next up are the main stars.

Fan Bingbing and Huang Xiaoming were asked why they joined the project, the characteristics of their roles, and their experience working with a new director.

The two responded appropriately, praising the script and director's vision, emphasizing the team's professionalism, and avoiding any discussion of the open and covert struggles between Hong Kong and the mainland.

Fan Bingbing occasionally displays some charm, but her answers regarding the rumors with Shen Shandeng are vague.

She wasn't trying to steal anyone's man.

I'm just a little interested in the right to use it for 24 hours!

Huang Xiaoming emphasized action challenges and role breakthroughs.

Wu Jing was asked more questions, including the pressure of his multiple roles, his action design philosophy, and whether it was worth risking his entire fortune.

Wu Jing's response was formal and serious, simple yet powerful. He emphasized his trust in the director and team, his confidence in the action scenes, and said, "I will do my best to do it well."

What seemed like polite words were actually Wu Jing's true feelings.

He was so grateful for the opportunity to have "The Eunuch".

The questions reporters asked Chen Kun and Chen Daoming focused primarily on the depth of their characters and the appeal of the scripts.

Chen Kun discussed the complexity of the role.

Chen Daoming, who didn't say much, played a cameo role as Yang Tinghe, but he gave a substantial affirmation of the script and the creative atmosphere.

After the media coverage ended, the main cast and crew took a group photo.

All the main creators and actors lined up in front of the backdrop.

In the center, director Shen Shandeng and Han Sanping were positioned, with Wu Jing, Fan Bingbing, Huang Xiaoming, Chen Kun, Chen Hao, Chen Daoming, and others on either side, along with representatives of the main creative team surrounding them.

The photographer from China Film News had a strange feeling when he pressed the shutter.

Combining Shen Shandeng's speech with Han Sanping's remarks, he felt a peculiar sense of being in history, witnessing history, regarding the group photo in the camera that brought together top mainland stars, film industry giants, and emerging directors.

"This seems to have the potential to become a memorable moment in the history of Chinese cinema."

That's what the photographer was thinking.

The opening ceremony has concluded.

Han Sanping left first, surrounded by the crowd.

Without a moment's rest, Shen Shandeng immediately convened a meeting with the heads of various departments, including producers, cinematographers, art directors, action choreographers, and production assistants, to coordinate the preparations for the first scene.

(End of this chapter)