Japanese Entertainment: From special effects actor to action superstar
Chapter 266 Exorcist Master Shimizu Ken
Chapter 266 Exorcist Master Shimizu Ken
The film project is named "Urban Demon Tale" and subtitled "Nara Ghost Picture Scroll".
If the subsequent situation is good, we can continue to expand, such as Tokyo scroll, Osaka scroll, Mount Fuji scroll, Snow Woman Ring scroll, etc.
In fact, according to Gu Ming, he wanted to name it "Zero·Zero·Nara Ghost Scroll".
However, Akio Jissoji asked a crucial question.
What is zero? What role does it play in a title?
This question immediately stumped Gu Ming.
indeed.
The Japanese people today would not know that many years later, specifically in 2001, Tecmo would launch a Zero series game, telling the story of various girls adventuring in a haunted house and eventually resolving the crisis.
The game is not very popular, but it has a fixed audience. The plot integrates local customs, Japanese legends of gods and Buddhas, and even stories about beautiful girls adventuring in haunted houses.
“What a pity.”
Gu Ming sighed.
Since the name can no longer be called Zero, we can only use a simpler and easier to understand name like Urban Demon Tale.
The first scene was filmed in a corner of the studio borrowed from Daquan Studio.
Although Gu Ming is not the director, he has set a very strict script design.
In later generations, horror films abroad, in addition to those in China, have formed a fixed routine, especially American thrillers. The routine is to first show daily life, a few young men and women, and then for various reasons accidentally enter a haunted house, and then some stories such as prophets pointing the way happen in the middle.
After a series of struggles, the first person to die is usually a lone black man, then a rugby player with a big head and a thick neck, and finally a good girlfriend or boyfriend, leaving only the pitiful heroine, the little hero, and so on.
If a movie wants to have a sequel, the villain ghosts usually won't really die.
The routine received a reverse tribute in "The Cabin in the Woods".
This routine has naturally not become a tradition at present, so Gu Ming used it directly.
The first scene was filmed directly in Tokyo. It tells the story of a few young people in Tokyo who made an appointment to go out and play. Coincidentally, the heroine came across a flyer on the road saying that there was a big house in Nara that was suitable for cooling off. So the group made an appointment with a tour guide and prepared to go to Nara for vacation.
These people are the male protagonist 'Ken Shimizu', an Onmyoji hidden in the city; the female protagonist 'Arina Hashimoto', a childhood sweetheart and the traditional gentle Madonna image; the second male protagonist 'Kato', a very active and funny second male protagonist; and finally, the local tour guide 'Oki', who often makes trouble, plays a questioning role in the team, and has a negative impact.
This is the first scene of the entire film. At the same time, some footage will be edited and sent for advertising.
Watanabe Ryosuke directly gave the million-dollar advertising fee to Gu Ming, so there was no need to be too stingy with the camera.
In the small room under the studio, Gu Ming was packing things from his backpack. Soon the backpack was filled to the brim and could hardly hold any more.
Gu Ming was holding the backpack in one hand and trying to get something on the bedside table with the other. He tried hard to reach it but couldn't. He also had to hold on to the backpack to prevent it from falling apart. His face turned red and he looked quite funny.
At the request of Jissoji Akio, Shinichi Ooka put the camera close to Tani Akira's face to capture a close-up of his funny expression.
That’s right…Ooka Shinichi is on camera!
Although he basically had to follow Jissoji Akio's instructions, he was still quite excited.
"Hmm, I didn't realize Furuya-kun had some acting skills."
Gu Ming smoothed his hair and combed it back as if it had its own hair gel.
"It's just a prank. Anyone can do this kind of performance."
"really."
Jissoji Akio responded and prepared to shoot the next scene.
In the end, Ken Shimizu still failed to get the things on the bedside table, and the things in his backpack were scattered all over the floor. Ken Shimizu was also carried to the ground by this force with a desperate expression.
The contents of the backpack were scattered. Besides a change of clothes for the trip and props like condoms for the prank, there was also a large amount of talisman paper, writing brushes and ink, and a book with an ancient-looking cover. The contemporary heir of the ancient Yin-Yang school, Ken Shimizu!
Shinichi Ooka's hands are very steady. He holds the camera and takes close-ups on these props to highlight the extraordinary identity of Shimizu Kenshin.
A modern Onmyoji who seems ordinary but is actually different from ordinary people!
Jissoji Akio calculated the time and thought it was about time, so he made a gesture to the outside world and Higuchi Kanako stepped into the photography range.
Her costume is a sailor suit reminiscent of Yamaguchi Momoe's classic look, with braids cascading down her cheeks, making her look innocent yet somewhat pitiful. Her small leather shoes and ankle socks can't hide her long legs at all.
This is the heroine of the movie, Arina Hashimoto.
"Gugu-kun!" She stood outside the building, her hands cupped in front of her mouth, looking a little nervous. "Are you ready?"
It seems that the two people are on two floors, one above the other, but in fact, they are on the same floor, just with different exterior and interior scenes.
Jissoji Akio suddenly frowned.
"Hold on, where's Furuya-kun? It's Shimizu-kun!"
"Oh, sorry..." Kanako Higuchi hurriedly bowed.
Seeing her expression, Jissoji Akio couldn't bring himself to blame her. He could only lower his expression slightly and warn her, "Don't make such a stupid mistake again."
"Yes, sorry."
Kanako Higuchi bowed and returned to her original seat.
As the camera started moving, she raised her head and looked up at the non-existent second floor. She put her hands in front of her face and greeted Gu Ming with an expression as if she was afraid of disturbing the neighbors.
"Shimizu-kun? Are you ready?"
Of course Gu Ming was not ready.
He covered his head with his hands, a grimace on his face, but he immediately forced a smile, moved closer to the window, and responded to the outside: "Right away! It will be done soon!"
But it was still a mess behind Mingming Gu Ming.
This is when Gu Ming begins to show his magical powers.
Gu Ming hid his hands under the window and began to make seals.
All the soldiers and fighters are lined up in front. The nine-character mantra will definitely be familiar to those who are familiar with Naruto.
There are many different opinions on the origin of this nine-character mantra. Some say it comes from Tantric hand seals, some say it comes from ancient Taoist books, and some say it originated from Emperors Yan and Huang.
But in Japan, the nine-character mantra is a common exorcism mantra.
Various exorcists appeared, and they knew nothing but the Nine-Character Mantra...
Gu Ming doesn’t care about that. Anyway, the setting here comes from Tantric Buddhism.
Tantra comes from TIB, and TIB is an inseparable part of the Zhou Kingdom! No one can separate it!
He formed seals with his hands, and soon, unusual movements were heard behind him.
The crew cooperated by putting down a flat bag and suddenly kicked it from a place that could not be seen outside the camera.
In an instant, smoke and dust flew up, and the Shikigami actor who had been prepared jumped into it. Off-camera, when filming this point, a figure appeared in the smoke and dust.
Spiritual communication, summoning Shikigami!
Ken Shimizu was too busy, so he used Yin-Yang magic to let the Shikigami help him clean up the things here as quickly as possible and then pack his backpack!
Today, Shimizu Ken was in big trouble and ordered the Shikigami to do their job quickly. Otherwise, the Shikigami knew what he was doing.
(End of this chapter)
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