Tokyo Unnatural Forensics

Chapter 397, Fujidai's Four Little Actresses
The "Family of Four Murder Case in Toshima Ward" once attracted a lot of attention. Before making this program, Uesugi Muneyuki also conducted research. Although there were no bodies, based on the clues left behind, Uesugi Muneyuki was able to roughly deduce the murderer's profile.

First, based on DNA testing, the presence of a Y chromosome indicates that the perpetrator was undoubtedly male, and his age at the time of the crime was likely between 25 and 33, during his physical prime. However, the fact that it was not an impulsive crime suggests that he had a certain level of maturity and social experience. His paternal lineage is Caucasian, his maternal lineage is Japanese, and no paternal Y chromosome clues were found, indicating that it was most likely the product of a classic Caucasian man and Japanese woman romantic relationship.

The size 42 shoes indicate that he should be at least 175 cm tall, but not a burly giant over 185 cm, otherwise he would easily leave a deep impression. The murderer's appearance should be close to that of an ordinary Japanese person, otherwise the obvious mixed-race features would also be too conspicuous.

The murderer was probably quite familiar with the Sato family, but likely did not reside in Tokyo long-term, otherwise it would have been possible for the virus to go undetected. Judging from the perpetrator's ability to kill, they must have a profession requiring extensive manual labor skills.

Regarding the killer's unusual behavior of lingering at the scene for an extended period of time, Uesugi Muneyuki believes that the killer's core motive is an extremely distorted "substitution/intrusion fantasy" and a deep-seated "sense of deprivation" eruption.

Because the killer could not be found to have any specific motive for murder from beginning to end, the killer did not kill for money, sex, or revenge.

The killer's lingering behavior at the scene (eating oranges and drinking alcohol, cooking instant noodles, microwaving leftovers, and watching home videos) is a key element. It shows that after the murder, the killer attempted to assume a "member" role in the victim's "home," experiencing the "normal family life" and "sense of belonging" he longed for but never had. The choice of the Emperor's Birthday, a day for family reunions, reinforces this symbolic meaning. The Sato family (especially Kenichi's seemingly ordinary and happy family of four, as small shop owners) may symbolize his idealized or intensely envied objects of jealousy.

In other words, the perpetrator was likely under extreme psychological pressure at the time, similar to the case of Yasue Saijo. However, unlike Saijo, he desperately craved a normal family atmosphere and affection. His initial impulsive and brutal actions likely stemmed from his struggle with Shota and subsequent injury, which may have been a turning point. His subsequent behavior (eating, drinking, watching videos, and tending to his wounds) revealed a near-dissociative "calm" and immersion. The sake and oranges may have been his way of seeking a moment of "normalization" or calming his nerves. His composure upon leaving indicates exceptional psychological resilience.

In other words, the murderer may have completely satisfied his emotional needs through this behavior, or he may have realized that he would never have a normal family or normal kinship, so he never committed another crime after this one.

Therefore, in summary, those who engage in low-end manual labor but have some awareness of military training (possibly due to family or background influence), have poor social integration, are raised by white parents, and have a severe desire for and lack of family environment.

Uesugi Muneyuki strongly suspects that this guy is the descendant of a US military officer stationed in Japan and a Japanese woman. The US military officer returned home as soon as his stationing time was up, leaving a single mother to raise her child alone. The mother died early, and the murderer left Japan quickly after committing the crime and did not commit any more crimes.

Uesugi Muneyuki attempted to draw a portrait of the murderer, and the recording of today's program came to an end.

"Thanks for your hard work!"

"Thank you for your hard work, Uesugi-san! Mai-sama!"

"Thanks for your hard work!"

Fuji TV takes the variety show "God's Hand" very seriously, and the recording of the program has ended.

"Thank you for your hard work." Uesugi Muneyuki couldn't really say for sure. He could only make a rough deduction about what kind of person the murderer was. Fortunately, it was an unsolved case. It would be best if it could be solved, but if it couldn't, he couldn't be blamed. Although he couldn't perform autopsies, he understood Saijo Yasue's antisocial personality and the underworld.

His experience of trying to integrate into the real world allowed him to understand what the killer was thinking.

I want a home, a place that doesn't need to be fancy, a place I can think of when I'm tired.
As for why the Sato family was chosen, it is very likely that Sato's izakaya had a weak or indirect connection with him due to hatred. The murderer may have simply made a unilateral enemy through accidental means, or even just accidentally chose the Sato family as the "carrier of an imagined home".

Such inferences are difficult to prove with real evidence, but Uesugi Muneyuki understands that he will have to face various cases without bodies sooner or later. If he could have said before that he was just an ordinary forensic doctor passing by, now that the Special Missions Unit has reached this level, he will definitely have to take on various difficult cases in the future.

Uesugi Muneyuki's choice was to accept the challenge!

"Thank you for your hard work, junior!" Mai-senpai was as radiant and dazzling as ever today. Her elegant, vintage-style, embroidered absinthe dress accentuated her perfect figure and captivating curves. A pair of simple, milky-white satin rhinestone-buckled high heels added a touch of gentle grace to her dignified demeanor. She walked lightly to Uesugi Muneyuki's side and smiled as she wrote a "five" in his palm.

The meaning is simple: if you're free tonight, feed me, at least five times.

Uesugi Muneyuki's face turned a little green; her senior's thirst for the energy of the inner world was comparable to that of a Great Devourer.

And... five times won't do!
"Thank you for your hard work, Uesugi-san, Mai-sama!" Miyawaki Sakura also came over to join in the fun. She happily expressed her anticipation for the next collaboration. However, Imamura's manager quickly reminded her that she had another engagement to attend. Sakura could only regretfully say that she would definitely treat Uesugi Muneyuki and Shirakawa Mai to a meal next time.

Sakura is an incredibly hardworking person, especially now that the 48 Group has passed its peak and is only maintaining its brilliance through the long tail effect. She frantically takes on appearances to maintain her influence, seizes every opportunity to ride the wave of popularity, and doesn't let go of any program invitations or exposure opportunities.

Last year, Sakura Miyawaki ranked 17th among female idols with an annual income of 1700 million yen.

In fact, by this standard, she earns much more than Uesugi Muneyuki. Uesugi Muneyuki's total annual income last year was only 800 million yen. After paying taxes and deducting various pension and medical insurance, he only received about 600 million yen. Not only was he outcompeted by Sakura, but even the annual salary of Watanabe Eiji, the Superintendent General of Police, was less than that of Sakura.

However, everyone should be able to understand that although Uesugi Muneyuki and Watanabe Eiji earn less, the difference in their social status is huge. Not to mention Sakura, even if Sashihara Rino, who is ranked first in the female idol income list (annual income of about 5000 million yen), were to say something like "I've become the idol manager~ The Superintendent General of Police can't compare to me~" and the Metropolitan Police Department or even the Superintendent General himself heard it, she would be in a little trouble.

The air still carried the chill of the studio and a hint of tension. Fuji TV news anchor Tsutsumi Reimi, having finished her work, approached Uesugi Muneyuki with a question mark. Under the bright fluorescent lights, the meticulous image of the beautiful Fuji TV news anchor revealed a subtle hint of fatigue and anticipation the moment she took off her standard business smile in front of the camera.

"Thank you for your hard work, Uesugi-san! Shirakawa-san!" Tsutsumi Rei came up to Uesugi Muneyuki and said meaningfully, "Uesugi-san, you've been very busy lately, haven't you?" "Thank you for your hard work, Tsutsumi-san." Uesugi Muneyuki was thinking about how to deal with Mai-senpai's demands for payment when he encountered Tsutsumi Rei, so he could only laugh it off: "Yes, it's the end of the year (Japan's annual audit in March), so I've been quite busy."

He understood what Tishrei was saying.

The beautiful anchorwoman was asking him why he hadn't been mentioning her recently.
This woman, she's clearly a hostess at a brothel, but she seems to be a little addicted, doesn't she?

Uesugi Muneyuki guessed correctly. The moment Tsutsumi Reimi finally got the chance to talk to Uesugi Muneyuki, her heart skipped a beat. It wasn't fear, but a mixture of intense longing and excitement at a long-awaited reunion. The memory of being assigned to receive him that night instantly came vividly to her mind—his elegant speech, his charming demeanor, and the several intimate experiences that followed that were unforgettable and unforgettable. It was by no means a painful memory, but a secret weapon she treasured in her heart, carrying a hidden sweetness.

Why hasn't he mentioned me recently?
Moreover, Fuji TV clearly places the highest priority on Uesugi Muneyuki. As a newcomer who has only been with the company for three years, she has already become an interactive host and background script reader for "God's Hand," a reporter for many important programs, and has gained some popularity due to her outstanding appearance and excellent professional qualities.

Now her goal has become to become the host of Fuji TV's midnight news program "Alpha".

Of course, given her limited experience, she still needs Uesugi Muneyuki's support in this matter.

However, with national star Mai Shirakawa present, news anchor Tsutsumi could only suppress her own thoughts and politely express her hope that Uesugi-san would come to Fuji TV to "record a program" again, promising to "perform well".

"Let me see Uesugi-san off." After hearing that the two of them also had to leave, Tsutsumi Reimi offered to follow them.

Mai-senpai had other engagements, so she left Uesugi Muneyuki a secret code to see him again that evening. When the news anchor Tsutsumi escorted Uesugi Muneyuki to the corridor, before they could even exchange words, the two unexpectedly bumped into each other, just like several other female news anchors passing by outside.

Just then, another female announcer from the same cohort as Uesugi Muneyuki, Ebihara Yuka and Tsutsumi Reimi, Kuji Akiko, happened to pass by. Amidst the soft clatter of her high heels, another new female announcer, Sakuma Minami, followed behind them, cautiously asking questions.

The moment Uesugi Muneyuki appeared, the Fuji TV female anchors held their breath.

The moment Ebihara Yuka saw Uesugi Muneyuki, her gaze shone with an extremely bright and precisely calculated brilliance. She almost immediately adjusted her posture, displaying the most perfect profile and leg lines. Her face quickly put on a professional smile that was even brighter and sweeter than before, with just the right amount of admiration. She nodded slightly and said in a clear yet respectful voice, "Mr. Uesugi, hello, thank you for your hard work."

Yuka Ebihara stared intently at Uesugi, trying to signal him to give a response.

Why didn't the waiter at the music hall specifically ask for my name?

Meanwhile, the other female announcer, Akiko Kuji, instantly brightened her smile, as if illuminated by a light. She subconsciously brushed a stray strand of hair behind her ear, leaned forward slightly, and exuded boundless enthusiasm and energy: "Mr. Uesugi, hello! It's both unexpected and an honor to meet you here!"

Her voice carried a perfectly timed hint of surprise and excitement, attempting to break the ice. Her gaze lingered boldly on his face, full of anticipation.

Actually, Uesugi-san, you could have just named me!
Only Sakuma Minami, who had just joined the company, seemed slightly nervous, but she quickly composed herself and gave a very standard, sweet smile with the respect and a hint of shyness typical of newcomers. She tightened her arms around the documents, stood up straighter, and bowed slightly: "Hello, Mr. Uesugi."

Her eyes were filled with awe and a longing to be noticed.

She wasn't quite sure about the secrets of the Fuji Dai Rakuya's hospitality, but she had witnessed Tsutsumi-senpai's meteoric rise to fame.

I want to ascend to heaven too! I want to read a script on a top-rated show with an average viewership of 30% and a peak viewership of 45%!

Seeing the other three female anchors vying to curry favor with Uesugi, Tsutsumi, the anchor next to Uesugi Muneyuki, was shocked. She gritted her teeth, and a hint of murderous intent flashed in her eyes.

Yuka Ebihara, Remi Tsutsumi, Akiko Kuji, and Minami Sakuma are four female news anchors who joined Fuji TV around the same time. They are considered to be the most promising and beautiful new female news anchors in recent years. Yuka joined the company two years earlier, Remi Tsutsumi and Akiko Kuji joined the company three years ago, and Minami Sakuma just joined the company.

Mr. Uesugi only needs to name me.

Mr. Uesugi doesn't come to Fujidai very often, so I feel that this little opportunity to be entertained by the Rakuya is not enough!

You filthy bitches, get out of here!

The atmosphere in the corridor became very strange. The four female anchors looked at each other, and they all saw the strong desire for "promotion" in each other's eyes.

I can't help it, I just really want to improve!
The battle among the so-called "Four Little Flowers of Fuji TV" has only just begun!
(End of this chapter)