Violence supervision in Conan

Chapter 766 The Greatest Rival to Emerge Soon: The Movie Takeshi Onino Prepares for Several Companies

Upon returning to Tokyo, Ono Takeshi immediately assigned people to follow up on the matter of Kuchihashi Village.

He could never get over the strangeness there.

However, this is obviously not something that can be resolved in a short time, so Ono Takeshi is just keeping an eye on it, focusing most of his energy back on the current matter.

Currently, "Killing Ghost Wild" continues to climb at an astonishing daily box office, and it has no rivals among other films released in the same period.

The outside world has also become accustomed to the reality that Takeshi Onino's movies sweep everything away.

Similarly, most film producers and directors also feel that... there's nothing wrong with lying down.

Foreign counterparts also have a deep understanding of this.

"Killing the Wild" not only dominated the Japanese domestic market, but also achieved remarkable success after its global release.

It dominated major countries and regions, including North America, defeating a host of domestic films with absolute strength and taking the top spot!

Even with Hollywood blockbuster "Jurassic Park: The Lost World" as a competitor, "Killing Ghost Wild" did not show any signs of weakness and continued to perform strongly, which really surprised many people.

This is the sequel to the masterpiece "Jurassic Park," and it's directed by Spielberg again, but the result doesn't seem to have met many people's expectations.

Ono Takeshi was not surprised by this.

Although it is a sequel to Jurassic Park and continues the story of the previous film, the sequel is actually loosely structured and not rigorous enough in terms of plot. Many plot points seem to have omissions and are illogical. It seems that in order to speed up the film's pace, some narrative points are only briefly mentioned.

At the same time, the most exciting dinosaur battles of the previous film were reduced considerably. The main plot revolved around the protagonist escaping the dinosaurs' pursuit, and the final showdown between the Velociraptor and the Indoraptor was rather disappointing, completely lacking the passion of the first film.

Viewers generally felt that it was not as amazing as the first film, and this disappointment was directly reflected in the box office.

Another reason is that after the first Jurassic Park became a global phenomenon, dinosaur movies sprang up like mushrooms after rain. Although none of them could compare to Jurassic Park, they still caused many viewers to feel aesthetically fatigued.

Despite the continued box office success of the sequel, which outperformed films from various countries, the sequel lacked the overwhelming global dominance of the first film.

In this situation, while Jurassic Park 2 can be considered a formidable opponent, Kill Wild is equally unwilling to be outdone and is not weak at all!
Moreover, the two films are not entirely of the same genre.

The former even seems a bit stifling, far less satisfying than the latter!

"Killing Ghost Wild" is a thrilling experience from beginning to end, with several action scenes that are sharp, clean, and exhilarating.

Therefore, to the astonishment of many, Killing Ghost Wild gradually closed the gap with Jurassic Park 2 from its initial lagging position, and ultimately overtook it!

With an absolute advantage of over 1 million US dollars, they defeated the latter and successfully reached the top!

When the box office took the lead, countless people were shocked.

Takeshi Oni's name resounds throughout the world once again!
The entire Hollywood fell silent.

Even Spielberg couldn't stop Takeshi Onino, so who can stop this man?
Is it possible that Hollywood, a prestigious institution, really has no way to deal with an Asian?

Just as the world was going crazy for Takeshi Oni and his film "Kill Oni," a man who was not yet considered a well-known director by many people at the time stepped into the doors of 20th Century Fox.

"I want to make a movie, but I need funding."

What kind of movie?

"A movie about a big ship..."

After negotiations and evaluations, 20th Century Fox ultimately made what could be described as a crazy decision—

A $1.5 million investment was made to produce this movie!
For 20th Century Fox, which is currently mired in a financial crisis and severely damaged, this represents most of its assets, making it a truly desperate gamble.

But for senior management, rather than watching the company sink into a quagmire and eventually decline, it's better to take a gamble while they still have the strength.

This is not uncommon in Hollywood. At least they really thought highly of the script, and the man in front of them also gave them confidence.

It can be said that the top management of 20th Century Fox was indeed very decisive, but unfortunately they underestimated the pitfalls of a certain person.

They will make them deeply understand what it means to be a bottomless pit of spending money like water.

But at the same time, Onino Takeshi may also be facing his biggest rival...

……

Oni Takeshi had no idea that a certain great ship that had crushed everything in his previous life was about to set sail.

Now, apart from cooperating with publicity, he doesn't need to worry about anything else.

The matter of "Killing Oni" has been temporarily put aside, but that does not mean that Oni Takeshi can relax.

Today, Oni no Eiga has developed into a behemoth-level leading enterprise, in no way inferior to industry giants such as Shochiku and Toei, and even surpassing them.

They have long since escaped the predicament of having to rely on Takeshi Onino's movies to make a living.

Nevertheless, Takeshi Ono still provides several script ideas every year, which undoubtedly becomes a key project for Ono Pictures that year.

No matter the circumstances, Ono Takeshi's scripts are Ono Pictures' strongest guarantee, a consensus shared by the entire company and even outsiders.

The previously released films "Love Letter" and "Back to the Future" achieved remarkable success, successfully cultivating a group of new actors and directors.

Takeshi Ono has prepared two more scripts.

One is a similar romantic comedy, "My Sassy Girl," and the other is "Night at the Museum."

Although the latter is a Hollywood movie, there is nothing wrong with setting the background in neon.

Furthermore, Takeshi Ono plans to invite Akako Koizumi to help him use her red magic to give the exhibits real life, making them even more realistic and natural than special effects.

In addition, Takeshi Ono did not show favoritism and prepared scripts for both the US branch and Paramount.

Paramount received a blockbuster film—

Mission: Impossible

There's no need to elaborate on this movie; just look at Tom Cruise, who's over 60, still risking his life by jumping out of planes—that's proof of its excellence.

Takeshi Onino intends to make this film a long-lasting series in this world as well.

Moreover, it has an advantage over the previous life; at least the actors don't have to worry about aging.

Takeshi Onino plans to make eight or ten films first.

Regarding the lead actor for this film, Takeshi Ono believes that no one is more suitable than Tooru Amuro.

He's really looking forward to seeing Touko transform from a national security police officer into a super agent!

If Paramount, as the "adopted son," has already secured such a major film, then the US division, the "biological son," naturally needs no further introduction.

Takeshi Ono has prepared a movie that is in no way inferior to Mission: Impossible.

Its name,

It's called,

The Matrix

(End of this chapter)