Simultaneous travel: Starting from returning to the main god space.

Chapter 244 A Call from the Sky-Piercing Pavilion (Seeking monthly votes! Seeking further subscriptions!)

In China, in Shanxi, in an inconspicuous valley.

Deep within this valley lies an entrance that resembles a cave. Although the exterior is dilapidated, the interior is remarkably clean and tidy, clearly having been prepared beforehand.

At this very moment, the clone of Chu Xuan stood in front of the entrance, holding a pale gold Buddha statue in his hand. His eyes behind his glasses were calm and expressionless, revealing no emotion, but for some reason, he gave people the feeling that he was waiting for something.

Buzz!
A blur of motion swept in like a hurricane, then abruptly stopped in front of Fu Chu, snatching the Buddha statue from his hand.

The clone Chu Xuan was not annoyed at all, letting the other party take the Buddha statue without stopping him, and simply said, "You've come."

"What, are you trying to say I shouldn't have come?"

Wu Xian snorted coldly, squinted at the entrance of the cave ahead, and his X-ray vision penetrated directly through the rocks and darkness, reaching the core of the cave. He saw a huge plaza filled with white crystals, exactly like the scene described in the original work.

【come over!】

As he was thinking, Wu Xian suddenly felt a throbbing in his heart, and heard a faint voice in his ear, as if something was calling to him, full of expectation and longing.

What's going on? Does the Suspended Pavilion have illusion traps?
After thinking for two seconds, Wu Xian decided to ignore all of that for now, because his intuition told him that the sound was not dangerous, and might even bring great benefits.

For someone who has awakened the light of the soul, this intuition is far more trustworthy than any clues or intelligence.

"I'm in a hurry, I don't have time to argue with you. If you can make it, just come with me!"

Wu Xian had no intention of communicating with the clone Chu Xuan. In a flash, he rushed into the cave at a speed comparable to teleportation.

A few seconds later, Wu Xian arrived at the plaza covered by white energy crystals. After scanning the area, his gaze settled on the lotus platform in the center, which was the entrance to the ruins. The Buddha statue in his hand was the only key.

Click!

Without thinking twice, Wu Xian flew directly to the lotus platform, lifted the Buddha statue with one hand, and placed it in the center, in a groove-like spot.

In an instant! Countless dense filaments of light appeared on the surface of the Buddha statue. These filaments gathered together and formed the densely packed runes and images on the surface of the Buddha statue.

Immediately afterwards, the square trembled violently, and then everything around it seemed to begin to descend at an extremely fast speed, as if the entire square had turned into an elevator and was heading straight to the ground.

Looking back, he saw that the clone of Chu Xuan had arrived at the square at some point. He couldn't help but purse his lips, but he didn't say anything. He just tried to use telepathy to connect with the Central Continent Team.

Unsurprisingly, it failed.

"As expected, once this ruin is opened, it will be isolated from the outside world. And the storage space also seems to be sealed... Tsk! This is a bit troublesome."

Wu Xian narrowed his eyes slightly. He had just remembered that Lingxiao Pavilion had a setting that prevented the use of storage space items.

In addition, it seems that entering the main body of the Suspended Pavilion will trigger some kind of restriction, causing the Suspended Pavilion to collapse in a short time. It is unknown whether this setting will continue in this deflection state.

"Chu Xuan... I'll call you that for now."

Wu Xian turned to look at the clone Chu Xuan and said in a serious tone, "In the future you see, did this suspended pavilion eventually collapse, and what about the Creation Jade Disc... I'm actually a little interested in that thing too."

"How about this? We can split the cultivation materials in the Suspended Pavilion in half. As for the magic treasures, I'll take a loss; I only want three. The Jade Disc of Creation is mine, and all the other magic treasures are yours, how about that?"

Yes, without a doubt, this is a trap.

In the standard setting, most of the magical artifacts in the Suspended Pavilion have been tampered with, supposedly by installing something similar to a locator. After the reincarnators take them away, those behind the scenes might not be able to invade the Main God Space through these artifacts, but in the reincarnation world, there is still a certain chance to find the reincarnators and surround and kill them.

Within the suspended pavilion, only three magical treasures can guarantee that there will be no problems.

The Monkey King's Ruyi Jingu Bang (a high-quality replica), the broken Eastern Emperor Bell, and the Creation Jade Disc are the three treasures Wu Xian plans to take.

Wu Xian originally planned to just take matters into his own hands and steal it outright, since they had already entered the Lingkong Pavilion, and he deliberately didn't mention signing a contract with Fu Chu, thus avoiding being bound by the rules.

In this way, as long as Wu Xian is willing, he can take everything he wants based on his own strength, without having to discuss it with the clone Chu Xuan.

But this is Chu Xuan after all; he never does anything without certainty. He might have some backup plan, such as taking out a fragment of the Investiture of the Gods.

What? Fu Chu said he didn't get it.

Ha... You actually believe the nonsense uttered by a wise man? You must still be dreaming!

In any case, Wu Xian was already mentally prepared for Chu Xuan to pull out the Investiture of the Gods from behind his back, so just in case, he decided to test Chu Xuan first to see if he knew about the hidden traps of the Lingkong Pavilion.

Even though the other party knows it's highly likely, what if they really did see a ghost?

"..."

Under Wu Xian's expectant gaze, the clone Chu Xuan remained calm and silent, like a statue, showing no intention of answering his question.

Wu Xian curled his lips, and just then, the speed at which the plaza fell suddenly stopped, and the surroundings were plunged into a brief darkness. But soon, as the plaza moved, a ray of light in front of them gradually became clear, revealing its true appearance.

Apart from the central library pavilion, the rest of the area was blank, just like the plaza beneath his feet—empty, yet enormous, stretching as far as the eye could see.

From a distance, it looked just like a continent, suspended in the dark void.

Thousands of meters below this blank continent, a dark red light emanated. Wu Xian glanced at it and saw that the source of the red light was a blazing sea of ​​magma, which reminded him of the core of the Earth.

Of course, there was something that attracted Wu Xian's attention even more than these.

In front of the library, there was an enormous sphere of light, about fifty cubic meters in volume, suspended in mid-air.

Both its light and color were exactly the same as the large sphere of light in the God's Space. Apart from its size, there was almost no difference in anything else.

Come here! Come here quickly!

Just then, the strange calling sounded again, and this time it was clearer than before.

Wu Xian's heart skipped a beat. Following his senses, he looked over and discovered that the source of the sound was inside the Lingkong Pavilion.

Is it...

Thinking of a certain possibility, Wu Xian's eyes flashed, and without caring about the clone Chu Xuan behind him, he transformed into lightning and flew towards the direction of the Lingkong Pavilion.

Sigrún has taught at the Iceland University of the Arts as a part-time lecturer since and was Dean of the Department of Fine Art from -. In – she held a research position at Reykjavík Art Museum focusing on the role of women in Icelandic art. She studied fine art at the Icelandic College of Arts and Crafts and at Pratt Institute, New York, and holds BA and MA degrees in art history and philosophy from the University of Iceland. Sigrún lives and works in Iceland.

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(End of this chapter)