Depressive screenwriter.

Chapter 1 Rurouni Kenshin
[You have used up all your emotional points and drawn a lottery.]

[Ding! You have won the work, Rurouni Kenshin: Memories.

High-definition and detailed information on comics, novels, movies, music, scripts, etc. related to the Reminiscences will continue to be delivered! 】

[Ding! The first draw gift, you will get a skill of the character in the work with 100% certainty!
Ding! Congratulations, you have obtained Himura Kenshin's "Flying Sword Style" swordsmanship.

Ding! The first draw gift, the system will enhance the host's physique to a certain extent.

Ding! The increase is complete, and the host's body fat percentage has been reduced to the optimal health level.

Strength, agility, and mental strength are enhanced. 】

The public office area of ​​the Sakura TV scriptwriting department.

Su Yan opened his eyes.

In my head, a flood of information from the system continues to be input.

While accepting this flood of memories, Su Yan was also thinking about another thing that he had not fully accepted.

He traveled through time yesterday and bound himself to the system.

This is a country that is very similar to Su Yan’s previous life, but also completely different.

The Sakura region was a province of the Xia Kingdom long ago in history.

Therefore, the current popular domestic entertainment works are influenced by the early works from the Sakura region and have somewhat similar styles.

Many of the big investors in the domestic film and television industry are from the Sakura region.

This is similar to the early days of Su Yan's previous life in China, when works from Hong Kong were popular in mainland China.

After Su Yan traveled through time, he originally wanted to learn from Charlotte in the movie and create a cultural wave from another world to make a fortune.

After all, he was an old 2D fan in his previous life, and the works he knew in his head were just anime, novels, games and the like.

Moreover, in this world, he is now 20 years old and is a film and television screenwriter who has just been hired as a full-time employee of Sakura TV for a month. Doing this kind of thing is in line with his career development and is also in line with the market.

But unfortunately, the system in his body shattered his dream.

According to the system, or the plane rules.

Su Yan wants to bring the works he knew in his previous life to this world, and he needs to consume emotional points to participate in the lottery.

Every time Su Yan's work causes a drastic emotional fluctuation in the natives of this world, he will gain a point of emotional value.

The more he wanted to draw a work from his previous life that was more famous, longer, and had higher commercial value, the more emotional value he would need to consume.

If you want to redeem a specific work, the emotional value required is at least six or seven times higher than that of a lottery.

For example, the work Rurouni Kenshin: Memories was won by the original owner of the body, Su Yan, who worked as an intern in the screenwriting department of Sakura TV for two years, was listed in the screenwriting team, and used the two million emotion points accumulated from more than a dozen works, big and small.

If you insist on redeeming it, you need to have at least 10 million emotional points.

but
"The Flying Sword Style sword technique." Su Yan's eyes lit up.

While the system restricts Su Yan's wanton cultural invasion, it also allows Su Yan to obtain the skills possessed by the characters in the works through lotteries with a probability, which is a gain and a loss.

At least in the original work, the "Flying Sword Style" sword technique is a real, terrifying and murderous sword technique.

When Su Yan watched the Rurouni Kenshin anime and movies in his previous life, he was extremely envious of the protagonist's handsome posture when killing people.

Su Yan felt the sword skills flooding into his mind, looked at the mosquitoes hovering above his head, and grabbed the utility knife on the table.

As soon as he thought about it, a flash of sword light flashed across the empty public office area.
The two wings of the green bean-sized mosquito were cut off accurately, and it slowly floated down. The wingless mosquito fell on the desk and crawled around in a daze.

“Although a society ruled by law can only kill mosquitoes, I am very strong.”

Su Yan’s eyes widened.

Bang!

At this time, the members of the screenwriter department who were out for lunch also returned one after another.

Su Yan quickly stopped his abnormal behavior.

As one of the three major TV stations in Xia Country, Sakura TV has a professional screenwriter department with hundreds of people all year round. Every quarter, they have to create at least a variety of TV series, variety shows, and trick shows for many TV stations to broadcast. In addition, with the rise of the Internet era and the increase in Internet users, the online video websites invested and operated by TV stations also have a huge number of users, and there is also a huge demand for online TV series and movies every quarter.

Every employee in the screenwriting department is very busy, not to mention those who go out to collect materials and those who supervise the filming on the set.

Even people in the company's screenwriting department have their own busy jobs.

But even so, the female employees in the editorial department would occasionally secretly glance at Su Yan while they were not working.

The original owner of Su Yan's body was a handsome guy. With the system's body transformation, Su Yan's body fat percentage has decreased. At this moment, he is even more handsome.

The clear outline of the side face and the slightly sharp eyes made even those who were used to seeing handsome stars on TV unable to help but look at him more.

"Su Yan, have you finished writing the script that will be submitted to the production department tomorrow?"

At this time, a man in his forties with a big belly named Teruhiro Sawai walked to Su Yan's side.

Although in Xia Country, entertainment and film and television works are greatly influenced by the style of Sakura Island, and Tokyo is also one of Xia Country's economically strong cities, how could a television station, an industry that serves the entire country, have its headquarters located on a small island?

Whether it is producing works, broadcasting works, cooperating with advertisers, etc., it will be extremely inconvenient.

Although Sakura TV belongs to Sakura Province, its headquarters is still located in Shanghai, the capital of Xia State, and more than half of the employees in the TV station are Shanghai immigrants who were sent here by Sakura TV.

And Teruhiro Sawai was the career guide of the original owner of Su Yan's body during his two years of internship.

Su Yan graduated from junior high school at the age of fifteen and entered a vocational school majoring in film and television directing for three years. After graduation, he worked as a screenwriter intern under Teruhiro Sawai for two years and was only hired as a full-time employee last month.
The screenwriters who have been converted to full-time employees no longer have to do odd jobs for the regular screenwriters in the TV station. Every quarter, they have the opportunity to submit a script they have created to the production department. If the script is approved by a producer in the production department, the TV station will allocate funds to form a team to produce and broadcast it.
Of course, after all, a TV series broadcast by a TV station often costs tens of millions of dollars to make, and even works broadcast on online platforms require at least millions of dollars of investment.

Many new screenwriters in the screenwriting department often cannot get their scripts recognized and adapted for filming for one or two years, or even longer.

They can only join other famous screenwriter teams, do odd jobs like interns, and earn a meager basic salary. After a long time, if they fail to demonstrate their value, they will be passively fired or leave the industry on their own initiative.

Teruhiro Sawai was still somewhat concerned about his subordinate Su Yan, and took the initiative to ask him about the topic of submitting the script.

"Well, Master Zejing, thank you for your reminder. I have been preparing for this for two years, so I will naturally not neglect it." Su Yan said with a smile.

In the original owner's memory, although Teruhiro Sawai spoke in a somewhat rigid manner, he was not a bad person and was a responsible master.

"Very good, Su Yan, I just admire your mentality, you are neither arrogant nor impatient, and you are full of confidence. One day, you will have an office of your own in the scriptwriting department of Sakura TV." said Teruhiro Sawai.

It is both a promise and encouragement.

Although he actually felt that the possibility of Su Yan's first script being accepted by the production department and funded for production was very low.

But he still hopes that Su Yan will not lose heart and persist in developing in this industry. He should not be like some young people he has seen who lack perseverance and just run away from the screenwriting industry after submitting a few scripts and getting rejected.
After saying this, Teruhiro Sawai turned around and walked towards his office without any further delay.

Su Yan looked at his back and breathed a sigh of relief.

He opened the locker at his workstation in the common area of ​​the screenwriting department, and inside was a stack of scripts written by the original owner of this body.

【Summer breeze! 】

A story about the heroine who couldn't find a job after graduation, hit a wall in the city, and then returned to her hometown to inherit the family business.

It cannot be said that the plot is completely unoriginal, but compared to those shoddy dramas on the market in Xia Country, Su Yan feels that this script is not much better.

After putting it back in its place, Xia Yan turned on the computer, tapped the keyboard skillfully, and first wrote a few big words on the title bar of the standard script document.

Rurouni Kenshin

Screenwriter: Su Yan. 】

Since Su Yan drew Rurouni Kenshin: Memories, there was nothing much for him to say.

Although this work was a spin-off of the Rurouni Kenshin manga in its previous life, its OVA animation is considered to be of god-level production and plot in the eyes of veteran anime fans.

It has also been adapted into a live-action movie in the island country.

It has a very high reputation and the plot is extremely depressing. It is Su Yan's favorite. He likes to watch these depressing works the most.

Anyone in the production department of Sakura TV who has a little knowledge of the subject.

It's not possible that this script would be submitted and then rejected, right?

Hmm. Probably.

　If you find any problems with the writing, please let me know! The author will accept them humbly!
　　
　
(End of this chapter)