MC Creative Mode: Wholesale Perpetual Motion Machine

Chapter 168 The Battle Ended Instantly

"Roar!" The limbs, sharp as knives, were kicked off. In the midst of the excruciating pain, the pale, bone mask suddenly opened its massive maw and roared, revealing another set of smaller, human-like teeth inside, which sent chills down one's spine.

Fueled by pain and rage, Xu frantically swung his other sharp blade, attempting to tear the damned little thing in front of him to shreds!
However, just as a slashing limb tore through the air, Nishiyama Rin's body suddenly sank, his spine bending like a fully drawn bowstring, some muscles in his body tensing up, while others stretched to their limit.

The child's soft limbs landed precisely on the ground, the knuckles and toe joints gripping the ground tightly, the muscles, bones and ligaments filled with potential energy, the whole person transformed into a compound bow ready to be released.

The sandals she was wearing had already been flung off the ground the moment she bent over, the front half of her feet were completely flat on the ground, her arches were stretched into a sharp arc, and her ten toes and fingers gripped the ground like claws. Every muscle fiber in her body was trembling and contracting violently under her skin, compressing the strength of her whole body to the limit.

The scapulae protrude like blades beneath the skin, and the back muscles are like tightly wound steel cables; every inch of the bones and muscles is accumulating energy for the final burst.

As the saying goes, "Accumulating strength is like drawing a bow, releasing strength is like shooting an arrow; seek straightness within curves, accumulate strength before releasing it."

The next moment...

Boom!
The sound was like the release of a bow, and power exploded from her fingertips and toes. The ground instantly bore the impact of dozens of times her weight, and she shot out like an arrow. The ground in front of her shattered under her toes, and the shattered stone slabs made the air hiss sharply.

The blade, piercing the air at lightning speed, failed to strike the small girl. Instead, it was driven directly into her lower abdomen, and the joints supporting her body were crushed by the force she had gathered during her charge.

Before she could even scream, her joints were shattered, and like a ball bouncing back and forth on a wall, the rebound force before the joints broke was maximized, making the girl's figure even faster.

Like a smart slingshot, it bounced faster and faster with each rapid bounce, and in the blink of an eye, the other seven joints supporting its body were also shattered one by one.

With a roar filled with confusion and resentment, the terrifying monster, which resembled both a spider and a mantis, crashed to the ground.

As he fell to the ground, his last remaining limb, wielding a knife, was also broken off.

At this moment, it was like a worm whose limbs had been torn off by a child, completely unable to move.

The somewhat bewildered Void, its bone mask devoid of any expression, could only futilely open its massive maw and let out a threatening roar.

But the threatening shouts were no longer of any use.

Since its birth, it had not yet regained its intelligence and was merely a beast-like creature. It could only watch helplessly as the expressionless little girl walked up to it.

Click click click...

The white bony surface opened and closed repeatedly, trying to bite the girl in front of it by turning its neck, but this last struggle was of course futile.

It could only watch helplessly as the expressionless little girl walked up to the head, raised her arm, and clenched her palm into a knife.

The last thing that could be seen was that the girl's originally fair skin turned pink during the brief burst of energy.

Like a scabbard blade piercing the air, it cuts down along the hollow eye socket, piercing the eyeball, and deeply penetrating the brain, then gently stirs...

Speaking of which, Fang Zheng learned this kind of precise control over existing things from the Supreme Beings back in the Nine Heavens and Ten Earths.

In just a few days of communication, Fang Zheng learned from the Supreme Beings that almost every one of them had fought their way out of countless planets and among countless cultivators, engaging in endless death battles like raising poisonous insects.

Only by pushing one's physical body, qi and blood, divine power, primordial spirit, secret techniques, and so on to their fullest potential, and combining them in a continuous process of pushing the limits of theoretical efficiency, can one survive to the end in a frenzied battle and attain the Dao and become an emperor.

Those that reach the limit state under conventional theory are called the Eight Forbidden States; those that truly approach the theoretical limit and go even further, almost to the point of being miraculous, are called the Divine Forbidden States.

What they call the Eight Forbidden Rules and Divine Forbidden Rules are more of an extraordinary fighting instinct honed through constant practice.

It's almost like a conditioned reflex, not through calculation, but through some kind of optimization algorithm, to maximize combat efficiency.

As for Fang Zheng, although he does not possess such combat instincts, nor has he studied the combat methods of the Supreme Beings in detail, he does not have the ability to control things like blood and divine power.

However, there is no thought process involved. The blocky people can give the answer directly to any question that a human could spend time answering. In a sense, this is equivalent to infinite computing power.

If there are external things that can be manipulated, it is as if such things are connected to a computer with unlimited computing power called "Founder".

As long as the relevant command exists and the command is sufficiently detailed.

Therefore, no matter how terrifying the computing power required to achieve it, even if it requires exhaustive search, even if it requires reaching the realm of large numbers that are almost unimaginable in the physical world, or even if it requires truly infinite computing power, the corresponding answer can be output in the next frame. For example, the World Sea Battleship and the Time-Space Battleship, or Rin Nishiyama and Ichigo Kurosaki at this moment.

Whenever needed, Founder can directly calculate the operational method that maximizes the arrival efficiency theory by observing its structure.

Furthermore, if Founder knew the relevant knowledge about the algorithm and had the corresponding detailed commands, then with unlimited computing power, it could immediately provide the optimal algorithm for running anything.

At this moment, inside the mysterious domain of Rin Nishiyama and Ichigo Kurosaki, Fang Zheng was able to perform detailed control through voice commands.

However, this strange and mysterious domain has a certain limit to its capacity. Fang Zheng's light swing of the dragon-patterned black gold sword had directly shattered it.

Under this limit of bearing capacity, since speech contains energy, and the energy of the output speech commands is superimposed, once it exceeds a certain threshold, this strange field will be directly shattered by the sound wave explosion.

Even though it's still below the threshold, the control precision that Fangzheng can achieve is already at a level that is almost unimaginable to humans.

Even if Fangzheng only has 120 frames per second, theoretically it would be unable to react to things that are fast enough. However, it can still estimate in advance and calculate the possible state of the other party in advance, and deal with it by outputting corresponding instructions in advance.

As a sharp pain shot through his eye sockets, his consciousness faded into darkness, and the ethereal corpse gradually dissipated...

Inside this virtual "inside," in that completely simulated space, a girl was writhing on the ground, clutching her eyes in pain, constantly cursing: "Holy crap, it hurts! It hurts! It hurts!"

Originally, she chose the immersive control mode to add some drama to her life, but the pain extended as a result.

After severing the shared senses and the pain subsided, she stared at the gradually darkening screen with disbelief, shouting, "What the hell is this? Shouldn't I be chasing after that kid, driving the plot forward, so that Ichigo Kurosaki sees the Hollow for the first time, and Rukia Kuchiki meets him for the first time?"

In full role-playing mode, character death is inevitable.

Characters in the original storyline will die, and in role-playing mode, they will likely die as well when the relevant storyline unfolds, due to the climax of the story.

To forcibly change the plot and keep it alive despite the backlash and the plot's binding force, a considerable amount of Origin Points would be required.

In the full role-playing mode, you will play supporting characters or minor extras from the original storyline.

It is necessary to give full play to one's own initiative and make as many changes as possible to passers-by or supporting characters while adhering to the original setting and character settings.

In this change, the more insignificant, marginal, or even minor characters who only appear in a few scenes in the original work, the lower the "ticket" fee they need to pay.

However, to a large extent, the more ambiguous the character's persona is, the greater the degree of freedom one can have in fully embodying it.

The more a character is described in the original story and the clearer their personality is, the less freedom they have to control in the role-playing mode.

The former can make subtle changes in areas not depicted in the main story, while still conforming to certain character settings, to enrich the character's personality and even subtly guide the development of some side stories.

In other words, one can fully immerse oneself in the control, adding as much drama as possible to oneself, and making more actions that conform to the character's persona.

As long as the changes to the main storyline are not too significant, the accumulated plot interference points will not be too many, and the backlash from the world will be minimal.

If managed properly, it can also yield a considerable amount of World Origin Points.

The latter is not on the same path as the former. Because the character's exact personality is too clear in the plot, the scope of changes that can be made freely, whether overt or covert, is extremely small.

In general, non-immersive control is chosen, and the user's inclination is guided only by selecting options.

Immersive manipulation must be used only at crucial moments, leveraging the changes in other actors to jointly drive butterfly-like changes. At certain key points in the plot, by consuming a large amount of world origin points, certain changes can be forcibly made to drive the plot forward.

Both have their advantages and disadvantages. The former is suitable for ordinary actors, with low risk but also low reward, while the latter is suitable for actors with a certain amount of original points, with high risk but also high reward.

Looking at the expressionless, emotionless loli in front of the screen, Rukia Kuchiki standing motionless like a wooden statue next to her, and the blond-haired guy in the distance looking like a passerby in a daze...

Once she recovered, Aine Okamoto couldn't help but complain, "What are you two main characters doing there?!"

"You just stood by and watched a child kill a Hollow? Aren't you ashamed?!"

(End of this chapter)