Tokyo: The life of a literary giant begins with home self-defense!

Chapter 263 Otobu Yang Kuang
Longchuan Che was at the airport calculating how long it would take him to pay off his debts.

The wife came back in a hurry as if she was chased by a dog.

The woman was wearing a sun hat and wide-brimmed sunglasses today.

She has a small figure and her face is meticulously covered. She said she was afraid of being recognized on the way back to Tokyo.

[Well-known writer Ryukawa Toru has a close relationship with his editor]

[It is rumored that the two are mothers’ friends and besties]

The wife was very worried that this kind of headline would be exposed, and Longchuan Che felt a headache when he saw her shifty eyes.

"Aren't you going to buy souvenirs?"

The woman in a white chiffon skirt came back stealthily and eagerly, and Longchuan Che pinched the bridge of his nose.

His wife is now becoming more and more uninhibited in front of him, without any regard for the decency of an adult.

"Ryukawa Tetsu."

The wife sat next to the boy, with sweat on her forehead.

"I met a pervert!"

Now Longchuan Che is very sensitive to the word "pervert" because after he wrote forty-eight ways of playing with bound feet based on "Xianqing Jiou", the two sisters looked at him strangely.

"Stop talking nonsense!"

Longchuan Che was a little serious.

“That’s called elegance.”

Ever since the night of the birthday party, his wife has always liked to put her little feet in his arms.

And Longchuan Tetsuya accepted everyone who came and experienced the plumpness and tenderness of his wife's toes.

"Feng Ya, you bastard."

The lady's face turned red as if she was thinking of something, and she nervously tugged at Takigawa Toru's sleeve.

"Do you remember the teacher who came to visit our house in Yamanashi?"

Yamanashi, a guest teacher?

Ryukawa Che remembered the best-selling author of "Mucous Lizard".

"Your licker?"

He loves his wife and often sends things to her office.

"Pah, my licking dog, your licking dog, your licking dog."

The wife was very disgusted with Longchuan Che's statement. In her opinion, she had rejected him many times directly, but he kept pestering her.

"I just ran into him again."

The wife was very nervous. When she suddenly ran into Tanaka Koizumi in another city, she had the illusion that he was secretly following her.

If he finds out about my relationship with Longchuan Tetsu
The wife started biting her nails.

"Stop chewing it, or it will break."

Longchuan Che slapped the other person's hand away, wondering where the other person learned the bad habit of biting his nails.

"Let's go meet him."

If he really is stalking his wife, Ryukawa Tetsu must deal with him immediately.

The wife was very worried that people they knew would know about their relationship, but Longchuan Che pinched her and walked over there without a care in the world.

Walking past the Doraemon theme retail store, Ryukawa Toru saw the fellow from Yamanashi.

Mediterranean hair is very conspicuous in the crowd.

The other person was pushing a wheelchair as if looking for something.

When they saw Longchuan Che, their eyes lit up slightly.

When Takako Takeda was a little nervous that they were coming towards her.

"Teacher Shefu, I finally found you!"

Tanaka Koizumi said excitedly while holding Ryukawa Toru's hand.

"Ototake Yoko, Tanaka Koizumi?"

I heard a familiar name from Imamura Yukawa.

Ono Taro was a little surprised.

The manuscript in his hand, "Beauty and Sorrow", was directed by Tanaka Koizumi and written by a newcomer named Otaku Yomiuri. In the literary world, there are not many works that are directed by seniors and produced by juniors, but there are some.

Generally, the former provides certain creative experience, and the latter expresses gratitude in the article.

but
"Isn't it just to gain momentum?"

In Taro Ono's opinion, "Beauty and Sorrow" is well written. Although it is not as good as "Snow Country", it is also a rare new sensationalist work. Taro Ono does not think that Tanaka Koizumi is qualified to direct it.

"It's none of our business. Anyway, Otaku Yomiuri was recommended by Tanaka Koizumi."

On the last day before the Golden Week, Tanaka Koizumi suddenly rushed to Kodansha.

This popular best-selling author who desperately wants to enter the literary world brought out the work "Beauty and Sorrow".

"Okata is a quadriplegic author and is very topical."

Imamura Ogawa looks at his nose with his eyes, and his heart with his nose.

He turned a deaf ear to Ono Taro's refusal.

Taro Ono believes that if the cheating is discovered, Ryukawa Toru's future will be ruined, but Imamura Takekawa sees this as an opportunity.

A topical author and a very good newcomer of the new sensation school.

They hyped each other up and won the "Gunzo Award", an award for which Ryukawa Toru was the judge.

“It can give people the illusion that the literary world is changing and there are always new comers.”

First it was Toru Ryukawa, then Yomiuri Okamoto.

The Ministry of Education wants to support one creator after another who is opposed to class literature.

The Ministry of Education cannot put all its eggs in one basket.

"It's also good for Ryukawa Tetsu, isn't it? After all, the New Sensation School belongs to him."

Imamura Yukawa took a sip of water. Ryukawa Toru is now a benchmark figure of the New Sensationalism School. No matter how many newcomers emerge in the future, they must be subject to his artistic form.

Just like Monk Hongping.

"I will think about it."

Taro Ono put the manuscript aside. Even though it was award-winning, he still planned to wait for Ryukawa Toru to return to Tokyo and make his own decision.

Is it to use this group portrait award and the hype by the Ministry of Education to push the New Sensationalism into the public eye, or is it that they are unwilling to go along with the crowd and be a part of the clean stream?

Taro Ono looked at the manuscript and was unsure himself.

"my fans?"

Hokkaido, New Chitose Airport.

Tanaka Koizumi started off with a very flattering introduction.

He was pushing a middle-aged man who could only sit in a wheelchair. The man claimed to be his fan and student.

"Yes, yes, Yang Kuang is the author who just submitted his work to the Group Portrait Awards. His works are also of the new sensation school, just like yours, Mr. Longchuan."

Tanaka Koizumi wiped his sweat with a small towel and introduced Ryukawa Toru enthusiastically.

During this process, he didn't even dare to look at his wife.

For him, Ryukawa Tetsu's current status in the literary world is already out of reach.

The founder of the New Sensationalism, who created works using the sketching method.

Some old seniors like Ichiro Oobi respectfully called him teacher, and as long as Tanaka Koizumi wanted to make a breakthrough in the Japanese literary world, he did not dare to offend Toru Ryukawa.

Mrs. Takeda felt inexplicably dazed as she watched Ryukawa Toru holding her hand and talking to Tanaka Koizumi.

She used to be a little afraid of Tanaka Koizumi, but now Ryuukawa Toru is enough to make people dare not even look at him just by standing there.

He will be the most powerful rain in the Japanese literary world, and his voice will be as powerful as thunder.

The wife suddenly remembered what Taro Ono said.

"You submitted your work to the Gunzo Awards, and you want me to see it in advance?"

After understanding the other party's intention, Long Chuan Che raised his eyebrows.

After hearing about their autograph session, the two rushed from Tokyo to Hokkaido.

Only Ryukawa Tetsu would recognize the works of the New Sensationalism School. These two people came here in advance to pay their respects.

"Please show me your work first."

Ryukawa Toru frowned and looked at Okatake Yomiuri, whose only mouth could move.

(End of this chapter)