Devouring Evil Martial Arts, Eliminating Demons from All Heavens

Chapter 185 Divine Skill, Unique Art

Lord Liuyun's attack was powerful and forceful, exceeding the norm.

Although he failed to use the flute music to guide the experts around the island to form a powerful, misty force.

However, he still made use of every available factor.

Chu Tianshu only broke the flute music completely when he arrived on this reef.

And the distance between this reef and the ship.

This allows Lord Liuyun to fully convert his height advantage into a powerful forward momentum.

He used his shoulder to ram forward, because his whole body was covered with qi, and he wanted to use this force to turn the downward momentum into a forward surge.

The meridians in the shoulder area are the most resilient and robust, capable of bearing this heavy responsibility.

Such was the power of that single strike.

It can be said that he brought Liu Yunfu's lifelong research into "speed" and "strength" to its extreme.

Chu Tianshu's right hand was already in front of him, but at this moment his five fingers suddenly tensed up, his fingertips almost curled back, and his palm protruded forward.

Using his right hand as the pivot and his left hand supporting him in mid-air for stability, his entire figure began to spin rapidly.

The light blue robe, driven by internal energy, transformed into a whirlwind.

Crash!
Lord Liuyun was like a cannonball from a powerful cannon, blasting out at close range.

Upon encountering this extremely pure cyan whirlwind, after a brief stalemate, it was bounced away.

His entire life trajectory is a reflection of this phenomenon.

It crashed from the second floor of the ship, then deflected and struck a reef on one side.

That direction was exactly where the iron flute was located.

It's like throwing the Lord of Liuyun Palace onto an iron flute and piercing him through.

But in the blink of an eye, he suddenly slammed his palm heavily onto the ground.

The figure that crashed into them was lifted into the air and spun around in the wind.

The iron flute was slightly moved by the hem of his robe.

bass! !

The sound of the flute sparked against the rocks.

The iron flute, propelled by the robes, was drawn out and spiraled upwards, following the figure of the Lord of Liuyun Palace.

At this moment, the jet-black iron flute resembled a flying sword swirling around him.

Chu Tianshu had already broken free from the whirlwind, his palm crackling with lightning as he slammed towards the Lord of Liuyun Palace.

Lord Liuyun grasped the iron flute and shook it in mid-air.

The trajectory of this tremor was both the afterimage of the iron flute and the filling of internal energy.

In an instant, a white Tai Chi diagram without the ability to see ghosts was drawn in the air.

The palm-sized Tai Chi diagram blocked Chu Tianshu's palm strike.

A loud, clanging sound followed.

It was as if Chu Tianshu's palm strike had landed on the tips of dozens of sharp swords.

Even with the power of his Heaven-Piercing Divine Skill and the swiftness of the lightning in his palm, it was neutralized by this strange Tai Chi diagram.

Every small bit of palm force felt like it was being pierced and diverted.

"That move you just made, it was based on Tai Chi, wasn't it?"

Lord Liuyun let out a long roar, "I also know some Tai Chi sword techniques."

The Wudang school's Tai Chi Chuan and sword are world-renowned.

However, Tai Chi Chuan and Tai Chi Sword are known to be easy to learn but difficult to master.

Even those within Wudang do not truly regard Tai Chi Chuan and Tai Chi Sword as unique skills.

What they admire is the "Mysterious Two Elements Divine Sword," which evolved from Tai Chi sword.

This sword technique was once considered one of the three great sword techniques in the Central Plains martial arts world, along with Kunlun's "Flying Dragon Nine Forms" and Bashan's "Returning Wind and Dancing Willow Sword Technique".

The "Returning Wind and Dancing Willows" technique is passed down, but most of its practitioners are mediocre. The "Nine Forms of Flying Dragon" are rarely mastered.

However, the Yin-Yang Divine Sword has produced masters in every generation. Each generation of masters has given new interpretations, thus clearly distinguishing the superiority or inferiority of the three great sword techniques.

The Yin-Yang Divine Sword technique that Lord Liuyun was currently wielding had reached a level of consummate skill.

Even if Gu Daoren of Bashan were to be resurrected, he might not be able to withstand three sword strikes without showing signs of defeat.

At this moment, with a long roar, he had already unleashed twelve consecutive sword strikes on Chu Tianshu.

These twelve swords, with their eight outer landing points, subtly form a circle.

The four points inside vaguely form a yin-yang arc.

Every single sword strike was deflected by Chu Tianshu with his bare hands, shattering the sword energy.

After the twelve sword strikes, a Tai Chi outline, about half the size of a person, suddenly appeared out of thin air and crashed towards Chu Tianshu.

The remaining sword energy of those twelve swords was actually able to connect with each other and continue from top to bottom.

Gathering twelve rays of afterglow, the sword's brilliance shines once more.

This half-human-sized Tai Chi outline is as sharp as a sword strike unleashed with full force by the Lord of Liuyun Mansion.

However, his true form had a moment of weakness and unleashed another sword strike.

The white robe of the Lord of Liuyun Mansion was covered with many silver embroidered patterns, like clouds and cranes.

The embroidery is exquisite, but because it deliberately pursues an ethereal quality, the patterns are not visible to others when one moves around and slightly tugs at the fabric of the robe.

At this moment, he made a sword incantation with his left hand and used an iron flute in his right hand to thrust out a sword with perfect precision from his waist.

The blurry patterns on the back of the robe suddenly solidified, forming the silhouette of an ancient monk.

Bodhidharma meditated facing the wall for nine years, leaving his shadow on the stone wall.

The Shaolin Zen sect, when it was passed down to the sixth patriarch, entered the Bodhidharma Cave to comprehend the Dharma.

The sixth patriarch sat in meditation for seven days and seven nights facing the shadow on the stone wall, but gained nothing.

One day, a sudden inspiration struck him, and he turned his back to the shadow on the stone wall and looked at his own shadow.

The sunlight slanted in from outside the cave, casting my shadow at my side.

Out of the corner of my eye, I can see both my own shadow and the shadow on the stone wall, which complement each other.

The sixth patriarch thus achieved great mastery of Chan Buddhism and divine powers.

He created the Bodhidharma Sword Technique, which can defeat an enemy with just one sword strike.

This sword strike went straight at the enemy, but the sword energy shot out from the direction of the enemy's shadow.

This is because the sword energy has been cultivated to the point where it can be controlled at will and dispersed like a wisp of silk.

With a slight movement, the gossamer thread reached the shadow's location before anyone noticed, then condensed into a sufficiently threatening sword aura and stabbed out.

Shaolin masters throughout the ages have exhausted their efforts to study this sword technique, yet they still cannot understand how the sword emerges from the shadows.

Lord Liuyun understood this point and therefore did not pursue the effect of being pretentious or mysterious.

His sword energy, like wisps of smoke, emanated from the iron flute and flew directly toward Chu Tianshu's left ear, intending to solidify into a form through Chu Tianshu's ear canal.

A sword pierced through his head!

Chu Tianshu suddenly closed his ears, covering his ear canals with his ears.

He actually sensed the invisible, elusive wisps of sword energy, causing these wisps, which were not yet a threat, to condense only an inch or so outside his ear.

It appeared as if a small crystal sword was close to Chu Tianshu's ear.

But as soon as he appeared, Chu Tianshu's figure had already spun around and turned backward.

The sword was struck by the wildly whipping hair behind his head. The dark hair, mixed with a bluish light, was like a large, soft whip, shattering the sword energy into pieces.

Hundreds of strands of hair took the opportunity to break apart and burst out in the blue light.

The formation of the half-human-sized Tai Chi diagram was due to a harmonious aura created by the residual sword energy.

When these strands of hair passed through, although they did not directly touch the outline of the Tai Chi symbol, they broke the energy field.

The Tai Chi symbol suddenly collapsed.

Lord Liuyun's iron flute trembled in mid-air, shredding all the strands of hair.

Only then did the two figures fall back onto the reef.

(End of this chapter)